Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. To give a performance this layered and complex and unstinting while also directing the film around it, which is risky and imaginative and full of life, testifies to impressive powers of concentration.
  2. Like Ayer’s cop flicks, Fury is a gripping ride all the way through, if somewhat restricted in its emotional and visual range.
  3. The film itself is an admirable and empathetic work that does not romanticize anorexia or the young woman being ground into nothingness by the disease, as some have feared.
  4. Emily Blunt shines as the tough-minded British queen in this lush, and even sexy, period romance
  5. John Hillcoat's The Road is an honorable adaptation of a piece of pulp fiction disguised as high art; it a has more directness and more integrity than its source material, the 2006 novel by Cormac McCarthy.
  6. An electrically paced and brilliantly acted death-row thriller.
  7. The Dancer Upstairs, is a haunting and often beautiful work, part doomed romance and part political thriller, that demonstrates the adult command of the medium Malkovich has always demonstrated as an actor.
  8. Promising in its first third, only to end up shambling too aimlessly in the last. But as flawed as this picture is, there's one sequence in it that has already burrowed deep in my memory, and of everything in the movie, it's the one element that convinces me that Tykwer has it in him to one day make a truly great picture.
  9. If a movie can be fascinating and tedious at the same time, Inside Deep Throat -- which more or less depicts the America I have just described -- is that movie.
  10. At the risk of retreating into Waffle House aesthetic relativism, I think the unsettling power of Michael Winterbottom and Mat Whitecross' film stems from its contradictions.
  11. What's clear from the film is that there's a massive, almost tribal demand for O'Brien's brand of slightly more upscale comedy (maybe less so for his rock-star stylings), and also that being that famous doesn't do wonders for anyone's personality.
  12. The movie itself seems to be locked in a kind of adolescence; it never quite blossoms into maturity, into a fully rounded whole.
  13. A discombobulated summer movie that’s kind of fun but doesn’t have nearly enough story to fill up two hours.
  14. A penultimate chapter without a real ending, but it’s also a thrilling ride full of potent emotions, new characters and major twists of fate, built around another commanding star performance.
  15. The story of how La Sierra moves from a seemingly pointless war to an unexpected peace is a thrilling one, although the impact of seeing what becomes of these three kids is devastating.
  16. Sheds some unexpected light on the uneven and still undigested career of one of the most paradoxical artists pop culture has yet produced.
  17. Many years in the making, Freida Lee Mock's documentary Wrestling With Angels paints an intimate and detailed portrait of playwright Tony Kushner, in the years since he became the most important living American dramatist. It's hard to avoid the conclusion that this is something of a booby prize.
  18. Offers an introduction to the lean-and-mean, social-realist Romanian storytelling style that's built around a charismatic young actor and a familiar genre.
  19. A cozy little ode to sensual and culinary pleasure.
    • 64 Metascore
    • 80 Critic Score
    A flashy, smoker-friendly documentary on the twisted history of the evil weed -- and the misguided drug war against marijuana.
  20. While I don't think Blades of Glory is exactly homophobic -- it's not mean-spirited enough for that -- there's something a little too cheap and easy about the way it plays up to the ultra-straight guys in its target demographic.
  21. It's a deeply flawed film but also an important one.
  22. An intelligent adult thriller about the death of newspapers.
  23. The picture is resolutely unhip and proud of it, which can be a good thing in the right hands or, in the wrong ones, just a gimmick. Nearly everything about Pineapple Express is a gimmick.
  24. Murray, as always, supplies any number of small, memorable moments — he ultimately relies on the same defanged sentimentality.
  25. Obviously influenced by the style of Robert Altman's multi-character extravaganzas, Robbins has seized on this incident as the centerpiece in a carnival about the conflicts among art, politics and commerce.
  26. If Appaloosa is something to look at, it's also unnecessarily lethargic. Even an intentionally slow-paced picture needs to have its own internal source of energy, and as a filmmaker, Harris can't quite get that motor running.
  27. A distinctively absorbing entertainment, offering just enough popcorn thrills for mass audiences and just enough chewiness for hardcore sci-fi fans.
  28. in its best moments, Bright Young Things is as lithe and as wicked as its source material. Depending on how much of a Waugh purist you are, its flaws may trouble you as you're watching it. But afterward, they might not matter so much.
  29. An entertainment as billowy as a Shakespearean nurse's sail-shaped hat.

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