San Francisco Chronicle's Scores
- Movies
- TV
For 9,305 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
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| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,161 out of 9305
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Mixed: 2,658 out of 9305
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Negative: 1,486 out of 9305
9305
movie
reviews
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Reviewed by
Mick LaSalle
It's a lovely and wistful celebration of youth, time and moments of connection -- and about the experience of living in the midst of a simple, perfect day that you know you'll remember for the rest of your life.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
For le Carré fans, The Pigeon Tunnel is a must-see, but the film will also be useful to people wanting an introduction to his work.- San Francisco Chronicle
- Posted Oct 27, 2023
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
It’s true that “Dune 2” is as depressing as watching the news, but that doesn’t make it relevant, because it isn’t the news. It’s more like unnecessary self-torture, like watching a depressing newscast from another planet.- San Francisco Chronicle
- Posted Feb 27, 2024
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Reviewed by
Mick LaSalle
By the end, it is clear just how much in control Sayles has been all along. The resolution, though typically restrained, forcefully puts over the movie's point, that we're all more connected than we think.- San Francisco Chronicle
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Carla Meyer
Blume’s insistence on first-person realness, on the page and in life, centers this thoroughly delightful documentary from directors Davina Pardo and Leah Wolchok, who met at Stanford University. But don’t expect the same degree of exploration Blume brought to her own protagonists.- San Francisco Chronicle
- Posted Apr 20, 2023
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- San Francisco Chronicle
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Reviewed by
Peter Hartlaub
Mainstream audiences will probably be confounded by Drive, while lovers of gritty filmmaking will defend every exaggerated shotgun wound as art. Know which camp you're in before you enter the theater.- San Francisco Chronicle
- Posted Sep 15, 2011
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Reviewed by
Mick LaSalle
Ultimately, The Fighter loses its courage and betrays the terms of its own story by fashioning an interpretation designed to please the people it portrays. It does a switch on us, by changing its focus from Micky's character to Micky's career and then pretending it was really about the career all along.- San Francisco Chronicle
- Posted Dec 16, 2010
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Mick LaSalle
In The Five Obstructions, we meet the Danish filmmaker for an extended period, and he's exactly what a fan might hope and expect him to be like: impish, insightful, unpredictable, mildly sadistic and rigorously honest.- San Francisco Chronicle
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Mick LaSalle
The world here is so ugly that only beautiful tracking shots, rich close-ups and adroit handheld work could make it bearable.- San Francisco Chronicle
- Posted Oct 15, 2015
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Bob Graham
Where it really counts, though, it's the same good old comic action fantasy.- San Francisco Chronicle
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Mick LaSalle
The strength of the Coens is that they are so witty, skilled and smart, so in command of their medium, so fluid and agile, so capable of surprising and delighting from every angle, that they can make the grimmest story bearable, even palatable.- San Francisco Chronicle
- Posted Nov 13, 2018
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Mick LaSalle
A new restoration takes a flawed bit of monster camp and turns it back into a strong, serious-minded and occasionally moving science-fiction film.- San Francisco Chronicle
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Mick LaSalle
I hope casting agents and other industry types see Fourteen, because I want them to see Norma Kuhling (of the NBC series “Chicago Med”), who plays Jo. She takes this strong role, by writer-director Dan Sallitt, and hits it exactly right.- San Francisco Chronicle
- Posted May 13, 2020
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Bob Strauss
Portrayals of transgender people in movies and television are a vast and complex subject, but Netflix’s new documentary Disclosure does an admirable job of covering many issues and contradictions a century of mostly insensitive screen depictions have raised.- San Francisco Chronicle
- Posted Jun 17, 2020
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Ruthe Stein
The Visitor, is, if anything, more imaginative and touching than his first.- San Francisco Chronicle
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Mick LaSalle
The story itself is arresting, and if that’s all “Bang” offered, that would be enough. But “Bang” does more.- San Francisco Chronicle
- Posted May 10, 2017
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Peter Hartlaub
The cinematography and direction are particularly compelling; the complicated sequences on the tight sets must have forced camera operators to play cinematic Twister in impossibly small corners.- San Francisco Chronicle
- Posted Apr 21, 2016
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Mick LaSalle
An action sci-fi blockbuster extravaganza that provides cartoon thrills for thinking people. It's the best movie of its kind since the second "Spider-Man" movie four years ago.- San Francisco Chronicle
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A film filled with beauty and pain that moves at the pace of molasses and snails. That is to say, some of it is in real time. Audiences would be advised to stay caffeinated.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The great strength and slight weakness of “How to Have Sex” is that it’s just like being there — except you might not want to be there.- San Francisco Chronicle
- Posted Feb 15, 2024
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Mick LaSalle
Only Lovers Left Alive is simply dead, an exercise in style, bland humor and vague gesture that yet seems to have been made in the naive expectation of a conventional response - that is, of an audience's actually caring.- San Francisco Chronicle
- Posted Apr 18, 2014
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Reviewed by
Mick LaSalle
With "Flynt," Love does what Madonna has been trying to do for 12 years -- create a performance filled with humor, intelligence and soul.- San Francisco Chronicle
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Mick LaSalle
For starters, it's a movie to make you happy to see the next movie written, directed and starring Lake Bell. She has an engaging presence and has a distinct comic sensibility.- San Francisco Chronicle
- Posted Aug 15, 2013
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Reviewed by
Mick LaSalle
This is a remarkable performance, remarkable not only in its force, but in its strength and precision. Oyelowo is reason alone to see Selma, and if you need another reason, there’s Carmen Ejogo, as a lovely, strong and haunted Coretta Scott King.- San Francisco Chronicle
- Posted Jan 8, 2015
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