Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Martin excels in the title role.
  2. This is rock-solid entertainment. McConaughey, a cunning mesmerizer in the courtroom, steers this Lincoln into what could be a hell-raising franchise. More, please. Soon.
  3. Force Majeure is a jolt. You won't know what hit you.
  4. Phantom, still running on Broadway after sixteen years, is a rapturous spectacle. And the movie, directed full throttle by Joel Schumacher, goes the show one better.
  5. Tsunashima is superb, and a never-better Collette (The Sixth Sense, About a Boy, The Hours) has a radiant intensity that hits you right in the heart. She burns this movie into your memory.
  6. Affleck may strike you as off-putting at first, hitting wrong emotional notes, but hang on. State of Play keeps the twists coming.
  7. It’s sexy, suspenseful fun, and gorgeous-looking to boot.
  8. Rogen is a nonstop hoot, but it's the byplay between Frost and Pegg that roots the laughs in characters we care about. That's right: characters. No anal probes.
  9. Harron needed just the right actress to play Bettie. And she lucked out big time. Gretchen Mol (The Shape of Things) is hot stuff in every sense of the term. She delivers the first performance by an actress this year that deserves serious Oscar consideration.
  10. The Painted Veil has the power and intimacy of a timeless love story. By all means, let it sweep you away.
  11. A brilliant chronicle of the life and twisted times of a most unlikely bad boy, a skinny, four-eyed, sex-obsessed misanthrope with no weapons to fire back at the society that rejected him save one: The nerd can draw.
  12. Writer-director David Michôd catches you in a vise and squeezes - hard.
  13. There's no sense to the scene in which the boys get together for a close-harmony rendition of "Afternoon Delight" -- just pure pleasure.
  14. Slick thrills and the star's blue eyes are enough to make Ransom the fall's monster hit. Instead, Howard and Gibson stake out a Moclock side in all of us that won't be banished, not even by a happy ending. I'll be damned.
  15. Some people find this twisty and twisted psychological thriller arty and pretentious. I find it arty and provocative.
  16. The young star, maturing nicely past the boyish enthusiasm he showed in "Slumdog Millionaire" and "Marigold Hotel" films, enters a new phase of his career with fierce commitment. Lion is one from the heart.
  17. This movie will get under your skin.
  18. It's important to note what Portman the filmmaker is doing here. She is most assuredly not providing CliffsNotes to Oz's book, letting us see what Amos sees and only partially understands.
  19. Director and co-writer Christopher Smith, mischievously blending "The Office" with "Friday the 13th," keeps things fierce and funny enough to give Steve Carell ideas.
  20. Kudos to Stewart for making Rosewater more than an earnest plea for journalistic freedom. He makes it personal.
  21. It's rare to find a movie that uses music to define love without sentimentalizing it. But Begin Again, with songs by Glen Hansard and New Radicals frontman Gregg Alexander, is a wonderfully appealing exception.
    • 66 Metascore
    • 75 Critic Score
    The special effects vacillate between defiantly shitty and endearingly resourceful, and Carpenter and O’Bannon's sense of humor covers a similarly narrow ground between Loony Tunes goofiness and dorm-room stoned.
  22. And Pfeiffer gives a funny, scrappy performance that makes you feel a committed teacher's fire to make a difference.
  23. But for all its visionary brilliance, the movie version of Interview never lets us close enough to see ourselves in Louis. We're dazzled but unmoved.
  24. Even when the film goes too far over the top to be saved, McConaughey mesmerizes.
  25. Even readers with reservations about the ways the film fails to measure up to the book should appreciate a smart, passionate, steadily engrossing thriller in a summer of mindless zap.
  26. There's enough plot here to sink a soap opera, but the actors prevail. Parker is a no-bull charmer. Driver leaves bite marks on her juicy role. And Mbatha-Raw, so good this year in "Belle", is dynamite.
  27. The result is something you won't see coming. Don't look for sweet and embraceable. This movie is not afraid to show its claws. Like the spirited teamwork of Kazan and Dano, Ruby Sparks is honest, deep and true.
  28. Geena Davis and her director and husband, Renny Harlin, recover from their "Cutthroat Island" fiasco in grand style, and screenwriter Shane Black ("The Last Boy Scout") juggles jolts and jokes with a mad fervor that almost earns him his $4 million salary.

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