Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. The movie never fails to be crisply written and cannily delivered, but it's way too steeped in TV-culture inside jokes for its own good, and August's attempts to suffuse the whole thing with ontological or theological meaning are ultimately pretty dumb.
  2. The picture is outrageously predictable and somewhat poky, but there's also something admirably bold about the way it so adamantly demands we swallow its hokum.
  3. Such a feebleminded, good-natured comedy that it actually makes you laugh with that timeless gag of somebody pretending to cough while calling someone else a bad name.
  4. This is a movie about two people in pain; the last thing they need is for Mendes to turn his cool camera on them. But that's all Mendes knows how to do. He's a clinical director, and whatever feeling he puts into a movie is measured out in careful quarter-teaspoon increments.
  5. Should have been either a whole lot worse or a whole lot better than it is: If it were worse, we could simply toss aside the things that are fun and entertaining about it and not even think twice. And if it were better -- well, we'd have fewer complaints all around.
  6. The overblown and overlong version of Percy's adventures largely fails to capture the quirky allure of Riordan's books.
  7. Everything the first "Mummy" was fun for not being. It's loud and chaotic, jammed with effects that don't wow us precisely because they are trying so hard to wow us.
  8. If you liked “Garden State” — or if you hated it, for that matter — you pretty much know what you’re in for with Wish I Was Here.
  9. Gets more cluttered and confused as it moves along.
  10. The picture throws off no feeling, not even the misanthropic kind; at best, it manages a dull, throbbing energy, as if Burton were dutifully pushing his way through the material instead of shaping it.
  11. A Perfect Murder is more like a handful of anemic ice cubes floating in a lukewarm puddle.
  12. This Friday the 13th is glossy, good-looking garbage, acted out by a cast of big-chested androids (male and female alike) and with the original series' rough edges smooved over. It's reasonably entertaining.
  13. So captivating to look at that you can almost forget there's virtually nothing to it.
  14. Isn't so much a movie as a tract, a parable in which the charred wisdom of its characters is much more significant than the intricacies of their lives.
  15. High-style goofballing and globetrotting can get you pretty far, but maybe not as far as Johnson wants us to go.
  16. Just a string of ludicrous excuses to get from one outrageous comedy set-piece to the next.
  17. This is one of those lazy, lukewarm pictures that's even more disappointing than a purely bad one, and for one glaring reason: How could Marshall, his writers, and even his actors have let these dogs down so badly?
  18. Beneath its drab veil of self-seriousness, Mr. Brooks is nothing but just plain silly.
  19. I really don't understand why anybody thinks the wispy, bittersweet tale of long-distance love in Like Crazy is any big deal. Seriously, I liked this movie better last year, when it had Drew Barrymore in it and was called "Going the Distance."
  20. The big problem with it is that the setup is treated as just that, a scheme around which many things that are intended to be funny (but aren't very) are packed like ice around a fish.
  21. Isn't really a movie but a blatant girls' night out vehicle.
  22. Amid the infoglut that surrounds us, Gibney's film feels too much like more noise. Is it telling the most important business story of our lifetimes, or is it just another fantastical yarn, crammed into the schedule after Scott and Laci Peterson, but before Charlemagne and the ancient Peruvian astronauts?
  23. Some viewers may find this movie sexist or misogynist simply based on its premise, but it's a mistake to take Greenaway's symbolic narratives too literally.
  24. Grant takes every stupid line and makes it funny, just by underplaying.
  25. The Reader feels weighty, all right; but it's an unsatisfying kind of weight, and Fiennes' presence, as the grown-up Michael, doesn't help much.
  26. Overburdened with knowingly charming touches. It's waterlogged with whimsy.
  27. Considered as pure spectacle, San Andreas is gripping and effective.
  28. If you liked "Rocky Balboa" you should be in good shape, since it's exactly the same movie, just aimed at a teeny-tiny-bit younger demographic and with an affectless leading man who avoids hambone acting by not acting at all.
  29. Graced with so many fanciful touches and features such a marvelous assortment of U.K. and American actors that it seems almost unjust that the final product is so curiously lacking in magic.
  30. Just when you think you've got a handle on the central characters in Bobby, yet more of them appear: The thing is a little like the stateroom scene in "A Night at the Opera."

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