San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,316 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9316 movie reviews
  1. The second half of the film is much funnier and warmer than the first, but the movie is still difficult to recommend.
    • 68 Metascore
    • 75 Critic Score
    A powerful, frightening look at America's delivery room.
  2. Accessible, and often funny.
  3. The subtlety is the beauty of it.
  4. Though the movie has a handful of shots that are downright gross to witness, what makes The Orphanage scary is not what it threatens to show but what it suggests about life.
  5. Anderson almost brings off a picture worthy of his grandiose ambition.
  6. It's striking how much emotion Satrapi is able to convey through blocky drawings.
  7. Emotionally false.
  8. An edifying and forthright drama that aims to create a lump in the throat, and succeeds.
    • 71 Metascore
    • 75 Critic Score
    A solidly made wish-fulfillment fantasy set during World War II.
  9. P.S.: It stinks.
  10. Clever and enjoyable.
  11. A welcome throwback to family-friendly PG moviemaking.
  12. Steep begins to feel a mite in need of tighter editing. In truth, the film will appeal primarily to skiers, while others may get a bit, well, snow-blind.
    • 83 Metascore
    • 50 Critic Score
    What looks good on paper contracts doesn't guarantee results. Stylized but spasmodic, this "Sweeney" seems more interested in distancing than captivating an audience.
  13. For pure, uncomplicated enjoyment, it's the movie to see right now.
  14. A movie that features a cartoon rodent eating his brother's feces, and do you really need to know more about this update of Ross Bagdasarian's iconic musical creation?
  15. If you want lots of Will Smith and industrial-strength special effects, the movie delivers.
  16. The terseness of Hosseini's prose has been replaced by the sentimentality of the director's approach.
  17. Lush and heartfelt, but compelling only in fits and starts.
  18. Oliver Twist" meets "A Clockwork Orange" meets a reckless abandonment of credibility.
  19. May be far from perfect, but the big question is why you're sitting in a movie theater watching it instead of cuddling up at home with the remote in one hand and a steaming toddy in the other.
  20. The stories are harrowing, and because they are delivered by living, breathing witnesses, they move us in deep ways that the archival footage, for all its horror, cannot.
  21. An unforgettable examination of a host of dark impulses.
  22. The movie's onslaught of psychobabble is the annoyance most likely to ruin your evening. Imagine getting stuck on a ski lift with Dr. Phil for nearly two hours.
  23. Has a wicked sense of humor.
  24. A confluence of perfection in every aspect of the film.
  25. By the end, The Diving Bell and the Butterfly achieves a victory over difficult material, but celebrating that fact doesn't preclude recognizing the story is not a natural for movies and remains an uneasy match.
    • 62 Metascore
    • 50 Critic Score
    While trying to establish whether a conspiracy took place, the film attempts to solve the enigma that was Lee Harvey Oswald.
  26. At first, the technique seems gimmicky, but finally it's as compelling a perspective as any to understand how these men passed through agony to some sort of peace.

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