San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,307 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9307 movie reviews
  1. The film is sprinkled with “f” bombs, which fails to disguise that the enterprise is based on a surprisingly dated notion of what’s racy. Also, you simply may not find Bridget quite as adorable as the filmmaker’s clearly believe her to be.
  2. Shannon is worth seeing, and so is Spacey — hunched over, doing a funny impression of Nixon’s voice and body language. But this time the actors are better than the material.
  3. Benefits enormously from smart casting across the board.
  4. Intermittently entertaining.
    • 59 Metascore
    • 50 Critic Score
    While not offering anything particularly surprising or challenging in its take on the unpredictable shadow of loss, “Good Grief” delivers plenty of heart.
  5. Too predictable and too self-conscious to reach a level of high drama.
  6. So. What part of this is boring? All of it.
  7. Funny and honest.
  8. Both McAvoy and Horgan handle the rapid-fire dialogue with gusto, and for a while, their devastating banter is amusing. But eventually the effect begins to wear thin: These vocal diatribes need a more developed story to hang on.
  9. A whimsical but flat-footed attempt to account for several lost months in the life of Jean-Baptiste Poquelin, known to the world as Molière.
  10. It's the worst kind of convoluted thriller -- it can never unravel satisfactorily because there's nothing simple at its center, just more confusion.
  11. The alien attack, taking place in several cities at once, is breathtaking...All the same, Independence Day is consistently funny.
  12. No doubt this seeming effortlessness was hard-won. Movies this smooth don't happen by accident.
  13. Ultimately, the con we witness in the movie is almost as beautiful as the con that is the movie -- believable in the moment, too irresistible to question upon reflection and executed with invigorating confidence.
  14. A feel-good movie.
  15. Lushly entertaining, and its subjects are terrific storytellers with style to burn.
  16. It’s Zendaya’s movie. Her layered performance holds back then lets go as Emma’s full complexity is gradually revealed. If you can’t get onboard with Emma, then you’re the problem — which partly is Borgli’s intention.
  17. It's silly, witty and good-natured, not scary so much as icky, and not horrifying or horrible but consistently amusing.
  18. A beautiful film.
  19. It's a highly entertaining, big-budget, kick-butt kung fu movie, the best of its kind since Jet Li's "Fearless" in 2006.
  20. The name of this documentary is Surviving Progress, but that's only because "The Sky Is Falling and We're All Gonna Die" wouldn't fit on a marquee.
  21. Degenerates in the second half.
  22. The story gets away from itself as it barrels forward. The tiny bit of sense it makes at the beginning is quickly sacrificed in a conclusion so facile, illogical and cheap that it could use a dose of NZT itself.
  23. Funnier, sunnier and even more violent than its predecessor, “Nobody 2” ups the ante in the cinematic action department as well.
  24. It's good nonetheless, an artfully arranged account of Hemingway's current life, mixed with footage shot by her late sister Margaux for a 1983 documentary about the family.
  25. Jurassic World is an intelligent action movie that’s saying something simple but true: Yes, people are that stupid.
  26. While the sequel to "Night Watch" is an imperfect film, it's always interesting.
  27. Rubber has its share of jollies, at least when it isn't boring us to death with the fourth-wall-busting monkey business. Although I appreciate Dupieux's efforts at satire, the audience-interaction subplot goes nowhere fast.
  28. As a comedy, Junior has its share of laughs -- but no more than its share.
  29. Viewers may feel let down because the depth promised by the movie's visual artistry is never quite delivered.

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