Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. May be only loosely true, but it is thoroughly Hollywood.
    • 69 Metascore
    • 80 Critic Score
    Taking it's framework from classic fairly-tale characters like Cinderella, the British story of Little Voice is one of compassion, humor and music.
  2. This is Berg's debut outing as a director, but other first-timers, namely Joel Coen (Blood Simple) and Danny Boyle (Shallow Grave), had it all over him for blending horror and hilarity.
  3. Suffers from lulls and lapses and one lulu of a casting gaffe, but this keenly observant spoof of the fame game is hardly the work of a burnout.
  4. Bruckheimer and director Tony Scott have wisely set their course by Will Smith, who is sensational in a dramatic role that leans on him to carry a movie without the help of aliens or Big Willie-style jokes for every occasion.
  5. A movie about death that stubbornly refuses to come to life.
  6. The plot only slows a film that works best as a feast of sight and sound.
  7. The Siege is not a documentary but a glossy Hollywood entertainment that is prey to all the exaggerations, simplifications and acting histrionics that come with the genre.
  8. Offers dumb fun without apology.
  9. The film belongs to Blanchett -- this hellcat Virgin Queen is something to see.
  10. Elegantly witty and haunting . . . McKellen gives the performance of his career . . . and Brendan Fraser excels.
    • Rolling Stone
  11. LaGravenese may be unsteady at the helm, but his film insinuates like a torch song that keeps messing with your head.
  12. What is surprising -- remarkable even -- is that Beloved arrives onscreen with a minimum of dull virtue, gagging uplift and slick Hollywood gloss.
  13. Any cornball contrivances in the plot dissipate in watching the knockout talent of Williams, a performance artist with the exhilarating fire that only the best actors possess.
  14. How can a film look so radiant and be so hollow?
  15. Refreshingly naughty and nice.
    • 67 Metascore
    • 88 Critic Score
    Ronin represents an exhilarating return to form for Frankenheimer.
  16. Even director Carl Franklin, an artful purveyor of sterner stuff in "One False Move" and "Devil in a Blue Dress," can't prevent One True Thing from descending into chick-movie hell.
  17. Stylish entertainment and smartass fun when director John Dahl ("The Last Seduction") plays his strong suit (a gifted cast) instead of his weakest (a derivative plot).
  18. Admirers of Irving's sprawling tome are sure to find Birch a botch.
  19. Towne defines Pre not by the freak car accident that killed him but by his willful need to keep on pushing. It’s Pre’s defiant spirit that makes Without Limits something worth cheering.
  20. LaBute achieves a bracing originality by observing human folly as a means to understand rather than condemn. Love or hate his films, LaBute is one of the most challenging filmmakers to emerge in years.
    • 68 Metascore
    • 75 Critic Score
    Jenkins shows an innate gift for lacing laughs with the pain of experience -- Slums is based on her own life.
  21. Whether you regard Stella's getting her groove back as a feminist battle cry or as a silly wish-fulfillment fantasy, the movie delivers guilt-free escapism about pretty people having wicked-hot fun in pretty places.
  22. What if director Joseph Ruben didn't resort to B-movie suspense tricks? What if the fine cast wasn't saddled with a shamelessly contrived script by Wesley Strick and Bruce Robinson? Then Return to Paradise would be a better movie, that's what if.
  23. The radiant Barrymore energizes Cinderella with a tough core of intelligence and wit.
  24. This little-hyped thriller emerges as a dark-horse winner by reminding us of how pleasurably exciting a popcorn movie can be when it's populated by actors who are in it for more than an exorbitant fee.
  25. Lavishly produced swashbuckler that should have been far more entertaining.
  26. Sensational, sicko fun -- you won't believe your eyes -- and just the thing to shake up the creeping conservatism that is draining the vulgar life out of pop culture.
  27. How do I hate Armageddon? Let me count the ways.

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