San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,306 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9306 movie reviews
  1. A ridiculous teen horror movie that piles on more than enough dry humor and freshly moistened gore to satisfy its lowbrow audience.
  2. I like it for the thing it is, a reasonably solid B movie, and I like it as one in the continuum of bizarre Ford vehicles that combine high-stakes action with household horror.
  3. A graceless, embarrassing effort.
  4. A film about profound ideas deserved more imagination.
  5. If London were a comedy, it just might work. Instead, it's a dead-serious marathon of angst from cool kids old enough to know they're mouthing cliches.
  6. A snapshot of a fabled career that's of little interest to anyone outside Young's fans.
  7. Entertaining and compelling.
  8. It's a weighty and visually interesting movie that unfortunately doesn't have a strong message beyond its overwhelming bleakness.
  9. Something is wrong with A Good Woman: The lightning never strikes. It's never quite alive.
  10. Even the element of surprise isn't enough to save this film, which has too many slow parts and features an ending that's extremely tepid by 21st century horror movie standards.
  11. Each time Something New touches on something controversial, it quickly retreats to some silliness.
  12. Fascinating and distinctly politically incorrect.
  13. It's reassuring to see Steven Soderbergh return to riveting down-and-dirty filmmaking with Bubble.
  14. A formulaic, predictable and yet reasonably likable picture.
  15. The result is an incredibly disorganized movie with a few funny scenes -- most of which are revealed in the commercials.
  16. Underlying the story is sadness, a sense of mystery and a quality of pain. Enjoy the movie for its surface pleasures, but when it's over, it's those subterranean qualities that will keep it lingering in the mind.
  17. It takes just the first shot to get sucked into Breaking News, the latest bit of destruction from mayhem master Johnnie To, and it's a doozy.
  18. An innocuous, fluffy little nothing of an almost-pleasant movie.
  19. The film is obvious, weak and scattered and seems more like a practical joke than a work of genuine passion. It is without exaggeration one of the most blindingly boring films I've seen in years.
  20. A workmanlike effort -- a precision piece of filmmaking that provides education for children and a refresher course that adults can benefit from as well.
  21. A highly amusing combination period film and mockumentary.
  22. Perhaps the humor has been lost in translation.
  23. A funny and appropriately skewed comedy.
  24. A somber polemic that presents a convincing case against using war as an economic booster -- although, Jarecki argues, that is precisely what the United States has been doing under every president since Truman.
  25. A Christian-themed film about redemption with almost no redeeming qualities as entertainment.
  26. Humorless, confusing and not very fun to watch.
  27. A loose, amiable documentary tracking several decades in the life of this most unusual farmer.
  28. A series of vignettes that are edited in much the same way one might click from one random Craigslist posting to the next, the film is a fun and free-form celebration of the site's communal spirit and only-in-San Francisco ethos.
  29. If you can get past a few swear words, the film's simplicity makes Glory Road a good starting point to get young kids to talk about racism.
  30. This harmless bit of fluff lacks the element of surprise but is not without random charming moments supplied by its incandescent star.

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