Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. That Linklater pulls off the innovative feat with hypnotic assurance is nothing short of amazing.
  2. This being a Lowery tale, the monolithic, the overwhelming, are only more powerful for being rendered in intimate, miniaturized terms. The creepiness creeps just that much more; fear is heightened; fantasies, mysteries tingle with a sense of the unpredictable.
  3. A marvel of letting an antihero's restless wanderings dictate the terms of the story, Pieces doesn't explain its lead's ennui so much as honors it.
  4. The movie is thunderously exciting, but what makes it resonate is the wrenching story we read on Damon's face. We've waited all summer for a wild ride to grab us with more than jolts. Now it's here. Hang on.
  5. What an exhilarating gift to watch Harry and Company go out in a blaze of glory and amazing grace.
  6. It’s delicious — sweet, tart, surprisingly moving and funny as hell.
  7. Nichols throws curveballs, but his film is unique and unforgettable.
  8. A dazzling, darkly funny, quietly devastating human drama from the Islamic Republic of Iran.
  9. There may be bigger, costlier, weighter films this year. There's none lovelier.
    • Rolling Stone
  10. Nothing can detract from the film as a portrait of hell so shattering it's impossible to shake.
  11. Easily one of the best and most modestly brilliant piece of nonfiction filmmaking you’ll see this year.
  12. A jolt-a-minute horroshow laced with racial tension and stinging satirical wit.
  13. This West Side Story proves someone can still leave their mark on the legend without building it from the ground up. It’s a classic Spielberg joint, a classic hat-tip to Hollywood, and a classic, period.
  14. Amy
    What makes Asif Kapadia's documentary a devastating don’t-miss dazzler — like the lady herself — is the way he lays out her story without editorializing.
  15. With the help of acting giants, Jenkins turns The Savages into a twisted, bittersweet pleasure.
  16. Part anthropological study, part rise-and-fall epic and all-out mesmerizing, this regional spin on the “family business” saga makes you rethink the notions behind why we watch crime flicks past the vicarious thrills. It’s both foreign and familiar.
  17. An Education is remarkable for the traps it doesn't fall into. Jenny, for all her naive impulses, isn't a victim.
  18. Once The Rider hooks you – and believe me, it will – there's no way you will ever forget it.
  19. Varda by Agnès goes out not with a bang but a graceful farewell, as the director sits on a beach, a sandstorm whipping around her as vows to “disappear in the blur” and slowly fades from the image.
  20. You don’t have to know about Erice’s own backstory to appreciate this mournful, seeking work about life, art, loss, and the space where they all overlap.
  21. Bo Burnham’s story about a 14-year-old misfit is one of the funniest, saddest and most heartfelt teen movies ever.
  22. The line between making guerrilla art and selling out has never blurred more provocatively.
  23. Rogen and Heigl step up to the plate with a tougher task from Coach Apatow: Nail every laugh and the emotions underlying them. No worries. They knock it out of the park.
  24. A new American crime classic from the legendary Martin Scorsese, whose talent shines here on its highest beams.
  25. Yes
    Yes is easily the most controversial film to hit theaters this year so far. It’s also, for all of the intoxicating rush of Lapid’s excessive style and cup-spilleth-over storytelling, one of the more sobering and vital ones as well.
  26. Oldman gives a performance that is flawless in every detail.
  27. This is an actors’ film, one that proudly wears its women-run-the-world bona fides on its sleeve. They provide the sisterhood and the sense of boiling over. After a full-circle callback to its beginning, Support the Girls ends, pitch-perfectly, with a primal scream therapy session on the top of a strip-mall building, female voices being heard above highway noise.
  28. Pfeiffer is a knockout; she’s the sexiest presence in movies today and an exceptional comic and dramatic actress, to boot.
  29. With it's dynamite performances, strafing wit and dramatic provocation, The Insider offers Mann at his best -- blood up, unsanitized and unbowed.
    • Rolling Stone
  30. It is also Nicholson at his bravest and riskiest. By banking his fires and staying alert to the smallest details, he delivers a monumental performance that blasts your expectations and batters your heart.

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