San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,316 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9316 movie reviews
  1. Perhaps the most promising thing in 2 Days in Paris is that Delpy shows that she can direct herself.
  2. Rocket Science has the makings of either a tragedy or a crowd-pleasing underdog story, but writer-director Jeffrey Blitz instead takes the movie on a different, and ultimately more rewarding, direction.
  3. It works primarily because of the chemistry between Chan and Tucker, which is at its combustible best this time out.
  4. Unlike "Pirates," Stardust is anything but a wretched mess. It's a charming and smartly plotted fantasy.
    • 13 Metascore
    • 25 Critic Score
    Too predictable, but kids should like it.
  5. A thoughtful, satisfying action thriller.
    • 50 Metascore
    • 75 Critic Score
    Fundamentalists might take umbrage, but The Ten is not so much blasphemous as it is very silly, and it lives up to the one unbendable commandment of comedy: It's funny.
  6. Its weaknesses are clumsy plotting and a less-than-satisfying ending.
  7. While often cliche ridden and preposterous, it's too busy and loud to put anyone to sleep.
  8. Just funny enough.
  9. The film doesn't make a case for Lavoe as an important artist.
  10. The most coolheaded of the Iraq war documentaries, the most methodical and the least polemical. Yet it's the one that will leave audiences the most shattered, angry and astounded.
  11. A whimsical but flat-footed attempt to account for several lost months in the life of Jean-Baptiste Poquelin, known to the world as Molière.
  12. It takes a winning recipe and adds some distinctly Hollywood flavors...The result is a botched job.
  13. No one will be bored with the feature film... but everyone who knows the show well will have a nagging feeling that something is missing.
  14. The script and direction are virtually flawless.
    • 64 Metascore
    • 50 Critic Score
    Makes an unpersuasive case that humans are to blame for the shrinking ice caps.
    • 78 Metascore
    • 100 Critic Score
    An exceptionally powerful film driven by contradictory forces.
  15. An oddly structured tale about Francisco Goya and the Spain that he lived and worked in.
  16. Movie magic.
  17. Despite the fact that the movie covers some new cinematic territory, much of the humor feels recycled, mostly from the "Seinfeld" episodes "The Boyfriend" (the one where Jerry has a man crush on Keith Hernandez) and "The Outing."
  18. Directed by Danny Boyle, it lacks even a single moment of charm or interest.
    • tbd Metascore
    • 50 Critic Score
    There is an affecting story within first-time filmmaker Fay Ann Lee's Falling for Grace, but it is merely a subplot, one among too many that decorate this thin, unsatisfying romantic comedy-drama.
    • 78 Metascore
    • 75 Critic Score
    A modest chamber piece enriched by its affecting human harmonies and overtones.
  19. Despite the fact that both protagonists are equally appalling, the screenplay seems to have a soft spot for the woman. However, this doesn't take away from the fun of watching the two characters tear each other to pieces.
  20. Along the way, My Best Friend offers insights into the emotional and psychological components of both friendliness and friendship. They're not synonymous, though both have value.
  21. A potentially great movie winds up buried inside a just OK one.
  22. Taken as a motion picture, the new "Harry" comes up short. But taken as a visual aid to the experience of reading a book, the new "Harry" does its job.
  23. So what's wrong with Joshua? Two things: The audience is ahead of the movie, and the movie never catches up.
  24. Among the many strengths of the sweetly touching Introducing the Dwights, a small gem from Australia unearthed at the Sundance Film Festival, is that Jean never becomes Godzilla.

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