Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. Basinger's debasement in the early part of the film is unpleasant to watch, and it's an unsettling bump in the context of the entertaining sheen of the rest of the picture. So much of Cellular is right on the button. If only it hadn't gotten its wires crossed.
  2. Has a solid farce structure, a bunch of ripe second bananas, and two sinfully attractive stars ready to raise comic hell. So why is a movie with so many genuine laughs and so many good bits only fitfully amusing? The short answer is that the Coen brothers seem to be incapable of trusting their material.
  3. Has so much going for it -- including intelligent performances that mesh beautifully, and a keen understanding of how seemingly small moments can rattle the foundations of families -- that you walk away from it feeling it should add up to more.
  4. Contrary to what you may read elsewhere, Climates is not a masterpiece, a word that gets pompously thrown around a lot at pictures few paying customers actually want to see. It is, rather, a meticulous study of a crumbling relationship, marked by many luminous small moments and a startling interruption of violent eroticism.
  5. A clean and agreeable biopic that restores some vitality to a fascinating episode in 20th-century cultural and political history.
  6. A modest but agreeable, and often very funny, movie.
    • 74 Metascore
    • 70 Critic Score
    A showcase for a uniquely sympathetic virtuoso performance by legendary stage actor Ian McKellen in an otherwise minor film.
  7. We’re the Millers has just the right stupid, humane vulgarity for the dog days of August.
  8. If it's too subtle (and too similar to several other low-key indie romcoms) to make a big splash, it's got lovely performances and really builds strength as it goes along.
  9. The wonder of Tomorrowland – and with all its flaws and its hidebound Disney formula, it really is wonderful – is that Bird’s tale of nostalgia for the lost future manages to recapture some of that original, optimistic meaning without losing sight of the newer and darker one.
  10. The Scorpion King, so far from perfect it isn't funny, is nevertheless one of those movies that catches you up in something bigger than yourself, namely, an archetypal desire to enjoy good trash every now and then.
  11. It's highly enjoyable even if (like me) you're not much of a Potterphile.
  12. This is not one of those Eisenhower-Little Rock moments where you get to feel warm and fuzzy about the power of the state being on the right side of history.
  13. Delpy's writing is sharply observed and often hilarious, and her own performance as the perennially enraged Marion -- whom she says was inspired by Robert De Niro's Jake LaMotta in "Raging Bull" -- is one of her most memorable.
  14. There's a lot to admire in The Brave One. It just doesn't cut as deeply as it needs to.
  15. Che
    I was never bored, in four hours-plus. Whether or not it ends up becoming a great film (or films), this is miles and miles beyond anything I thought Soderbergh could create from this material.
  16. As flawed as it is, Major Dundee maintains its dignity in the face of the injustices that were done to it. Ripped-up and ragtag, it still holds its head high.
  17. While the whole thing feels weirdly miscalculated to me, A Million Ways to Die in the West tweaks the formula just enough, delivers a few laughs and keeps the guest stars coming.
  18. This is a sweet-spirited movie about a nice bunch of kids having good clean fun.
  19. May not be anything new, but it's still just as shocking.
  20. As events in Mr. Jealousy grow more entangled, there is no corresponding escalation in the pace of the movie, and Baumbach misses out on some laughs...But Mr. Jealousy is one of those movies where the less assured passages are a good sign, the mark of a director trying something new.
  21. An entertaining diversion, mostly because Rossellini and Hurt are a pair of seasoned and graceful pros who know how to work every line and every gesture, and it's great to see them playing characters who are exactly their age.
  22. Mysterious Skin isn't a picture about existential vacancy; it isn't even about anything so simplistic as the horrors of child abuse. It's more of a meditation on the necessity of making your way past, or through, any obstacle that prevents you from being a thinking, feeling person.
  23. It's a haunted picture, one that feels inhabited not just by actors and scenery but by spirits, too.
  24. This is an important film. It's amazing that it exists, and the events it recounts are still more amazing. Everybody should see it.
  25. It's a mixed bag with plenty of gags that fall flat, not a comic masterpiece. But it's got tremendous zing, a sense of mischief and a big heart, more than enough to mark it as a delicious shot of caffeinated ice cream, and the summer season's funniest comedy.
  26. A movie that's dazzling as you watch it and immediately unsatisfying afterward.
  27. There's no story beyond the utterly formulaic and not the slightest semblance of realism, but your kids will enjoy it if they're young enough and pretty easy to please.
  28. The only romantic comedy in quite a while that acknowledges, even celebrates, the fact that love and sex are emotional anarchy.
  29. Even as this film unravels into incoherent, self-justifying moral instruction, it never becomes boring to watch.

Top Trailers