Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. An oddly graceful combination of fairy tale and romantic comedy, set in a forgotten corner of the world.
  2. Beautifully worked out, and the movie's final sight gag, set to Charles Trenet's shimmery seaside masterpiece, "La Mer," is a gracefully orchestrated bit of silliness that's a visual love sonnet to Chaplin, Lloyd, Keaton and, yes, Tati.
  3. An adamantly unterrible picture, a reasonably enjoyable diversion.
  4. The film's intimacy never feels fake, it's sporadically and unpredictably funny (I didn't exactly enjoy the cacophonous trumpet duet of the "1812 Overture," but I won't soon forget it), and the nonprofessional cast is surprisingly good.
  5. Gorgeous and terrifying.
  6. Primo Levi's Journey is a profound meditation on the unevenness of history, reminding us -- as Faulkner once remarked -- that the past not only isn't dead, it isn't really past at all.
  7. Its pleasures and charms lie in its very crudeness, in the way the characters' thoughts begin in their d---s and spill out of their mouths, completely bypassing their brains.
  8. Arguably a more important movie, which more clearly lays out what must be done to save the world, and how we can begin.
  9. The problem with Hirschbiegel's ("Das Experiment," "Downfall") convoluted, car-crash-laden Invasion is that it doesn't know what symbolism it wants to grasp.
  10. Ultimately Gordon's movie becomes both a hilarious story about an unbelievable collection of arrested-teenage morons and, yes, an inspiring fable of persistence and redemption. I haven't mentioned this movie's fabulous addition to the English language yet, so here it is: the verb "to chumpatize."
  11. Utterly delightful.
  12. Among DiCillo's best, and returns to the central theme of his career: the elusive and destructive nature of fame.
  13. Delpy's writing is sharply observed and often hilarious, and her own performance as the perennially enraged Marion -- whom she says was inspired by Robert De Niro's Jake LaMotta in "Raging Bull" -- is one of her most memorable.
  14. It's a lot like a '70s exploitation movie, with its determination to seduce and shock the viewer with alternating currents of electrical stimulus, and its weird combination of arty arch-decadence and neo-Victorian moralizing.
  15. A well-meaning little picture that's piercingly genuine in places and annoyingly affected in others.
  16. Crass, stupid and crudely made. It's also, in places, weirdly brilliant, a picture that plays to the largest possible audience with mechanical efficiency but also, here and there, betrays glimmers of self-deprecating cleverness, as if it were striving, perhaps even unconsciously, to transcend its own dumbness.
  17. Imaginative and intricate, but it's also joyfully casual, maybe to the point of being a little messy in places. But even its flaws work in its favor.
  18. There's a vivid comedy to this family's emotional state of siege, an easy confidence to Honoré's camerawork, and plenty of beautiful bodies.
  19. Becoming Jane would have been more honest if it had been called "No Sex in the Country."
  20. A wrenching, funny and wise little picture, with a diva-like junior star at its center.
  21. A great action movie, exhilarating and neatly crafted, the kind of picture that will still look good 20 or 30 years from now.
  22. Before long, El Cantante disintegrates into a stylized jumble -- even a straightforward jumble would have been preferable.
  23. Majid Majidi's exquisite film The Willow Tree"is likely to make a very brief stop in theaters en route to home video, so catch it when and if you can.
  24. Not exactly blazing cinema, but intellectually riveting.
  25. From the first frames of Charles Ferguson's No End in Sight, replaying some of the oddest and twitchiest podium performances of Donald Rumsfeld during those heady days of spring 2003, you may feel the crushing weight of an almost Sophoclean impending doom.
  26. Sometimes movies make sense in a logical way; sometimes they make only emotional sense. No Reservations makes no damned sense at all.
  27. The picture works because, despite the fact that it took nearly six years for the filmmakers to bring it to the screen, it doesn't strive for greatness. It's fleet, concise and clever in a nut-ball way.
  28. One of the year's best movies...It's one of the simplest and best re-creations of downscale urban England during the gritty post-punk years ever put on screen, and it's both upsetting and very funny.
  29. This shouldn't be a competitive sport or anything, but I'm pretty sure that Annie Sundberg and Ricki Stern's documentary The Devil Came on Horseback has the most horrifying images I have ever seen in a motion picture.
  30. The whole thing is handsomely mounted, with plenty of Goya paintings and supposed observations about the ironies of history and the cyclical nature of life, etc. Forman's always been a huckster, but I never thought I'd see him waste this many good actors on a movie this bad.

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