Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Brad Pitt doesn't really act in Ocean's Thirteen, he just glides through the third chapter in Steven Soderbergh's heist-flick annuity on the magic carpet of his own unimpeachable cool. Don't knock it. Genuine star power is rare. Pitt has it in spades -- all aces.
  2. Maher can be a smartass, but his attempts to apply reason to religion are more a challenge than a threat.
  3. The film is a striking cinematic tone poem.
  4. See this darkly comic character study unburdened by preconceptions.
  5. Does the plot spin out of control? You bet. But dumb fun this smart is a gift.
  6. A hypnotic movie of harsh truth and healing compassion. It sticks with you.
  7. Ayoade, the British comic making a remarkable feature debut with his adaptation of Joe Dunthorne's 2008 novel, blends mirth and malice with deadpan brilliance.
  8. The whole movie is a grab-bag of insanity so off-the-chain hilarious that you stick with it even when the convoluted plot goes haywire.
  9. Fed Up has a fire in its belly to change things. Naïve? Maybe. So what. I say, Godspeed. Here is something rare at the multiplex: a movie that matters.
  10. Blazing performance will burn in your memory. Same goes for the film.
  11. Fukunaga, son of a Japanese father and a Swedish mother, is a filmmaker to watch. He has reanimated a classic for a new generation, letting Jane Eyre resonate with terror and tenderness.
  12. Any doubts about three Chinese actresses speaking English with Japanese accents vanish in the face of their deeply felt performances and the world Marshall conjures with magical finesse.
  13. Luhrmann is a director with the style and snap to have these tired routines on their feet and kicking like a line of Rockettes.
  14. The line between making guerrilla art and selling out has never blurred more provocatively.
  15. The sequel is more musically varied, though Kay Cannon's script amps the sass at the expense of structure. But the MVP here is Elizabeth Banks.
  16. Hanging with Quill and his mercenary space misfits is still everything you'd want in a wild summer ride.
  17. The movie belongs to Moretz, whose sensational performance will be talked about for years. Her scenes with Cage, who wears a Batsuit and uses a voice borrowed from Adam West, are a hoot.
  18. Writer-director Andrew Niccol, who worked impressively with Hawke on the topic of genetic modification in 1997's "Gattaca," puts a lot out there.
  19. Obvious Child is a romcom with a sting in its tail. And Slate is a dynamo, nailing every laugh while showing a true actor's gift for nuance.
  20. Journeys, shot on the last two nights of Young's 2011 solo world tour, is essential Neil Young.
  21. The role is a beast, and Cranston, in a tour de force of touching gravity and aching humanism, gives it everything he's got. It's astounding to watch, and an award-caliber performance from an actor who keeps springing surprises.
  22. Bigelow's artful handling of the magic & menace of the night is hauntingly apparent.
    • Rolling Stone
  23. Best of all is the excitement of watching Mann use his kinetic powers as a filmmaker to tackle the new face of 21st-century warfare.
  24. Wheatley and screenwriter Amy Jump (his wife) have energized Ballard's parable of class warfare in the technology age with a daring approach that will touch a nerve or have you bolting for the exits.
    • 73 Metascore
    • 75 Critic Score
    The antithesis to the parent-friendly punks of Valley Girl, director Penelope Spheeris' stark, sobering look at the new generation gap pits aging California hippies against their disillusioned kids.
  25. It's funny. So is Nicole Kidman, very Cruella De Vil as Millicent Clyde, a taxidermist with an eye on adding Paddington to her stuffed collection. It's an excuse for some chase scenes and physical comedy (Paddington gets his head stuck in a toilet bowl) that manage to suggest both the Marx brothers and Wes Anderson. I mean that as a good thing.
  26. Michael Fassbender delivers a bold and brilliantly immersive performance as a sex addict in Shame. He is so raw and riveting you won't be able to take your eyes off him.
  27. Moore shows us acting at its best, alive with ferocity and feeling and committed to truth.
  28. Spielberg's visual inventiveness is unflagging.
  29. This film is a muckraking provocation whose time has come.

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