San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,306 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9306 movie reviews
  1. The Baxter is just an OK movie, but Showalter's performance is the gem to take from it.
  2. Just plain bad.
  3. This Belgian crime thriller makes compelling viewing out of a "you can't be serious" plotline.
  4. A love story that gets the single male culture down so honestly and unapologetically that it can't help but push the boundaries of political correctness.
  5. Favoring precision filmmaking over cheap thrills, with a vibe more Alfred Hitchcock than Freddy Krueger, Red Eye establishes two intelligent characters and lets audiences sit back and enjoy an entertaining battle of brains and wills.
  6. Despite a decent cast of mostly British voice actors and better-than-average computer animation, the movie seems rushed at 76 minutes and is only marginally funny.
  7. With his caustic humor, director de la Iglesia is being billed as "the next Almodovar."
  8. Degenerates in the second half.
    • 26 Metascore
    • 25 Critic Score
    While there's no blood to be seen in Supercross, the film is rated PG- 13, due to some crash scenes, a little strong language and some mild sexuality. That's a shame. This movie was tailor-made for 12-year-olds.
  9. Not sure we need to know this much about his family life.
  10. A well-intentioned horror film that is weighted down by stellar cast members who for the most part act as if they don't want to be there.
  11. At times, "European Gigolo" feels more like an international incident than a movie.
  12. More action directors should include scenes such as the Mercers' extended Thanksgiving dinner, which fleshes out the bond between the brothers without using too many words.
  13. The Great Raid tells its story without irony, perspective or any leavening that would make it something other than an ordinary military-action caper.
  14. Mostly meets expectations.
  15. This is the heart-rending true story of a man with a seemingly benign preoccupation that turned into something close to madness and brought him to a terrible end.
  16. Only partly successful.
  17. It's an apocalyptic ghost story with some eerie images and a surprising turn toward the end, but it bogs down considerably between the good scenes.
  18. An inventive, black comedy.
  19. An unflinching look at the ravages of substance abuse, and it's also a sobering redemptive tale.
  20. Although the documentary is ostensibly about these girls and their friendship, training and school life, a healthy chunk of it is a portrait of the two families.
  21. In stiff competition for the lamest thing ever put on celluloid.
  22. A study of middle-class, middle-aged disappointment in its varying forms, a sober look at different life choices.
  23. A rare, sumptuous movie treat.
  24. Has more in common with a horror movie than with a genuine political work.
  25. A superior adventure film with a poetic heart.
  26. If there's any justice at all at next year's Academy Awards, we have our first can't-miss nominee for best supporting actress: Amy Adams.
  27. At times quite powerful.
  28. Cusack should have been half the picture, but the screenplay keeps shoving him offstage for no good reason, and it's a mistake. One of many.
  29. The film is so harmless, and the young actors try so hard, that it's difficult not to have some fun.

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