Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
    • 78 Metascore
    • 90 Critic Score
    Eve's Bayou treads across a fragile and complex emotional landscape, and Lemmons is exceptionally adept at creating characters who are simultaneously despicable and lovable.
  1. It's a fine-grained picture that goes for the sideways laughs rather than the straight-ahead ones. This is sketch comedy as method acting.
  2. A big movie for the ages, full to the brim with sympathy, imagination and sheer visual delight.
    • 75 Metascore
    • 90 Reviewed by
      Max Cea
    In Okja, Joon Ho takes animal cruelty and corporate capitalism to slaughter. And yet, he doesn’t preach or pander.
    • 88 Metascore
    • 90 Critic Score
    Just as good as the original. In fact, it might even be better. Not only is it just as visually stunning and witty as the first, but it's funnier, more thoughtful and more grown-up.
    • 86 Metascore
    • 90 Reviewed by
      Max Cea
    Emily’s sickness is ultimately what elevates The Big Sick above the echelon of enjoyable-but-generic rom-coms.
  3. This story about Joyce McKinney, a one-time beauty queen who found herself not once but twice at the center of outrageous, tabloid-friendly news stories, is another of Morris' alternately hilarious and disturbing inquiries into the slippery nature of truth.
  4. The Hangover is a shaggy-dog tale that's actually, when you step back from it, perfectly shaped.
    • 66 Metascore
    • 90 Reviewed by
      Max Cea
    With Landline, Robespierre once again proves herself to be one of the funnier filmmakers working. Just as important, she proves herself to be one of the more empathetic directors out there.
  5. A sad, sweet, funny and ultimately unforgettable love story about a man and a woman and a father and son, and also ranks among the most affectionate and sensitive portraits of homosexuality ever crafted by a straight person.
    • 85 Metascore
    • 90 Critic Score
    An epic documentary...as rich and teeming as a Balzac novel.
  6. A highly enjoyable failure, a quandary that can't resolve itself.
  7. Mixing sweetness, darkness, violence and delirious gags, this 1928 must-see showcases film's greatest comic.
  8. Curran, his actors and screenwriter Ron Nyswaner have made an old-fashioned melodramatic epic that, as steeped as it is in the language and tradition of old movies, is never less than thrummingly alive.
  9. For the right kind of film buff, it's absolutely one of the most enjoyable pictures of the year - and if you've never heard of the guy before, I can't imagine a better place to start.
  10. I found this dark odyssey through an amoral dream Brooklyn curiously invigorating; it’s a masterful construction that held me rapt from first shot to last, that builds intense electrical energy and then releases it.
  11. This heart-wrenching documentary about a French village schoolteacher at work offers the comedy and pathos of great drama and the visual magnificence of painting.
  12. As a pure head-trip visual and auditory experience it feels like one of the biggest discoveries, and biggest surprises, of 2014.
  13. This delicious little period piece from Spanish writer-director Pablo Berger is like one of those really expensive chocolates, where you start out expecting a brief sugar buzz and end up surprised by the sophistication and delicacy of the flavor.
  14. One of the best films of the year.
  15. I'm not going to tell you this is the best European film of the year, but it's definitely the hottest -- it's the one you want to run out and see as soon as you possibly can.
  16. This long shot pays off -- in spades. Not only has Jordan made a movie that's looser, hipper, freer and -- abetted by his great cinematographer, Chris Menges -- more sheerly beautiful to look at, he's also made the best movie of his career.
  17. Soderbergh's film is probably not the equal of either Tarkovsky's 1972 predecessor or the memorably Byzantine prose of Lem's novel, but in the end, almost despite himself, this able craftsman has made a brave and lovely companion piece to both of them. His ending is pure cinema at its most marvelous and moving.
  18. Undefeated is a genuine crowd-pleaser, a rousing and inspirational flowers-in-the-junkyard fable of hope and possibility in grim circumstances.
  19. This is that rare movie version of a great novel in which watching IS reading.
  20. A penultimate chapter without a real ending, but it’s also a thrilling ride full of potent emotions, new characters and major twists of fate, built around another commanding star performance.
  21. In telling the story of one damaged suburban genius and his unlikely rebirth, Love & Mercy captures the vanished possibilities of 1960s pop music, the fecklessness of the California dream and its decay into tragedy and madness, and other things less easy to describe or define.
  22. The movie has a crispness about it, an unwillingness to succumb to sentimentality.
  23. Ultra-violent and ultra-stylish, Drive stands out in this year's Cannes competition for its calculated, hard-edged brilliance.
  24. Director Brian De Palma is having too much fun zipping around curves and hitting the accelerator to slow down. He's a supremely confident engineer, and if you're game enough to make a jump for it and hold on, he offers the giddy excitement of watching the ground rush by beneath your dangling feet.

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