Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. What's so remarkable about Louie Psihoyos' documentary The Cove isn't just that it's a powerful work of agitprop that's going to have you sending furious e-mails to the Japanese Embassy on your way out of the theater. That's definitely true, but the effectiveness of The Cove also comes from its explosive cinematic craft, its surprising good humor and its pure excitement.
  2. One of the most ravishing spectacles the movies have given us.
  3. A sweeping and magnificent work of cinematic craft, by far the best film of Bigelow's career.
  4. Jane Eyre is a passionate, impossible love story, one of the most romantic ever told. But it's also a cold, wild story about destruction, madness and loss, and this movie captures its divided spirit like none before.
  5. If this Hamlet weren't so perfectly conceived visually, it would probably stand solidly on the basis of its acting alone.
  6. Fiennes' crackerjack Coriolanus stays true to the clever, almost mean-spirited twists and turns of the story, and preserves the authentic flavor and texture of the language.
  7. The most disturbing and effective thriller I've seen in many moons. Rarely, indeed almost never, is such high-wattage brainpower coupled with pitch-perfect acting and an exquisite, unfakable sense of cinema.
  8. An Education captures the very limited possibilities for female liberation in early-'60s London -- with massive social change on the distant horizon, but not here yet -- in exquisite detail.
  9. The Equalizer is gripping, mysterious and even sometimes moving, but it’s never pleasant, still less fun. If you decide to go, don’t claim you weren’t warned. If you skip it, you’re missing one of the year’s signal works of superior Hollywood craftsmanship.
  10. An extraordinary and original creation. It belongs alongside "Amores Perros" and "Memento" on a shortlist of 2001's most exciting revelations.
  11. It’s so assured and accomplished, so rigorous on both a human and technical level, and so clearly driven by love for this harsh landscape and its hardened people, that I was entirely swept away by its characters and their story.
  12. The most original, daring, thrilling movie to be released this year, Trainspotting is one of those occasional, astonishing triumphs of risk and imagination that gets you excited about what smart people, pushing themselves and the medium, can accomplish in the movies.
  13. Inherent Vice is like that; you’ll have to enjoy it for the pileup of exquisite images and hilarious episodes, and let go of the need to hold the whole thing in your head, or you won’t enjoy it at all.
  14. The Incredibles has that rare quality of feeling modern and classic at the same time.
  15. In its own quiet way, it’s a world of marvels.
  16. Sophisticated, brash, sardonic, completely joyful in its execution. It gives anyone who ever loved movie musicals, and lamented their demise, something to live for.
  17. It's first and foremost a visual and sonic symphony, and a Dante-esque journey through a New York nightworld where words are mostly useless or worse.
  18. But the greatness of Chinatown, unappreciated by my adolescent self, lies not in its cynical view of the California dream (that's too easy) but in its fatalistic, even tragic conception of America and indeed of human nature.
  19. This telling of the tale possesses enormous cinematic energy and a killer supporting cast full of hilarious delights.
  20. Under the guise of being nothing more than a quasi-documentary about two comedians cutting up and scarfing gourmet cuisine, The Trip may be the wryest and most affecting of all the recent movies about middle-aged male angst.
  21. Cheung is one of the finest actresses working today, an expressive, lustrous beauty capable of plumbing a boundless range of emotional hues. This is the greatest performance she's given to date.
  22. If Some Like It Hot isn’t the funniest movie ever made, you can’t blame it for not trying. The first time you see Billy Wilder’s 1959 farce, you might not believe that anything can make you laugh so hard for so long. Where most comedies wear out their audience after an hour and a half, “Some Like It Hot” goes on for 122 minutes and leaves you ebullient.
    • 86 Metascore
    • 100 Critic Score
    Minghella, by brilliantly editing the romantic scenes down to a few jagged, archetypal moments, captures something of the sacred whirlwind.
  23. He (Vinterberg) has accomplished something that is both extremely simple and extremely difficult: This is a gorgeous literary adaptation true to its period and its source material in almost every respect, largely shot in the “Hardy country” along the south coast of England. It’s also a film that feels charged with life and hunger and romantic-erotic energy.
  24. This is a tragicomic fable about an all-too-real social predicament rather a wish-fulfillment fantasy, and the tragic result may be that hardly anyone notices how good it is, or the sickest, weirdest, most triumphant performance of Wiig’s career.
  25. The picture is so imaginatively made, so attuned to sensual pleasure, so keyed in to the indescribable something that makes life life, that it speaks of something far more elemental than mere filmmaking skill: This is what movies, at their best, can be.
  26. A strange and gorgeous and haunting film that brings the indie aesthetic of the mid-1980s into a context that feels both timeless and highly contemporary.
  27. The most beautiful magic in it is left unseen. And still, it emerges with absolute clarity.
  28. Leviathan, the fourth feature from Russian director Andrei Zvyagintsev, may be the one true masterpiece of global cinema released in 2014.
  29. Like the very greatest artists in all media -- here I go with the meaningless superlatives again -- Renoir was able to transcend his own perspective, his own prejudices, and glimpse something of the terror and wonder of human life, the pain of misapplied or rejected love, for rich as for poor.

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