San Francisco Chronicle's Scores
- Movies
- TV
For 9,306 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,162 out of 9306
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Mixed: 2,658 out of 9306
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Negative: 1,486 out of 9306
9306
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Mick LaSalle
The Baxter is just an OK movie, but Showalter's performance is the gem to take from it.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Walter Addiego
This Belgian crime thriller makes compelling viewing out of a "you can't be serious" plotline.- San Francisco Chronicle
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Peter Hartlaub
A love story that gets the single male culture down so honestly and unapologetically that it can't help but push the boundaries of political correctness.- San Francisco Chronicle
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Peter Hartlaub
Favoring precision filmmaking over cheap thrills, with a vibe more Alfred Hitchcock than Freddy Krueger, Red Eye establishes two intelligent characters and lets audiences sit back and enjoy an entertaining battle of brains and wills.- San Francisco Chronicle
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Reviewed by
Peter Hartlaub
Despite a decent cast of mostly British voice actors and better-than-average computer animation, the movie seems rushed at 76 minutes and is only marginally funny.- San Francisco Chronicle
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Walter Addiego
With his caustic humor, director de la Iglesia is being billed as "the next Almodovar."- San Francisco Chronicle
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- San Francisco Chronicle
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- Critic Score
While there's no blood to be seen in Supercross, the film is rated PG- 13, due to some crash scenes, a little strong language and some mild sexuality. That's a shame. This movie was tailor-made for 12-year-olds.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Peter Hartlaub
A well-intentioned horror film that is weighted down by stellar cast members who for the most part act as if they don't want to be there.- San Francisco Chronicle
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Peter Hartlaub
At times, "European Gigolo" feels more like an international incident than a movie.- San Francisco Chronicle
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Reviewed by
Peter Hartlaub
More action directors should include scenes such as the Mercers' extended Thanksgiving dinner, which fleshes out the bond between the brothers without using too many words.- San Francisco Chronicle
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Joel Selvin
The Great Raid tells its story without irony, perspective or any leavening that would make it something other than an ordinary military-action caper.- San Francisco Chronicle
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- San Francisco Chronicle
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Walter Addiego
This is the heart-rending true story of a man with a seemingly benign preoccupation that turned into something close to madness and brought him to a terrible end.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Walter Addiego
It's an apocalyptic ghost story with some eerie images and a surprising turn toward the end, but it bogs down considerably between the good scenes.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
John McMurtrie
An unflinching look at the ravages of substance abuse, and it's also a sobering redemptive tale.- San Francisco Chronicle
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Reviewed by
G. Allen Johnson
Although the documentary is ostensibly about these girls and their friendship, training and school life, a healthy chunk of it is a portrait of the two families.- San Francisco Chronicle
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Mick LaSalle
In stiff competition for the lamest thing ever put on celluloid.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A study of middle-class, middle-aged disappointment in its varying forms, a sober look at different life choices.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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Reviewed by
Walter Addiego
Has more in common with a horror movie than with a genuine political work.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
G. Allen Johnson
If there's any justice at all at next year's Academy Awards, we have our first can't-miss nominee for best supporting actress: Amy Adams.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Cusack should have been half the picture, but the screenplay keeps shoving him offstage for no good reason, and it's a mistake. One of many.- San Francisco Chronicle
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Reviewed by
Peter Hartlaub
The film is so harmless, and the young actors try so hard, that it's difficult not to have some fun.- San Francisco Chronicle
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