Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. Bale’s performance is absolutely letter perfect, and he disappears into the role.
  2. Whether he's getting hit in the face with a dildo or cozying up to Martha Stewart, Knoxville is always affable, playful and able coax a laugh out of an audience by doing ridiculous things. He's a jackass all right, but he's a jackass in shining armor.
  3. It honestly shouldn't work at all, yet somehow on the strength of good humor and sex appeal ends up being one of the most enjoyable mainstream films of the season.
  4. Sarin and Sonam also lift the veil on potentially explosive divisions within the Tibetan exile community, which is torn between spiritual and cultural loyalty to the Dalai Lama and a widespread longing for true independence. (The filmmakers clearly belong to the pro-independence camp.)
  5. For all the CGI action sequences and butt-rocking Dolby sound effects, in fact, Green Lantern is most satisfying when it sticks close to stodgy comic-book archetype.
  6. Like a Theodore Dreiser novel for our time, infused with the vivid, vulgar spirit of reality TV. It often had the sold-out Eccles Center howling, but also has elements of profound tragedy and allegory.
  7. This is a sturdy little cop thriller, and even when it stretches the bounds of plausibility, you go with it, partly because you believe -- almost against your better judgment -- in what the characters are doing.
  8. While Keating's agenda is clearly hostile, and Giuliani's political committee is eagerly trying to do counter-propaganda, this isn't a campaign of character assassination or innuendo, but rather a dutifully constructed biographical film about a tremendously skilled prosecutor and politician.
  9. I was laughing myself sick over Saving Silverman, a sublimely idiotic farce in the "There's Something About Mary" tradition.
  10. Mackenzie delivers that story as a blend of sex comedy, dark satire, and morality tale that recalls various aspects of "Shampoo" and "Less Than Zero" and "The Graduate," but has a couple of nifty surprises and a poisonous sting in its tail that's all its own.
  11. Nights and Weekends knocked me out when I saw it last March at the South by Southwest festival in Austin, Texas; I wrote at the time that it offered exactly the "prickly, flawed, urgent SXSW experience I'd been waiting for."
  12. It’s a high-spirited, swashbuckling lark driven by cartoonish special effects and an ingenious double-layered nostalgia that allows it to become a virtual mixtape of ‘70s hits that predate its intended audience: “Hooked on a Feeling,” “The Piña Colada Song,” “Fooled Around and Fell in Love,” etc.
  13. This is a sweet-tempered and small movie that’s not remotely trying to be hip.
  14. It may bore you to death or blow your mind -- and it's long and convoluted enough to do both -- but it holds nothing back.
  15. The performances are so plainspoken and direct that they manage to push the material beyond the confines of a mere social-problem tract -- as played by the cast, these characters aren't symbols of inner-city hardship, but people.
  16. Behind the gloss of Vogue, a revealing look at work, creativity and two strong women
    • 62 Metascore
    • 70 Critic Score
    Isn't profound, but it is perceptive...it's a pile of fun.
  17. It's a sensitive, slow-moving 19th century samurai drama that will appeal to that tiny cadre of filmgoers who savor the classic Japanese films of Mizoguchi and Inagaki.
  18. There's an unkillable something at the heart of Septien, an artistic ambition that's not calculated or cynical, that feels homegrown American but is thoroughly resistant to totalitarian spectacle and the manufactured tides of mass opinion. There's no substitute for that.
  19. Delightful screwball comedy.
  20. tThere's life at the center of The Duchess, in the form of Keira Knightley. She carries the weight of the movie around her effortlessly.
  21. With Love and Death on Long Island, writer-director Richard Kwietniowski makes a very pleasing feature debut.
  22. Offers a mesmerizing, behind-the-music glimpse at a crucial and bizarre moment in rock history, and maybe in American cultural history, period.
  23. If anything, it’s overstuffed with imagination and ideas, and when it comes to Hollywood movies I very much prefer that to the default setting. See it with an open mind, and you may well be surprised.
  24. Not a great movie, but its daring and seriousness, its refusal to take refuge in the sort of irony that diminishes whatever it touches, its willingness to risk ludicrousness, may be elements that are necessary to achieve greatness.
  25. Something of a gigantic goof, perpetrated by Penn and Herzog -- and the goofees included much of the entertainment media, people in the film business, the Scottish authorities and (I think) even some of the film's cast.
  26. If The Way is sometimes shaggy and inelegant, and flirts with sentimentality the whole way through, I was finally overcome by its dignity and sincerity, and by the rough, rude, gorgeous magic of its journey.
  27. Tamahori's Die Another Day is an imperfect Bond movie. But for every patch where it's dull and lifeless or just plain stupid, there are also sections that are significantly different from anything we've seen before in a Bond movie.
  28. The Rum Diary is enjoyable enough, after its digressive, episodic and voyeuristic fashion. But neither Depp nor Robinson seems quite aware that Thompson's story - both in terms of his brief career in Puerto Rico and in terms of his life - was at least as much a story of tragedy and self-immolation as it was of genius.
  29. Highly entertaining, from minute to minute, and its semi-mythical portrayal of Torontonian life is entirely charming. If you can stand massive doses of cute and clever, it's a fine use for your summer-movie dollar (whether or not that dollar has a funny old lady on it).

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