Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. There's nothing trivial about this Hungarian masterwork from first-time director László Nemes. You don't merely witness horror, you feel it in your bones.
  2. Her
    Jonze is a visionary whose lyrical, soulful meditation on relationships of the future cuts to the heart of the way we live now.
  3. Surprisingly timely and enduringly timeless.
  4. It's comic, touching and a visual knockout.
  5. Tótem is one of those films about death that overflows with life, and it’s a testament to filmmaker Lila Avilés that this gentle drama never collapses under its own weight or lets sorrow fully take the wheel.
  6. The result, with its flashing perspectives and stealthy wit, is unique and unforgettable.
  7. What the filmmaker and his collaborators have given us is something truly special: a radical work of art that channels a tsunami of radical empathy. And it couldn’t feel more necessary or vital at this moment in time.
  8. No one needed further proof that he’s a master. This meditation on grief and growing up does solidify the position, however, that Miyazaki remains the greatest living animator today, period.
  9. Ida
    Ida is an art film in the finest sense of the term — it is austere technique counterbalanced by emotions that bleed.
  10. It entered the festival circuit as a politically charged take on the standard there-goeth-the-great-artist story and exited it as a peerless act of personal reclamation. I can’t shake the feeling of being shook by it.
  11. Unique and unforgettable.
    • Rolling Stone
  12. Get ready to be knocked for a loop.
  13. Once you’ve seen this deft blend of genres and tones, all of the inspired laughter and the lumping of throats, you see exactly how Hit the Road fits all of its elements together with remarkable seamlessness.
  14. Technology has allowed Jackson to erase the barriers of time and speak to a new generation about what war does to youth. His humane and heartbreaking film is a profound achievement.
  15. The writer-director gives these unsung, oft-judged heroes of labor empowerment via empathy and representation.
  16. You know how some costume epics can be such a bloody bore? Not The Favourite. It’s a bawdy, brilliant triumph, directed by Greek auteur Yorgos Lanthimos with all the artistic reach and renegade deviltry he brought to Dogtooth (2009), The Lobster (2015) and The Killing of a Sacred Deer (2017).
  17. Let the unsettling secrets of this outrageously funny and steadily engrossing meditation on the life of two high school misfits after graduation catch you by surprise. It's that good.
  18. The Gatekeepers cuts deeper than any political thriller. It's a powerhouse.
  19. It’s not just that they don’t make movies like this anymore — of course they don’t! — so much as no one bothers to tell these types of sprawling narratives with this level of storytelling, chops, nerve and verve.
  20. There is something uniquely unforgettable in the way Linklater, Hawke and Delpy (equal collaborators on the script) find nuance, art and eroticism in words, spoken and unspoken. The actors shine.
  21. Even while the director is displaying her knack for cine-magic tricks and formalist gestures, she’s also well aware that she blessed with someone at the center of this carousel who needs no illusionist’s help.
  22. Anderson may be concocting his own personal flashback to a funkier age of innocence, but he lets these two make it their own double-act as well. Then he generously invites an audience in as well.
  23. Only Yesterday comes from a quieter, less demonstrative place. As he did in his most recent and reportedly final film, "The Tale of the Princess Kaguya," Takahata has built Only Yesterday to go gently and to last. Mission accomplished.
  24. The sounds are finite, yet the benefits of tuning in to the film’s wavelengths are endless. It’s the greatest documentary you’ve ever heard.
  25. Seeds is, at the abundant heart of it all, a work of protest art and political activism through sheer poetry. Attention must be paid.
  26. Rea and Davidson are incomparably good in an exceptional film that is by turns darkly funny and deeply affecting. Though Jordan's control sometimes falters, it's a small price to pay for his daring.
  27. How it informs so much of what the movie is getting at is something you’ll find yourself mulling over for weeks after you’ve left the theater. The feeling that you’ve just witnessed a major work from a great American filmmaker, however, is instantaneous.
  28. Mad Max: Fury Road kicked my ass hard. It'll kick yours. So get prepped for a new action classic. You won't know what hit you.
  29. Winter's Bone is unforgettable. It means to shake you, and does.
  30. One of the best and liveliest movies of the year - funny and touching in ways you can't predict.

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