San Diego Union-Tribune's Scores

  • TV
For 214 reviews, this publication has graded:
  • 50% higher than the average critic
  • 7% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 4.5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 EZ Streets: Season 1
Lowest review score: 0 21 Jump Street: Season 1
Score distribution:
  1. Mixed: 0 out of 128
  2. Negative: 0 out of 128
128 tv reviews
  1. There's a lot going on with Gilmore Girls, and once the writers can sort it all out, they might find an interesting series in there somewhere. [5 Oct 2000, p.E-9]
    • San Diego Union-Tribune
    • 48 Metascore
    • 37 Critic Score
    Family Matters is a spinoff from "Perfect Strangers," but not nearly as good. [22 Sept 1989, p.C-16]
    • San Diego Union-Tribune
  2. Miserable excuse for comedy. [19 Sept 2003, p.E-11]
    • San Diego Union-Tribune
  3. Spielberg appears to be suffering from movie-industry arrogance, the belief that any old piece of tripe will sell on TV. He certainly would not have tried to film a script like this for one of his mega-movies. Where's Jules Verne when we need him? [12 Sept 1993, p.TV16]
    • San Diego Union-Tribune
    • 28 Metascore
    • 30 Critic Score
    "Gung Ho" is the first prime-time series to have a predominantly Asian-American cast, but that doesn't save it from a narrow premise. [11 Dec 1986]
    • San Diego Union-Tribune
    • 35 Metascore
    • 30 Critic Score
    "Dinotopia" still has computer-generated dinosaurs hardly on a par with the creatures in the "Jurassic Park" movies; an annoying continuous faux classical music score; big, absurd sets; bizarre costumes; and an overall washed-out pastel look. [24 Nov 2002]
    • San Diego Union-Tribune
  4. Baby Talk plays like "Look Who's Talking XII," as if the producers just skipped right over the inevitable decline in quality to be expected in a long series of sequels and dove straight for the dregs at the bottom of the barrel. [8 Mar 1991, p.E-19]
    • San Diego Union-Tribune
  5. What we've got here is a standard family sitcom, with an extra character thrown in when he's needed to move the plot along, and thrown out when he's not needed. You know, if Rin Tin Tin and Lassie could have their own TV shows, why couldn't Mike? [25 July 1987, p.C-11]
    • San Diego Union-Tribune
  6. "Brewster Place" is dominated by a feeling of softness. A sweet gentleness pervades the air and issues are avoided, rather than confronted head-on. The characters that gave the original drama its sharpest bite, including the desperate welfare mother and the lesbian couple, have been dropped entirely. [1 May 1990]
    • San Diego Union-Tribune
    • 67 Metascore
    • 30 Critic Score
    Two and a Half Men -- a new run-of-the-mill, heavily laugh-track-ladened comedy series from CBS -- will make a lot of people bitter, especially ordinary, middle-class folk. [22 Sept 2003, p.D-5]
    • San Diego Union-Tribune
    • 25 Metascore
    • 30 Critic Score
    Particularly annoying because of its constant canned laugh track. The rhythm and cadence of the show are as fake as a current coffee commercial that's a satire of "Friends." [6 Oct 2000, p.E-10]
    • San Diego Union-Tribune
    • 55 Metascore
    • 30 Critic Score
    Flimsy. [6 Oct 2000, p.E-10]
    • San Diego Union-Tribune
    • 43 Metascore
    • 30 Critic Score
    A hokey, befuddling science fiction drama series from Fox. [6 Oct 2000, p.E-11]
    • San Diego Union-Tribune
  7. Overlaying Working Girl is a subtle, cynical atmosphere of class snobbery...The writers' assumption seems to be that their viewers share their elitist values and viewpoint. [15 Apr 1990, p.TV-8]
    • San Diego Union-Tribune
  8. It's not a laughing matter. [22 Sept 1987, p.E-7]
    • San Diego Union-Tribune
    • 60 Metascore
    • 30 Critic Score
    Thumb-sucking scripts, actors without direction and forgettable emotional clout. [6 Mar 1986, p.E-8]
    • San Diego Union-Tribune
  9. Or maybe that line just seems funny, because it's one of the few that's about anything but you-know-what. [24 Sept 2002, p.E-6]
    • San Diego Union-Tribune
  10. Shooting a comedy in real time may be an interesting exercise for the producer, but it doesn't make the story more interesting, or add to the laugh ratio. In fact, that little timer is downright distracting. [26 Feb 2002]
    • San Diego Union-Tribune
  11. The humor of "3rd Rock" is of I-can't-believe-how-bad-this-is quality. [9 Jan 1996]
    • San Diego Union-Tribune
  12. Goofy, silly, trying to be hip, lighthearted and loose, but ending up merely stupid, a dopey mix of inane dialogue, hints of sex, gunfire and blood. [29 Aug 2004, p.TV-6]
    • San Diego Union-Tribune
  13. Conspiracy and backbiting are the only constant themes, and the overwhelming sense of claustrophobia and the unremitting nastiness of many of contestants make the show nearly unwatchable. [17 Jul 2001]
    • San Diego Union-Tribune
    • 88 Metascore
    • 25 Critic Score
    Tedious and banal, '24' lacks the engrossing panache TV's 'Mission Impossible' had years ago. Even though a well-rested-looking Sutherland is cool, steady and right for his role, he can't carry the show alone. [4 Nov 2001]
    • San Diego Union-Tribune
    • 79 Metascore
    • 25 Critic Score
    A lot of the humor in Scrubs is sick. Many jokes are made at the expense of old people on the brink of death, or sitting comatose in a wheelchair. [2 Oct 2001, p.E3]
    • San Diego Union-Tribune
  14. "TekWar" is a blur of techno images, whirring noises and idiotic sci-fi speak. [18 Jan 1994]
    • San Diego Union-Tribune
    • 28 Metascore
    • 20 Critic Score
    A strong candidate for worst new series of the season. [2 Nov 1988]
    • San Diego Union-Tribune
    • 51 Metascore
    • 20 Critic Score
    Lame, trite. [21 Sept 1998, p.E-1]
    • San Diego Union-Tribune
  15. Where the film began on a distinctly glum note, then built toward a spirit of renewal, the pilot episode of the sitcom starts out noisy and stays that way. In other words, a bewitching and intriguing movie has been trashed once again in the making of a har-de-har sitcom. [30 Mar 1990, p.E-17]
    • San Diego Union-Tribune
  16. Cassidy is a decently capable dancer, but the routines performed by the troupe at the resort seem utterly tame, so mild that Stevenson's fuddy-duddy objections seem only puzzling. They are not nearly as puzzling, however, as CBS's decision to pencil Dirty Dancing onto the network dance card. [29 Oct 1998, p.D-15]
    • San Diego Union-Tribune
    • 66 Metascore
    • 20 Critic Score
    What "Enterprise" doesn't have are charismatic, fun characters. [26 Sep 2001]
    • San Diego Union-Tribune
  17. A mean, miserable, nasty-minded excuse for a comedy. [29 Jan 1999]
    • San Diego Union-Tribune

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