Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. What makes this so memorably nerve-frying is the way Alvarez and cinematographer Pedro Luque use night-vision and every trick in the book and ones not invented yet to trap us in their vise. Claustrophobics, you've been warned.
  2. Best of all is Mark Wahlberg as Tommy, an angry post-9/11 firefighter so against Big Oil that he rides to fire scenes on his bike.
  3. With the cast getting looser and the mind games kinkier, it's hard to resist.
  4. The Dreamers may go slack when you most want it to soar, but it also seduces with eroticism and resonates with ideas.
  5. Despite a gimmicky premise, Chronicle fuels its action with characters you can laugh with, understand and even take to heart.
  6. Delivers the dazzle without sacrificing the smarts. The suspense is killer. Ditto the thrill of the hunt. The film uses the extra time to, of all things, develop characters and give this dystopian fable a human scale.
  7. There is something uniquely unforgettable in the way Linklater, Hawke and Delpy (equal collaborators on the script) find nuance, art and eroticism in words, spoken and unspoken. The actors shine.
  8. Pucci is an actor to watch: He rides this spellbinder without softening the truths that plague the thumbsucker in all of us.
  9. Under the keen-eyed direction of Jean-Marc Vallée (Dallas Buyers Club), Wild emerges as an exciting, elemental adventure that takes you places you don't see coming.
  10. As in "Lost in Translation," Coppola keeps an eye out for the broken places. That's when Somewhere is really something.
  11. Hemsworth, an Aussie actor with a vocal command to match his heaving brawn, doesn't just play the role, he owns it. I'm expecting both sexes will feel his impact.
  12. Lily Tomlin works miracles. She's comedy royalty whose best films (Nashville, The Late Show, All of Me, I Heart Huckabees) always cut deeper than a smile. But no Oscar. Maybe Grandma will do the trick. It's a Tomlin tour de force.
  13. Miss Firecracker is a spirited lark that happily survives most missteps; it’s shot through with enchantment.
  14. Wells is a wonder with actors - Cooper and Jones earn top honors - and a filmmaker with an instinct for the emotions that bleed between the lines. This haunting movie hits you hard and right where you live.
  15. The Beaver, directed by Jodie Foster from a script by fearless first-timer Kyle Killen, is operating on a plane far above multiplex formula. This flawed but heartfelt movie has the power to sneak up and floor you.
  16. No use trying to describe Bernie. It's a one-of-a-kind inspiration. You will never feel closer to a convicted killer.
  17. Cedar Rapids had me smiling at hello.
  18. The movie steps lively with buoyant humor and palpable sexual tension, but keep an eye out for the dark places.
  19. The suspense crackles, the acting sizzles and the script, by promising first-timer Russell Gewirtz, keeps tossing surprises like grenades.
  20. That's Emily Blunt, and she is perfection, playing the hell out of this blackout drunk and adding a touch of welcome empathy.
  21. Lively is an odd word for something called Dead Man's Chest, but lively it is. You won't find hotter action, wilder thrills or loopier laughs this summer.
  22. Farrell is a dynamo. And Kiefer Sutherland, whose sniper role is essentially a voice on the phone, matches Farrell subtle shift for subtle shift.
  23. Moralists, beware. Hobo looks like a garish cartoon puked up by a filmmaker overstuffed with cheap thrills and celluloid scuzz. What's not to like?
  24. It's less an expose of junk-food culture than a human drama, sprinkled with sly, provoking wit, about how that culture defines how we live.
  25. Blood splatters, heads explode, and McDonagh takes sassy, self-mocking shots at the very notion of being literary in Hollywood. It's crazy-killer fun.
  26. News Flash: Tom Holland is the best movie Spider-Man ever. He finds the kid inside the famous red onesie and brings out the kid in even the most hardened filmgoer.
  27. An animated fluffball that does everything to drive you crazy and ends up by being totally irresistible.
  28. This one's a winner. And Baymax, baby, call your agent. You're about to be a household name.
  29. Its value is unquestionable as drama and moral provocation.
  30. Were detective Dave Starsky (Paul Michael Glaser) and his partner, Ken Hutchinson (David Soul), hot for each other when they started working undercover in Bay City?... you can watch Starsky and Hutch on the big screen and see subtext stiffen into hard and hilarious evidence.

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