Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. Can I tell you exactly what happens in Memphis, or what it’s “about”? Absolutely not. But it worked its magic on me, and its meaning is something I take on faith.
  2. My Week With Marilyn is the kind of shtick-laden movie in the British TV mode that delivers all its laughs, and all its grand, declamatory moments, right on schedule. I'm delighted to recommend it, as long as you know what you're in for: "The King's Speech" has the subtlety of Chekhov in comparison.
  3. Brash, bristling, highly watchable film.
  4. It miraculously pulled off the effect of feeling like a surprise: The picture both fulfilled some vague, unexpressed hopes I didn't know I had and also left me with the sense that I'd just seen something I wasn't quite prepared for -- the kind of contradiction that great showmanship can bridge.
  5. Largely improvised, cast with ex-Marines and Iraqi refugees and shot in Jordan. It might just be the movie this war has been waiting for.
  6. This is a daring, audacious and sometimes terrifying movie -- purely as a thrill ride, it's probably the summer's best offering so far. That doesn't mean it left me feeling entirely satisfied. There's an emptiness at the soul of Salt -- again, meaning both the movie and the character -- that's extremely disturbing, maybe on purpose.
  7. It’s also true that toward the end of a big series the story eats the stars, and everybody in this movie, even Jennifer Lawrence as Katniss Everdeen, the Artemis-style revolutionary icon, is pretty much part of the furniture.
  8. Carrey provides one of his most whacked-out and enjoyable performances.
  9. It's refreshingly honest, depicts the kinds of American lives not often seen on-screen and shows us a familiar star in a striking new light.
  10. In the first 10 minutes, I feared the picture would be dull and earnest -- until, about a half-hour later, I realized it was lively and earnest, and also refreshingly, unapologetically movielike.
  11. It's in no way a stupid movie. The trouble is that there's only so much emotional energy you can expend on these assholes before you start wondering why you're paying attention to them at all.
  12. It’s a highly enjoyable picture.
  13. Made in Dagenham offers girl power in a can, lightly seasoned with swinging London and topped with cute-clumsy Sally Hawkins charming us to pieces. But the real women of Dagenham deserve better, and so do their sisters in the audience.
  14. Branagh is appealing here in the way we remember from movie heroes of the '30s: cynical, wisecracking and wised-up.
  15. I was startled to look up the running time and discover that X-Men: First Class is only 104 minutes; the second half is so clunky it feels much longer.
  16. Whatever the reason, Oscar and Lucinda winds up feeling like a collection of bits in search of vision and an emotional surge.
  17. Arias' blend of traditional cell animation and 3-D CGI effects is thoroughly mind-blowing, and the film's visual sensibility is utterly distinctive.
  18. Another strong journalistic-style film, this one exposes how unbelievably rapacious the financial industries have become in extending credit to unlikely prospects -- among them college students, nursing-home residents, small children, dogs and dead people.
  19. The Horse Whisperer is just the latest example of tab-A-into-slot-B moviemaking to come out of Hollywood, a weeper that's built according to a solid set of rules.
  20. Undeniably clever.
  21. A flinty and deeply enjoyable little comedy. There's genius in its absurdity.
  22. Might be entertaining for those who like seeing a terrified teenage girl watch a loved one get beaten to a pulp while she slides into a diabetic coma. For the rest of us it's both stagnant and vaguely unpleasant.
  23. At least Linklater isn't just picking the bones of his forebears; he honors them as they deserve.
  24. This High-Rise is a scathing, intoxicating visual and auditory experience, the most truthful and most powerful Ballard adaptation we’ve ever seen, or are likely to.
  25. There's nothing groundbreaking about Dan in Real Life -- it's a picture that could have been made 10 or 20 years ago -- and yet its easygoing, affable nature is exactly what makes it pleasurable.
  26. An uneven but surprising movie, often outrageously funny and just as often completely flat.
  27. It's a universe invented for our delight and pleasure and nothing else, a world made up of colors not found in nature but in a little girl's sock drawer. In Powerpuff Girls, shapes, images and colors make up the most crucial part of the message. It's a hot-pink little movie.
  28. It has the heart and spirit of a true romantic comedy, and a lightness of touch that you rarely see in a debut picture.
  29. Such an exhilarating, spirited piece of work that its embellishments and omissions cease to matter.
  30. Ali
    Will Smith flies like a butterfly, but what director Michael Mann does to the greatest fighter of all time just stings.

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