San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,305 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9305 movie reviews
  1. Welles goes for broke in his performance and direction, and the only trick he misses is a tracking shot around his own bulging waistline. [Director's Cut]
  2. After watching her belt, blast and harmonize with power and precision through wildly diverse styles of music like an Amazon heroine, to see her struggle her way through this short piece is the kind of heart-string moment documentary filmmakers can only hope to catch.
  3. Anybody with a soft spot for fakers, who either identifies with them or just admires their chutzpah, is going to get a kick out of Happy, Texas.
    • 43 Metascore
    • 100 Critic Score
    A delightful French comedy.
  4. A brilliant and irresistible counterfactual overview of American history.
  5. Riveting.
  6. It is filled with lavish battle scenes and sharply scripted intrigue, and is among Kurosawa's greatest triumphs. [17 Apr 2005]
    • San Francisco Chronicle
  7. A confluence of perfection in every aspect of the film.
  8. The fight climax and very interesting resolution cap off an exhilarating two hours of entertainment — and suggest a sequel to come. Hope there is one.
  9. One Day is a beautiful movie, but beautiful in a way that life often is, not movies. Nothing is sudden or easy, either for the characters or for the audience, and there are no thunderbolts from the blue.
  10. Benediction is an awesome combination of wildness and control. Davies is out there all by himself, speaking a cinematic language that is his own and that has little to do with plays or literature.
    • 81 Metascore
    • 100 Critic Score
    As touching and original a movie as you're likely to see this year.
  11. The Farewell has a special feeling about it. It’s full of truth and emotion, and lacking in sentimentality. It has an eye for absurdity and for the telling detail, and it marks Lulu Wang as a director with the rare but essential ability to make you care about what she cares about. It will go down as one of the standout movies of 2019.
  12. A genuine winner in the old-fashioned family entertainment genre.
    • San Francisco Chronicle
  13. For those who just come for the music, “Hit Me Hard and Soft” hits the spot, covering most of her best songs, from “Chihiro” to “Everything I Wanted” and “Bad Guy,” while providing a limited yet fascinating window into Eilish’s workaday world.
  14. The film is so pitch perfect and realistic, it seems you are there with these people, watching their lives unfold before you as it happens.
  15. 4 Little Girls brilliantly captures a moment in American history and tells an achingly painful story of injustice and family loss.
  16. Vincente Minnelli's lavish and hugely entertaining adaptation of the Gustave Flaubert classic leaves little doubt that Emma (Jennifer Jones in an over-the-top performance that works surprisingly well) has found satisfaction for the first time in the arms of wealthy rogue Rodolphe (a perfectly cast Louis Jourdan). [26 Aug 2007, p.N44]
    • San Francisco Chronicle
  17. At times trying and perplexing, but it also contains some of the most psychologically insightful and ecstatic filmmaking imaginable.
  18. I don’t think I’ve ever seen a film that conveyed with such vividness and precision the helplessness of childhood.
  19. Goal! hits the back of the net and is an early candidate for the funnest movie of the summer.
  20. A remarkable documentary about an almost unfathomable ordeal.
  21. Sounds like silly fun -- and Linda Linda Linda is -- but it is also an extremely well-written, emotionally complex coming-of-age tale that has a John Hughesian respect for teenage angst.
  22. A serious movie that slowly earns its emotion and enlists our involvement. Even before the finish, it’s goosebumps all around.
  23. Like her (Cholodenko) other movies, this one has vivid characters and strong performances and flows like a slice of life set in an appealing, interesting world. But this one also has a good story and, if you're paying attention, a distinct point of view.
  24. The best American movie about women so far this year, and probably the best that will be made this year.
  25. Audiences will come away feeling like they’ve really been somewhere, that they were moved by the people they met and expanded by the experience. You can’t ask more from a movie.
  26. Klapisch's masterstroke was to place at the center of a movie a man, forced by circumstances, to stop and simply observe.
  27. This is one of Kubrick's best, not gimmicky or arch, not somnambulant or mannered, just finely detailed, measured, richly photographed and, at every step of the way, entertaining and interesting.
  28. It's one of the best documentaries ever made about show business, about what it really consists of and what it demands.

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