Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Until the last half-hour, when Lucas actually does establish a emotional connection between the landmark he created in 1977 and the prequel investment portfolio he laid out in 1999, the movie is one spectacularly designed letdown after another.
  2. It’s a perfectly good rockumentary. It may be an even better group therapy session, led by one person’s unfiltered experience down in a hole yet resonating as deeply for anyone else still struggling to lift themselves up. Welcome to the club.
  3. It’s faint praise, even in the post-MCU era of the genre, to say that Superman is a solid superhero film; the caveat is hiding in plain sight. What Gunn has pulled off is something more complicated, more interesting, and far tougher: He’s given us a Superman movie that actually feels like a living, breathing comic book.
  4. Artfully exciting and compulsively watchable even at a butt-numbing 152 minutes, the film makes good on the promise New Zealand writer-director Andrew Dominik showed with "Chopper" in 2000.
  5. Just because a movie is freakin' preposterous doesn't mean it can't be diabolical fun. Case in point: Fracture.
  6. Get ready to be shaken and stirred.
  7. A triumph for the machines, more proof that we do indeed live in the Matrix.
  8. Lit with a poet’s eye by Deschanel and given dramatic heft by von Donnersmarck, Never Look Away lunges at the primitive forces that define our lives. Even when it trips up, it’s never less than exhilarating.
  9. Colossal entertainment -- the eye-popping, mind-bending, kick-out-the-jams thrill ride of summer and probably the year.
  10. You expect hardcore hilarity from Neighbors, and you get it. It's the nuance that sneaks up on you.
  11. Hold off on burning Aronofsky at the stake till you see Noah, a film of grit, grace and visual wonders that for all its tech-head modernity is built on a spiritual core.
  12. This is what the work of a visionary filmmaker looks like. Forget the new flesh. Long live the old Cronenberg.
  13. You wish the movie wasn’t content to be a feature-length meme and truly deserved what Cage is doing with this long, hard look in the fun-house mirror. The Unbearable Weight of Massive Talent is not unbearable by any means. It just should have been so much better.
  14. Credit is due to Pugh and Johansson, most of all, for proving, in the movie’s opening chunk, that their foes-then-friends dynamic could satisfyingly hold an entire movie.
  15. At moments, especially in the conflicted intimacy between Marcia Gay Harden and Daniel Stern as Bliss' parents, Barrymore shows real directing chops. But in Whip It she's painting inside the box.
  16. After all the hype, the movie of Dick Tracy turns out to be a great big beautiful bore.
  17. The three actors work wonders. And Zobel, as he did in 2012's mindbending "Compliance," nails every nuance of intonation and posture.
  18. As a dig at generational dissatisfaction and/or a lament about the migrant’s blues, the film is good enough. As a portrait of a diva on the verge of a meltdown that could take out a metropolis, it’s a next-level nightmare.
  19. If Rustin only gives you a slice of a story — you could make seven different films out of his life and achievements — it assures you walk away knowing who Bayard Rustin was. The same can be said for Colman Domingo. Attention must be paid a hundredfold.
  20. Nolte brings a raspy authority to the role, and director Neil Jordan (The Crying Game) surrounds him with colorful characters.
  21. Green sometimes hits his points too hard, letting his fierce human drama drift into polemic. But there’s no denying the righteous indignation that fuels Monsters and Men, a powerhouse that couldn’t be more timely or necessary.
  22. Glorious, a colossus of rousing action and ferocious fun.
    • Rolling Stone
  23. Moon is a potent provocation that relies on ideas instead of computer tricks to stir up excitement.
  24. A raucous ride through one man's pain.
  25. As an at-risk teen drama, the film is passable. As a portrait of a community, it’s eye-opening.
  26. The Way of Water is like its predecessor: sincere to the point of being brash, wide-armed and open-hearted toward the world it loves and vengefully, comically violent toward the people who arrive to destroy that world. It’s a better movie than the first outing because Cameron lets things get weirder, wilder.
  27. Even when Light of My Life feels like it’s straining under the heaviness of its storytelling, there’s something about the way he guides us to an inevitable endgame that suggests the filmmaker knows what he’s doing. It’s not a pretty picture he paints here. But it makes you want Affleck to keep picking up that brush.
  28. Despite over-ripe narration and an understandable urge to cram too much in, Ghosts of the Abyss is a thrilling documentary.
  29. It also addresses questions of aging and neglect that Hollywood likes to run from. Langella, who's played everyone from Dracula to Nixon onscreen, is giving a master class in acting. Enroll now.
  30. You should prepare to be wowed by Natalie Portman, who delivers a take-no-prisoners performance as Celeste, a swaggering rock diva who tends to burn down everything in her path, especially when she’s crossed.

Top Trailers