Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Credit Rachel Weisz, who's just the dynamite actress needed to play a character who could be a misunderstood innocent or a fortune-hunting seductress who could be a cold-blooded killer. How delicious to watch the star keep us guessing.
  2. Café Society isn't peak Allen, in the manner of such recent high points as "Midnight in Paris" (2011) and "Blue Jasmine" (2013), but the film — which could be helpfully subtitled Manhattan v Hollywood — feels lively, lived-in and fallibly human.
  3. Want to know what the “right stuff” really is? Take a look.
  4. Murder is just another day at the office for corporate America, and the film hammers that theme home with diminishing returns. But the acting is aces, especially Pitt mixing it up with the superb James Gandolfini.
  5. What's on screen in The Grandmaster is off-puttingly disjointed, but it's also dazzling in its startling action and ravishing romance.
  6. It's a hilarious and heartfelt ode to twentysomething angst. Braff has himself a winner.
  7. Thanks to this team of merry pranksters, 22 Jump Street hurts so good.
  8. Propelled by Mark Mancina's percussive score, this Tarzan swings.
  9. In fact, Bell the writer, director, producer and actress knows how to set a savvy trap. While we're laughing, she pulls the rug out, making us see Carol's world as a microcosm for the world every working woman lives in. That she does it with subtlety, humor and touching gravity marks Bell as a filmmaker to watch.
  10. The Muppets slaps a smile on your face you won't want to wipe off.
  11. In a multiplex filled with empty New Year vessels (take that, Kangaroo Jack), this holdover grabs you hard.
  12. Carell is the life of the party and the main reason this animated blast of slapstick silliness packs appeal beyond the PG crowd.
  13. Yes, his direction hits a few tonal bumps; he could have been tougher on his screenwriter on tightening the plot twists. No matter. Wind River packs an elemental power that knocks you for a loop.
  14. Scenes move from hurt to resigned laughter and ring poignantly true. The heroically unfashionable result is a minor but distinct pleasure.
  15. OK, sensitive tykes may be scared shitless. But those who tough it out with this twisted, trippy adventure in impure imagination will only be the better for it.
  16. Yes, this far-out fable is too much in every department. But it is also the work of a visual storyteller drunk on the power of movies to stir things up ... and maybe even to heal. It's a bumpy ride, for sure, but hold on. Okja is worth it.
  17. All you really need to know is that The Rover is a modern Western that explodes the terms good and evil; that its desolation is brilliantly rendered by Michôd and cinematographer Natasha Braier; that Pearce and Pattinson are a blazing pair of opposites.
  18. Who would have guessed that a documentary about gamers obsessed with scoring a world record at Donkey Kong would not only be roaringly funny but serve as a metaphor for the decline of Western civilization?
  19. No use fighting it. this laugh-getting, tear-jerking, part-affecting, part-appalling display of audience manipulation is practically critic-proof...The result can best be described as shamelessly entertaining.
  20. A thrilling combination of documentary and musical dazzler.
  21. Fusing animation and live action with a series of outrageous props, Gondry veers dangerously close to being precious. But make no mistake: Gondry's hallucinatory brilliance holds you in thrall.
  22. The good news is that Mockingjay – Part 2, the big finale, has quit the ass-dragging in favor of what made the book a page-turner. There's the visual fireworks, for sure. But there's also the darkness of the theme.
  23. If you're a Gilliam junkie, as I am, you go with it, even when the script by Ehren Kruger (The Skeleton Key) loses its shaky hold on coherence.
  24. The luminous Michelle Williams goes bone-deep here. Monroe's beauty was one of a kind. No one, not even Williams, can act it. What Williams does, with fierce artistry and feeling, is illuminate Monroe's insights and insecurities about herself at the height of her fame.
  25. Langella delivers a master class in acting. He's playing Leonard Schiller, an aging author aching from the loss of his wife, a weak heart and literary neglect.
  26. In this tale of stunted development, Theron is a comic force of nature, giving her character considerable density and humanity despite her monstrous aspects.
  27. What makes Legends such an entertaining male weepie is the star shine. Though the admirable Quinn has the toughest role, Pitt carries the picture.
  28. Mitchell has his own twisted gift for letting atmosphere help define character. It Follows creeps you out big-time in that cool way that freezes the blood.
  29. It's a hoot to watch Fonda cut loose and mix it up with J. Lo, even when the laughs turn mean-spirited.
  30. To use the film's terms: You go expecting a World Cup qualifying round. You leave having just seen a decent enough exhibition match.

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