Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
    • 52 Metascore
    • 50 Critic Score
    Suffers from way too many fight scenes that last way too long and look way too computer-generated.
  1. If the resulting film doesn't work equally well at all levels, Wood (who starred in "Thirteen") gives an astonishing performance that pushes it most of the way there.
  2. Hawke gives his all here -- or maybe just half his all -- and it isn't quite enough: He's trying to be soulful, but he really just looks a little tired. The real delight is Willem Dafoe, as the rednecky leader of the survivor humans.
  3. Reasonably effective.
  4. It's almost as lame-brained as any Hollywood blockbuster, if prettier and more pretentious.
  5. Never as delightful and silly as it needs to be. The action is often manic, and there's a veneer of unapologetic corniness to it.
  6. I wasn't sure a movie musical could be worse than last year's styrofoam-and-gilt swan-boat travesty "Phantom of the Opera," but I'm afraid Rent proves me wrong.
  7. The picture is clever, somber, quiet: There's just no reason it has to be as deadly boring as it is.
  8. In the end, Tupac: Resurrection gives us too much raw Tupac, and yet somehow not enough. He remains a mystery -- one who still sells lots and lots of records.
  9. The movie has a perversely unifying effect: Muslims, Christians and Jews may not be able to agree on exactly who the heck Jesus is, but they're fully capable of bonding in boredom.
  10. So bloodless that it feels like an act of arty dishonesty.
  11. The finest effect in this visceral gouge of a picture is Korean pop star Rain.
  12. Toothless, gutless, one-note political movies like Jonathan Demme's The Manchurian Candidate, a picture that purports to have a galvanizing, liberal-minded theme (big business is taking over our country and our lives) but is really just ploddingly pedestrian.
  13. Isn't emotionally manipulative but simply dull.
  14. This isn't a boring movie or a dishonest one. But it's a relentlessly literal-minded one, light on vision and atmosphere, that moves through the history of the Germs with a checklist.
  15. There's enough sweetness, and enough just-under-the-surface intelligence, in The Education of Charlie Banks to suggest that Durst may have a future as a filmmaker.
  16. Mercifully, as seen from 11 years later, Jayson Blair himself seems a lot less important, not to mention a lot less interesting.
  17. It's pretentious highbrow trash, but as far as that goes it works pretty well.
  18. Isn't exactly bad and isn't exactly good. It's raw in some places and overcooked in others.
  19. Misfires on multiple levels but isn't all that terrible.
  20. The big screen doesn't seem to like Kutcher much, or even to GET him, whatever there is to get.
  21. A self-indulgent and icky film, but reasonably well made and undeniably addictive.
  22. So unself-conscious and breezy that you find yourself sailing along with it; its flaws become as negligible as harmless barnacles nestled well below the water line.
  23. Mostly it's got a barely tolerable level of metaness.
  24. It's a movie almost doomed to be called "refreshing," in the way that the word is used to excuse the game but amateurish presentation of a quirky premise.
  25. Basically brings home the bacon for horror fans -- it offers decent special effects and a nice array of those moments where you shriek and jump and nearly pee your pants but it turns out to be Mom or the cat after all.
  26. This is the kind of movie where most people know what they want and are pretty sure what they will get, that being “more of the same, please.”
  27. With its wiry twists and turns, ends up buckling under the weight of its own cleverness.
  28. The fatal flaw of Down With Love... is that in mining what's kitschily amusing about those movies, it also re-creates far too faithfully everything that's unbearable about them.
  29. The ultra-tangled plotline of Terminator Genisys makes the rhythm of the action beats especially weird; we see the entire world nuked into rubble by the machine overlords really early in the movie, which makes it hard to get excited about a few buildings falling down later on.

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