San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,316 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9316 movie reviews
  1. The title is all that's boring about director Michel Gondry's latest mind bender, as trippy as LSD.
  2. Although intriguing to look at, Renaissance -- the latest animated film geared to adult audiences -- is undone by a plot that is ridiculously hard to follow and hackneyed.
  3. The film is ultimately as much an indictment of liberal apathy as of conservative dirty dealing, and a canonization of McKinney for her continued refusal to follow any party's party line.
  4. Director Shosuke Murakami efficiently packages the material, deftly weaving in the individual stories of Train Man's chat-room buddies and how his success also gives them courage.
  5. The result is a film that fails to completely involve you, even as you admire its artistry.
  6. The world of The Black Dahlia is beyond bleak, beyond film noir.
  7. A strange film, because it seems designed specifically for extremely old moviegoers to see with their great-great-grandchildren.
  8. Gridiron Gang gives you a lot more to think about during the ride home.
  9. The Last Kiss ponders what you give up -- and what you gain -- from sticking with what you've got.
  10. True, the film doesn't need 110 minutes to tell a story this pat, but hey, in dark times, it takes longer to deliver a feel-good message.
  11. May be too convincing for its own good.
  12. Powerfully documents the human cost of the Iraq war.
  13. It's just horsing around that comes to nothing. No, it's worse. It's horsing around designed to disguise nothing as something.
  14. Within limits, this is an excellent documentary. Even fans who think they've seen everything will see things here they haven't seen.
  15. The problem with this one may be that it just isn't British enough.
  16. A documentary in search of a story.
  17. The film, actually, is a little like Reeves himself: It starts promisingly and trails off into indistinctness and mystery.
  18. A bad film with a great star and some truly amazing action sequences.
  19. There's no objectivity in this film -- Greenwald's goal is not to offer balanced coverage but to roil the waters.
  20. Doesn't accomplish its objective.
  21. Keeps you riveted through parts that might otherwise be difficult to watch.
  22. More than on "Prime Suspect," more than any film in recent memory, Le Petit Lieutenant conveys the relentless toll of big-city police work.
  23. The makers of Man Push Cart seem so dedicated to making a film that defies Hollywood conventions that the finished product lacks enough entertainment value to justify price of admission.
  24. A gentle, pleasant film about people you genuinely like.
  25. There's an Impressionistic feeling to all this, and sometimes it plays like a travelogue -- Bush is trying to do an awful lot at once. But the material is so compelling that we keep watching.
  26. It's all about the dumb thrill, baby. Leave it alone, or leave your brain and pocket change at the gate, strap yourself in and just enjoy the ride.
  27. Crossover has one redeeming quality: a heart that's in the right place. It's a bad movie with a good message -- but does anyone really want to pay $10 for an ABC After School Special version of "He Got Game"?
  28. Well intentioned, but only occasionally creepy.
  29. Bujalski's writing is so good, and every shot and edit seems exactly right. Hopefully, there will always be a place for a film like this on a theater screen, no matter the whims of the marketplace.
  30. Although "Riding" is a small-scale movie as opposed to a big-scale epic, it is just as ambitious.

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