San Francisco Chronicle's Scores
- Movies
- TV
For 9,316 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
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| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,171 out of 9316
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Mixed: 2,659 out of 9316
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Negative: 1,486 out of 9316
9316
movie
reviews
- By Date
- By Critic Score
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Reviewed by
G. Allen Johnson
Sounds like silly fun -- and Linda Linda Linda is -- but it is also an extremely well-written, emotionally complex coming-of-age tale that has a John Hughesian respect for teenage angst.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
It's screamingly, hysterically, laugh-through-the-next-joke, laugh-for-the-next-week funny. It's so inventive…This is a film by an original and significant comic intelligence.- San Francisco Chronicle
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Peter Hartlaub
For a movie that takes place mostly in the bowels of a sewer, Flushed Away has some surprisingly charming moments.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Ruthe Stein
Lower your expectations going into Volver and accept it for what it is: a ridiculously entertaining melodrama with loud echoes of "Mildred Pierce" that provides Penelope Cruz with a vehicle for her multifaceted talents.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
G. Allen Johnson
Black Bear Ranch's legacy of environmentalism (the residents were on the forefront of the anti-deforestation movement), and the endearing long-term relationships it engendered, endure.- San Francisco Chronicle
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Ruthe Stein
Despite a clever script and top-notch cast, whose commitment to doing service in the indie branch of the industry is commendable, Unknown falls apart just when it should be coming together.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A modest documentary, small in scope and ambition, but it achieves one of the higher callings of art in that it forces viewers to look at a something in a newer, deeper and more humane way.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
It's a film of unquestioned visual artistry, and the filmmakers' empathy and human understanding are apparent moment to moment, scene by scene. But despite sensitive performances, it's an experiment that fizzles.- San Francisco Chronicle
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Ruthe Stein
This deeply moving and disturbing film derives power from being based on the true story of a black South African who does everything possible, no matter how degrading, to get by within an immoral system, but becomes radicalized almost despite himself.- San Francisco Chronicle
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Peter Hartlaub
While "Saw" and "Saw II" were pretty good splatter films hampered by spectacularly unbelievable endings, Saw III is annoying for almost the duration of the movie.- San Francisco Chronicle
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Reviewed by
Walter Addiego
This is contemplative moviemaking, with its deliberate pace, often static scenes and emphasis on direct sound. The director keeps the dialogue pared to the bone.- San Francisco Chronicle
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Reviewed by
Peter Hartlaub
The movie appears to be a contrived, poorly produced attempt to sell more of the author's books.- San Francisco Chronicle
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Reviewed by
Joel Selvin
Documentary filmmakers pray for something to happen to their subjects when the cameras are rolling, and two-time Academy Award-winning documentarian Kopple struck gold when Maines told a crowd on the opening night of the band's first European tour that she was "ashamed" that President Bush was from Texas.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Depictions of an aide talking about her hospital vigil and her words of comfort to a distraught Laura Bush are creepy and exploitative -- and borderline disgusting.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The real item under consideration here is the movie itself, and the bottom line is that it lands in a humane place. True, any viewer will go in with a certain curiosity, ghoulish or otherwise, about what it's like to jump off a bridge, and yet the overall effect of the film is broadening. To see it is to dread the bridge jumps and to come away with a feeling of compassion and empathy.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Coppola has no trouble convincing viewers that Marie Antoinette is an interesting historical subject, but there's a big distance between that and creating a fascinating personality or fashioning a compelling narrative.- San Francisco Chronicle
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Ruthe Stein
A wildly erratic, often annoying but never boring endeavor.- San Francisco Chronicle
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Mick LaSalle
As painstaking as a documentary but without the satisfaction of a documentary or the impact of a drama.- San Francisco Chronicle
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Reviewed by
Peter Hartlaub
There are some nice moments and beautiful scenery, but the film is often slow and the dialogue is overwrought.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Thus, we find ourselves watching an ice-cold movie about competition that contains not a shred of rooting interest.- San Francisco Chronicle
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Ruthe Stein
Lacks the marquee names and production values of big studio romantic comedies, but it connects on an emotional level most of them fail to do.- San Francisco Chronicle
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Reviewed by
G. Allen Johnson
One of the year's most important documentaries, a real must-see.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
An unusual look at love and how it can unexpectedly develop. Those for whom the concept of an arranged marriage is foreign will get a little history lesson on the immigrant experience watching this sweetly engrossing film.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Peter Hartlaub
There are fun distractions, but it's easy to focus on the flaws.- San Francisco Chronicle
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