For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
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- Rolling Stone
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Reviewed by
Peter Travers
Ford hits it out of the park again in Nocturnal Animals, a stunning film noir that resonates with ghostly, poetic terror.- Rolling Stone
- Posted Nov 16, 2016
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David Fear
And while the arrest and trial take up the bulk of the film’s focus, no amount of famous folks mouthing lines can compare to the compelling, grainy black-and-white clips of the real-deal DeLorean getting busted by the feds.- Rolling Stone
- Posted Jun 5, 2019
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Peter Travers
This Trainspotting sequel may feel like that for many who raised a fist in unison with the first film's f--k-the-world defiance. There's a hard-won wisdom at work here, as well as an aching sense of loss. Any way you look at it, T2 takes a piece out of you.- Rolling Stone
- Posted Mar 16, 2017
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Peter Travers
There's no way you won't have a blast. In their directing debuts, Rogen and Goldberg come up aces, mixing hilarity and horror like pros and never letting up on the killer momentum.- Rolling Stone
- Posted Jun 13, 2013
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Peter Travers
You can't shut the door on this spellbinder. It gets into your head.- Rolling Stone
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Peter Travers
If "Sideways" made you curious about vino, this fierce, funny and challenging doc opens up a world worth debating.- Rolling Stone
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Peter Travers
Compared with ("The Sixth Sense"), there's no contest. Stir of Echoes has been outrun and outclassed.- Rolling Stone
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Peter Travers
Restores our belief in the power of movies to transform reality, even temporarily. So what if it's not perfect? It's magic.- Rolling Stone
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Peter Travers
What shakes the dust off this period piece is the vibrant acting.- Rolling Stone
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Peter Travers
Moore has marshaled what's on the record and off into a stinging indictment of where we're going. In a multiplex filled with Hollywood cotton candy, we need him more than ever.- Rolling Stone
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Peter Travers
Shelton obviously wants to distill something innocent and romantic from a relationship the world saw as sleazy. A noble mission. But he's left out a few essentials — like the facts.- Rolling Stone
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David Fear
It’s a portrait of girls that decries how sexuality is force-fed to them and/or viewed as the only way to foster self-esteem at far too young an age. It is the polar opposite of what it’s accused of being.- Rolling Stone
- Posted Oct 8, 2020
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Peter Travers
That Green’s sequel works as well as it does — it’s still a slasher movie — is due only in part to the director and his collaborators’ copycat admiration for Carpenter’s blueprint. Mostly it’s the troubled times we live in that allows this energizing, elemental horror film to touch a raw nerve for #MeToo.- Rolling Stone
- Posted Oct 16, 2018
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Peter Travers
Philip Seymour Hoffman creates a mesmerizing portrait of the artist as a young, old and middle-aged man.- Rolling Stone
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Peter Travers
Rude, crude and hilarious, whether he's hitting on Joanne or brokering the sale of Soviet weapons through Israel and Islamic Pakistan, Hoffman is the film's sparking live wire.- Rolling Stone
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Peter Travers
Kudos to Wilson (how has she not won an Emmy for her brilliant work on The Affair?), who builds what seems at first like a peripheral character into the defiant soul of the movie.- Rolling Stone
- Posted Aug 31, 2018
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Peter Travers
An idol had fallen, and Gibney and the superb director of photography Maryse Alberti were there to capture the descent, including a confessional interview in which Armstrong blames the corruption of the game far more than himself. The movie rambles at two-plus hours, but the provocation never stops.- Rolling Stone
- Posted Nov 7, 2013
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David Fear
As an introduction to who these guys are, the bond they share and the legacy they contributed to, it’s a better-than-decent primer. You simply wish it didn’t feel like one long, stop-and-start mic check.- Rolling Stone
- Posted Jul 17, 2020
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David Fear
It’s the personal demons rather than old-fashioned monsters that get you, see, which is one of two central tenets of Cummings’ genre exercise/portrait of a fuck-up mash-up.- Rolling Stone
- Posted Oct 15, 2020
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Peter Travers
Kidman and Bateman make a potent team in a provocative film that questions the limits of art in a world that forgets to be human. The result is funny, touching and vital.- Rolling Stone
- Posted Apr 29, 2016
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David Fear
The experience is not Rashomon Redux so much as enduring a bad rash.- Rolling Stone
- Posted Oct 13, 2021
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Peter Travers
Juliet, Naked is annoyingly hit and miss. But when Annie and Tucker connect with the gob-smacked Duncan, the movie substitutes the hard sell for grace notes and wins us over.- Rolling Stone
- Posted Aug 17, 2018
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Peter Travers
Van Sant, following "Gerry" and the superb "Elephant," is on the same elliptical quest. His journey is labored but undeniably hypnotic.- Rolling Stone
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Peter Travers
Here's a fireball documentary about the 1970s, when filmmakers were stoked by sex, drugs, rock and, oh, yeah, social conscience.- Rolling Stone
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Peter Travers
Lin is a talent to watch. There's a sting to this film that gets to you.- Rolling Stone
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Peter Travers
A maliciously funny and keenly observant movie -- director-writer Patrick Stettner makes a potent feature debut -- that serves its humor dark and without artificial sweeteners.- Rolling Stone
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- Rolling Stone
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- Rolling Stone
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Reviewed by
David Fear
While it has its share of highlights...there’s a lot of celebrity malaise and hot air masquerading as insight here.- Rolling Stone
- Posted Nov 13, 2025
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