San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,303 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9303 movie reviews
  1. It's an horrific and tragic story, but somehow made beautiful through the care and attention of Schnabel's direction and Bardem's tender, unforgettable performance.
  2. Given its many twists, Atlantics is best experienced with as little foreknowledge as possible. Suffice it to say, it’s a fascinating window into a culture that doesn’t get nearly enough focus through the camera lens, and it takes full advantage of the cinematic form to envelop the audience in feelings of unease and uplift that are equally effective and affecting.
  3. Leaves an impression, while its specifics fade almost immediately.
  4. The Green Knight is a strange film — so out of step with current trends, so original in its conception, so willing to take its time and follow its own course — that it must be counted among the better films of 2021.
  5. A thoughtful, satisfying action thriller.
  6. The epic and impassioned close that the saga deserves, a sweeping Wagnerian finish that's taut with suspense and wet with emotion.
  7. All the women are good company, but in some ways Dench is the star of the show. She laughs often as she kibitzes with the others and seems not at all in awe of herself.
  8. Athlete A gives us the story behind the story. It’s a terrific journalism movie, but it’s also a story of young women who persevered and found justice against the odds.
  9. Take Shelter has a problem, the simplest of all problems but no less serious for its being simple. It's a film without suspense and with a slow-moving story that unfolds without surprise or embellishment.
  10. It's simply a quiet and heartbreaking look at the dynamics of one family. That's the beauty of it.
  11. One of the great Holocaust films.
  12. Get Out reveals an underlying unease. It diffuses tension, even as it points to its source. It may be somewhat rough and unrefined and even ill-considered in some of its particulars. Yet it may stand as a kind of pop culture document of this historical moment, a moment that’s not nearly as funny as this movie.
  13. City of Life and Death, a stunning re-creation of the Japanese army's annihilation of Nanking in 1937, will make you flinch, even as you admire its brilliant black-and-white cinematography, breathtaking art design and unerring direction.
  14. The big news about Steven Spielberg’s West Side Story is that it’s a magnificent movie, even by Spielberg standards and even by “West Side Story” standards.
  15. With its unique concerns, unerring sense of calm balance, and haunting Celtic-referencing score, “Song” is a worthy entry into the Oscar conversation.
  16. Amy
    The short, sad life of Amy Winehouse is compellingly told in a new documentary that sidesteps sensationalism and dime-store psychologizing and lets archival footage do much of the work.
  17. The experience of seeing this film is cumulative, sober and profound.
  18. The right mix of humor and horror and with not even a shred of sentimentality.
  19. The movie’s failure to engage is illustrated by directors Cristina Gallego and Ciro Guerra’s approach to the climactic scene. They shoot it almost entirely in long shot, as if inviting the audience not to care — or worse, as if admitting there was nothing to care about, after all.
    • 85 Metascore
    • 75 Critic Score
    It remains as unsettling as ever.
  20. Hornby's humane and humorous screenplay is true to the film's title: In short order, young Jenny finds out important truths about identity, glamour and how adults really think and live.
  21. As good as the film is in conveying the feeling of the walls closing in, it has to be said that the script won't win any prizes for subtlety - the director seems to relish ham-fisted ironies.
  22. An exceptionally fine movie that plays out on a large and leisurely scale.
  23. A remarkable documentary about an almost unfathomable ordeal.
  24. The movie is a rendering of the internal landscape of a contemporary cowboy, with the complexities and ambiguities left intact. It’s a kind of parable, delivered in a manner that has nothing to do with preaching.
  25. Out of the Past is cinematic perfection, a Hollywood classic that's as great and as enjoyable as its reputation has promised.
  26. One of the more thoughtful and valiant feature film directorial debuts in recent memory.
  27. A fascinating and entertaining glimpse into the world of high-level and socially conscious graffiti artists?
  28. Though overly long and difficult to digest, it's a feast you won't want to miss.
  29. A story that's startling, soulful and absolutely unforgettable.

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