San Francisco Chronicle's Scores
- Movies
- TV
For 9,316 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,171 out of 9316
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Mixed: 2,659 out of 9316
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Negative: 1,486 out of 9316
9316
movie
reviews
- By Date
- By Critic Score
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- San Francisco Chronicle
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Reviewed by
Edward Guthmann
It isn't simple bad taste that Formula 51 deals in, but a total vacuum of feeling.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Carla Meyer
Earnest, heartrending look at the divide between religious fundamentalists and their gay relatives. It's also heavy-handed and devotes too much time to bigoted views.- San Francisco Chronicle
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C.W. Nevius
At best this is a film for the under-7 crowd. But it would be better to wait for the video. And a very rainy day.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Edward Guthmann
The dialogue, heavy on sarcasm and puncturing insults, never captures the World War II period but sounds ridiculously anachronistic.- San Francisco Chronicle
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Carla Meyer
Nearly every bodily fluid makes an appearance in "Rules," a mean-spirited paean to hedonism set at an East Coast college where students attend class only occasionally, and then only to perform oral sex on instructors.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
That the movie becomes silly isn't necessarily a problem, but it also becomes tiresome, degenerating into a series of martial arts interludes -- everyone unaccountably leaves his guns at home.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The details feel authentic: The empty Paris streets, the profanation of German anti-aircraft guns atop belle epoque buildings. And Devaivre's adventures provide high tension.- San Francisco Chronicle
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Reviewed by
C.W. Nevius
Perhaps the best teen date movie ever set in the year 1914, "Tuck" represents a brave leap against the tide. No sex, no car crashes and minimal violence. It just might be a hit.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Jonathan Curiel
Documentary reaches an exalted level of filmmaking. It explains the very fabric of American society.- San Francisco Chronicle
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- San Francisco Chronicle
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- Critic Score
How to Draw Bunny won the Special Jury Prize at the 2002 Sundance Film Festival, which must go to show how scarce noteworthy documentaries are.- San Francisco Chronicle
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Reviewed by
C.W. Nevius
Kids will enjoy the wisecracks and foolishness, and the big musical production numbers are toe-tappers -- or would be if the veggies had feet.- San Francisco Chronicle
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Edward Guthmann
A mystical tale of two souls, joined in love but divided in society, seeking redemption and understanding before they pass to another plane.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
A great achievement: tense and passionate, a film that one feels not just emotionally but also physically.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
In Hollywood, where integrity is rapidly consumed and careers defined by market value, there's trash and there's trash with a pedigree.- San Francisco Chronicle
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Carla Meyer
Gets everything wrong, starting with a title that indicates a somewhat innocent romantic transgression.- San Francisco Chronicle
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Jonathan Curiel
Marks Chan's full arrival as an actor. Take away the violence - - and there's plenty of it for those who crave Chan's physical pyrotechnics -- and he's still an immense pleasure to watch onscreen.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Graham Greene ("Dances With Wolves") in one of the year's best performances, he's a fully dimensional character: pathetic and shrewd, tragic and bitterly funny.- San Francisco Chronicle
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Carla Meyer
Consisting mostly of talking-head interviews, the film isn't especially dynamic, but it brims with insightful, poignant memories from survivors.- San Francisco Chronicle
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Neva Chonin
Has been called an exploitation of a tragedy, but in fact it's an expose of tragic exploitation.- San Francisco Chronicle
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Edward Guthmann
A listless, predictable effort, occasionally redeemed by witty lines and charismatic performers.- San Francisco Chronicle
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Reviewed by
Jonathan Curiel
A pedestrian film that provides little more than a superficial treat.- San Francisco Chronicle
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Reviewed by
Jonathan Curiel
A silly, cross-cultural shoot-'em-up -- the sort of movie that will work for those with some time to kill (no pun intended).- San Francisco Chronicle
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Jonathan Curiel
There's a certain formulaic and familiar quality about Sweet Home Alabama, but it doesn't matter.- San Francisco Chronicle
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