Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. A triumph of acting, writing and directing that defies glib description...the kind of artful defiance that Hollywood is usually too timid to deliver: a jolting comedy that makes you laugh till it hurts.
    • Rolling Stone
  2. A potent thriller that grows in intensity as the audience realizes that the character it likes most is most likely a nut job.
    • Rolling Stone
  3. Director Mike Barber springs a twist ending that makes you sit up and stifle those yawns.
    • Rolling Stone
  4. There should be a place in hell for hacks who turn out derivative terror trash and then pretend they're doing an important investigative piece on Vatican corruption.
    • Rolling Stone
  5. Baldwin is a marvel in a casting surprise that pays off.
    • Rolling Stone
  6. Built on a slender, one-joke whimsy -- and a tough one to buy into, at that.
    • Rolling Stone
  7. Inspired funny business that allows Martin to hilariously torpedo Hollywood's corrupt heart.
    • Rolling Stone
  8. Propelled by Mark Mancina's percussive score, this Tarzan swings.
  9. Watching John Travolta ease into a role is always a pleasure, but this film version of Nelson DeMille's 1992 best-selling mystery novel is a lurid mess.
  10. What shakes the dust off this period piece is the vibrant acting.
  11. Limbo is vital personal filmmaking from a world-class practitioner of the art.
  12. Toothless satire relatively inoffensive and relentlessly mediocre.
  13. Altman clarifies a convoluted plot with a magician's ease, creates an atmosphere that brims with the pleasures of the unexpected and explores character nuances.
  14. Whenever the drama drifts into soap opera, the actors restore the balance.
  15. Satire in a blanket of bland.
    • 46 Metascore
    • 25 Critic Score
    You don't want to see this bilge. Director Milcho Manchevski, who was fired in midproduction, is the only one with cause to celebrate.
  16. Sandra Bullock and Ben Affleck as star-crossed lovers, is the cinematic equivalent of Styrofoam: a weightless romantic comedy of synthetic feelings.
  17. At first it's a kick to watch Clint Eastwood play Steve Everett, a horn-dog newsman...Is Clint being Clinton-esque? Even if he's not, these scenes are the liveliest part of this dog-tired movie.
  18. The film ultimately gives in to a case of TV-movie blahs.
  19. What you get in this cop drama is NYPD Blue lite. That's not bad. In fact, it's compulsively watchable. But there are no leaps, just fits and starts.
  20. Watching De Niro take Paul through his first panic attack ("I'm crying like a woman") is an unalloyed joy.
  21. It's not the trite talk that sends Cruel Intentions into a tailspin, it's the lightweight casting.
  22. A dynamite bundle from British writer-director Guy Ritchie. Even when the accents are as indecipherable as the plot, Ritchie keeps the action percolating and the humor on high.
  23. Hit-and-mostly-miss.
    • 28 Metascore
    • 12 Critic Score
    It's not the emphasis on tics and grimaces that mars their essentially well-meaning performances, it’s the sitcom crassness of director and co-writer Garry Marshall.
  24. The film is rich in period flavor and refreshingly unhip.
  25. It's love with tragic complications, and director Luis Mandoki drags the torture out for two-plus hours.
  26. Payback is a brutally entertaining crime drama that should have been a little more brutal and a little less entertaining.
  27. When studios plant these stink bombs in theaters, do they really think that audiences won't notice the stench?
  28. May be only loosely true, but it is thoroughly Hollywood.

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