San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,305 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9305 movie reviews
  1. It’s tougher than it looks to sidestep revenge movie shortcuts and formulaic payoffs while keeping matters engaging. But Saulnier does it. Off-kilter and fresh, Rebel Ridge may frustrate crude expectations, but its satisfactions are many.
  2. When the action focuses on the battle lines in Mexico, the results are nothing short of spectacular.
  3. It's a monster of a movie, and it gets unwieldy.
  4. As the record of a cultural event, Soul Power is a hit-and-miss affair.
  5. An austere rural landscape, festering hatred, class tensions, terse dialogue - these are common currency in indie movies these days. Shotgun Stories uses them all, but manages to stand out from the crowd.
  6. What's Love Got to Do With It isn't the best musical biography of all time, but it's an unusually satisfying one, and a tremendous showcase for the splendid Bassett. [11 Jun 1993, p.C1]
    • San Francisco Chronicle
  7. A loving biographical tribute.
  8. This new picture is mainly in the spirit of fun, a loose, generally good-natured comedy with screwball overtones.
  9. Hail Satan? is too lacking in conflict (apart from the eternal one) to be a true study of a movement. But it’s a highly entertaining survey.
  10. In all ways, it’s unexpected — in its subject, in its treatment of its subject, and in its whole look and feel. It’s an original and interesting movie.
  11. Before it becomes entirely too Australian, the well-crafted haunted-hand horror movie Talk to Me perfectly captures the one-upmanship of social-media-fueled youth culture.
  12. Midnight Special is a sincere movie, but sometimes sincerity is half the problem.
  13. What's unforeseen in Unforeseen, a superior documentary by Laura Dunn, are the consequences of a certain mind-set about mankind's relationship to the world and, finally, to itself.
  14. This small film's accomplishments are many, but not the least is its ability to take a human story and frame it as a parable, without losing a bit of credibility or irresistible heart.
  15. Great pleasures.
  16. It’s oddly worth seeing.
  17. Imaginative and immensely engrossing film.
  18. Tells the story of Leo Tolstoy's last year from a refreshing new perspective.
  19. Until it becomes completely demented, The Guest is a perfectly respectable thriller, and even when it stops being respectable — even when it goes off the rails and becomes ridiculous — it’s still entertaining.
  20. Chandor's writing goes to some darkly interesting places, and there's fun to be found in individual performances.
  21. In essence, Sorrentino thought his way up to the middle of The Hand of God and assumed the rest would take care of itself. He started filming too soon. His screenplay needed work.
    • 76 Metascore
    • 25 Critic Score
    Listen Up Philip wants to say something meaningful about human relationships. But like a frustrated writer staring at a blank piece of paper, the words just never appear.
  22. Wonder Woman achieves touching and powerful moments that are unusual for a movie of this kind.
  23. An appealing Brazilian animated feature, and it’s conveyed in a handsome, expressive style that’s pleasing to watch.
  24. Deeply affecting, "Blade'' portrays an oddly elegant way of life that will soon be like the era in that other movie, "Gone With the Wind."
  25. An irresistible feel-good movie about love gone bad.
  26. Totally original yet filled with familiar human frailties, "Everyone" leaps off the screen to become one of those rare movie-going experiences.
  27. It takes one of the most gifted screen actresses of her generation and casts her out to sea with nothing to hold onto but a hideous script that’s all attitude without depth or understanding.
  28. A melancholy, well-observed film.
  29. I might be tempted to vote DiCaprio best actor — or at least to propose a new category be inaugurated, the acting equivalent of the Purple Heart.

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