For 4,544 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
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| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,927 out of 4544
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Mixed: 987 out of 4544
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Negative: 630 out of 4544
4544
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
Keeps the laughs coming, and a dynamo named Steve Zahn is the cheif reason why. It's a one-joke movie, but the cast knows how to sell it.- Rolling Stone
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Peter Travers
When it comes to rousing action, whip-smart laughs and moral uplift that doesn't pump sunshine up your ass, Three Kings rules.- Rolling Stone
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Reviewed by
Peter Travers
Judd is slumming again in ths lame suspense yarn that could barely pass as a TV quickie without the bankable names of Judd, Tommy Lee Jones and director Bruce Beresford.- Rolling Stone
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Peter Travers
A fine case ... but none weighty enough to keep this fluff from evaporating as you watch it.- Rolling Stone
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Peter Travers
The self-congratulatory histrionics of Williams, lower lip trembling as he triumphs over torture in the name of the human spirit, represents a trend in Hollywood to make accessible melodrama out of unspeakable tragedy.- Rolling Stone
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Peter Travers
Offers something magical in the haunting and hypnotic performance of Sarah Polley...(the film) cuts deep.- Rolling Stone
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Peter Travers
Never adds up to anything more substantial than shrewd observations. There's no dramatic core.- Rolling Stone
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- Rolling Stone
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Peter Travers
Plays like an unholy union of "The Natural" and "The Prince of Tides." Too bad...Build a movie as a shrine to baseball and they will come. Suckers!- Rolling Stone
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- Rolling Stone
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Peter Travers
A triumph of acting, writing and directing that defies glib description...the kind of artful defiance that Hollywood is usually too timid to deliver: a jolting comedy that makes you laugh till it hurts.- Rolling Stone
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Peter Travers
A potent thriller that grows in intensity as the audience realizes that the character it likes most is most likely a nut job.- Rolling Stone
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Peter Travers
There should be a place in hell for hacks who turn out derivative terror trash and then pretend they're doing an important investigative piece on Vatican corruption.- Rolling Stone
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Peter Travers
Director Mike Barber springs a twist ending that makes you sit up and stifle those yawns.- Rolling Stone
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Peter Travers
Baldwin is a marvel in a casting surprise that pays off.- Rolling Stone
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Peter Travers
Built on a slender, one-joke whimsy -- and a tough one to buy into, at that.- Rolling Stone
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Reviewed by
Peter Travers
Inspired funny business that allows Martin to hilariously torpedo Hollywood's corrupt heart.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
What shakes the dust off this period piece is the vibrant acting.- Rolling Stone
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Reviewed by
Peter Travers
Watching John Travolta ease into a role is always a pleasure, but this film version of Nelson DeMille's 1992 best-selling mystery novel is a lurid mess.- Rolling Stone
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Peter Travers
Limbo is vital personal filmmaking from a world-class practitioner of the art.- Rolling Stone
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Reviewed by
Peter Travers
Toothless satire relatively inoffensive and relentlessly mediocre.- Rolling Stone
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Reviewed by
Peter Travers
Altman clarifies a convoluted plot with a magician's ease, creates an atmosphere that brims with the pleasures of the unexpected and explores character nuances.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Whenever the drama drifts into soap opera, the actors restore the balance.- Rolling Stone
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Reviewed by
Peter Travers
Sandra Bullock and Ben Affleck as star-crossed lovers, is the cinematic equivalent of Styrofoam: a weightless romantic comedy of synthetic feelings.- Rolling Stone
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- Critic Score
You don't want to see this bilge. Director Milcho Manchevski, who was fired in midproduction, is the only one with cause to celebrate.- Rolling Stone
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Reviewed by
Peter Travers
At first it's a kick to watch Clint Eastwood play Steve Everett, a horn-dog newsman...Is Clint being Clinton-esque? Even if he's not, these scenes are the liveliest part of this dog-tired movie.- Rolling Stone
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Peter Travers
The film ultimately gives in to a case of TV-movie blahs.- Rolling Stone
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Reviewed by
Peter Travers
What you get in this cop drama is NYPD Blue lite. That's not bad. In fact, it's compulsively watchable. But there are no leaps, just fits and starts.- Rolling Stone
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