Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. That this moody, woozy character study falls closer to the “masterpiece” side of the fence isn’t a surprise, considering it comes from Kelly Reichardt and Michelle Williams, one of the best filmmaker-actor duos of the last quarter century.
  2. An uncommonly good movie - a thriller that transcends thrills to become a heartfelt and heart-stopping personal drama.
  3. To Die For, sparked by a volcanically sexy and richly comic performance by Kidman that deserves to make her an Oscar favorite, is prime social satire and outrageous fun.
  4. A dynamite film that ranks with the year's best.
  5. Congratulations, Gen-Z, you’ve just been handed your new midnight-movie obsession.
  6. Moore and Portman inject the movie with wattage, dramatic heft, and a push-pull dynamic associated with immovable objects and irresistible forces. Melton gives May December its slow-burn tragedy.
  7. It’s these life-or-death stakes that Happening puts front and center, as it forces viewers to not just confront the stigma associated with abortion — a word, by the way, that’s never uttered in the film — but to immerse themselves in the same dread and paranoia that Anne feels.
  8. Colman brings Ferrante’s creation to life with all the withering pathos she deserves. Gyllenhaal catches it handsomely, awe-struck, as if even she didn’t know how painfully real this woman Leda could seem or, in Colman’s hands, be.
  9. Nanjiani and his wife/co-screenwriter Emily V. Gordon carved this romantic comedy out of her personal hospital experience and their own culture-clash relationship. Their hilarious and heartfelt script has a rare authenticity that pulls you in and keeps you glued to the screen.
  10. Just so we're straight, Ben Affleck doesn't merely direct Argo, he directs the hell out of it, nailing the quickening pace, the wayward humor, the nerve-frying suspense.
  11. Writer-director Olivier Assayas crafts a near perfect blend of humor and heartbreak, a lyrical masterwork that measures loss in terms practical and evanescent.
  12. The actors are outstanding, illuminating four different views of loneliness. But it's Camara's tour-de-force performance that anchors the film, that shocks and unnerves us.
  13. Written, directed, acted, shot, edited and scored with a bracing vibrancy that restores your faith in film as an art form, The Master is nirvana for movie lovers. Anderson mixes sounds and images into a dark, dazzling music that is all his own.
  14. A shockingly intimate and deeply affecting film about the roots of sexual role playing.
    • Rolling Stone
  15. When a forty-four-year-old man makes a movie about his family and friends sitting around singing old tunes, you certainly don't expect an unforgettable amalgam of humor and heartbreak. But that is precisely what Terence Davies delivers.
  16. Besides the in jokes, the animation and the Alan Menken score supply enough glorious entertainment to hold even brats and cynics in thrall.
  17. What makes Trier’s movies so rich, so exhilarating, so vital, is the way he and his longtime screenwriter Eskil Vogt pitch these stories somewhere between a saga and an anecdote, fit-to-burst with lifelike textures, details and detours.
    • 86 Metascore
    • 100 Critic Score
    What makes The Player the best and boldest American comedy in years is Altman's wizardry at leavening anger with cathartic wit. He sticks it to every target, himself and us included, with a wicked zest that hurts only when you laugh -- and The Player keeps you laughing constantly.
  18. Miyazaki works marvels. Sit back and behold.
  19. American Factory sets out to chart what’s supposed to be a test run for the future of the auto industry and an example of positive international relations. It ends up capturing a cross-cultural car wreck in slow motion.
  20. Not only is this faith-in-crisis drama one of the legendary writer-director's most incendiary films ever, it's one of the year's very best – a cinematic whirlwind that leaves you both exhilarated and spent.
  21. Now this is what I call a summer movie. Baby Driver has it all: thrills, laughs, sex, nonstop action, a killer soundtrack, a star-making performance from Ansel Elgort and a director – Edgar Wright – who can knock the wind out of you.
  22. The superbly crafted suspense thriller…slams you like a sudden blast of bone-chilling, pulse-pounding terror.
  23. There's no way you won't be captivated by Wallis, chosen ahead of 3,500 candidates to play the tiny folk hero who narrates the story. Her performance in this deceptively small film is a towering achievement.
  24. Using their voices for demonstrations and protests, they helped pass 1990’s revolutionary Americans With Disabilities Act. This documentary proves that they are still changing the world.
  25. One Fine Morning is yet more evidence of how far Mia Hansen-Løve can push her naturalistic style, using seemingly plain storytelling to advance intellectual ideas that rarely feel drawn from the mind because they are so in tune with felt experience: feelings and attractions, the passing of time, the sense of a life being lived. This movie is no different.
  26. All of this is presented with Director Park’s usual eye for extraordinary compositions and the occasional baroque flourish — dig that shot from the bottom of a boilermaker, as it’s being consumed! — but rest assured his tongue is resting comfortably in his cheek.
  27. What Eisenberg accomplishes overall here, however, is beyond measure. It’s the real deal.
  28. In uniting to honor Arenas, Bardem and Schnabel create something extraordinary.
    • Rolling Stone
  29. Atlantics pulls you into an experience. The empathy machine runs at full speed here. Ada, c’est moi.

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