Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. One thing's for sure about this raw provocation from the Coens: Like the music, the pain runs deep and true. You'll laugh till it hurts.
  2. Perhaps the best thing that can be said about Tár is that it is far more than a mere vehicle for one showboating performance. And even if it were, with a performance like this, who would mind?
  3. In terms of excitement, imagination and rule-busting experimentation, it's a gusher.
  4. It's a snapshot of a small Texas town in the 1950s that's ostensibly filled with bighearted, god-fearing real Americans. But this exceedingly sad film spits in the eye of such homespun niceties: This is an Eisenhower-era world riddled with directionless teens, bored housewives and disenfranchised citizens who can't escape the futility around them.
  5. Lee offers no reassurance, no uplift, no call for all races to join hands and spout liberal platitudes. What he does offer is a devastating portrait of black America pushed to the limit, with the outcome still to be written. There’s only one way to do the wrong thing about Do the Right Thing: that would be to ignore it.
  6. The performance footage alone makes this worthy of study by musicologists and historians. There are too many great scenes to mention.
  7. Brother's Keeper has the texture, emotion and raw urgency of a Woody Guthrie anthem -- it keeps coming back to haunt you.
  8. A brilliant chronicle of the life and twisted times of a most unlikely bad boy, a skinny, four-eyed, sex-obsessed misanthrope with no weapons to fire back at the society that rejected him save one: The nerd can draw.
  9. You leave feeling like you’ve just seen a truly extraordinary late work produced by one of the era’s greatest working auteurs, quickly followed by the sense of experiencing a sucker punch when you remember that the man driving away from the scene of the crime onscreen isn’t able to go anywhere once that screen fades to black.
  10. This landmark film takes a clear-eyed look at the digital future and honors the one constant that journalism needs to stay alive and relevant: a fighting spirit.
  11. The movie will wipe you out. Schnabel's previous two films (Basquiat, Before Night Falls) also focused on artists. But this is his best film yet, a high-wire act of visual daring and unquenchable spirit.
  12. Fierce, funny and moving, The Class graduates with honors. It's unmissable.
  13. Joel and Ethan Coen's adaptation of Cormac McCarthy's 2005 novel is an indisputably great movie, at this point the year's very best.
  14. Willem Dafoe should be on top of Oscar's Best Supporting Actor list for his stellar work in The Florida Project, a film that's as hilarious and heartbreaking as it is unclassifiable.
  15. When E.T. debuts on DVD, you can choose between the new version, which better matches E.T.'s words to his lips, and the sweetly clunky, digitally deprived version redolent of penis breath. I don't need to phone home to know which one I'm buying. [2002 re-release]
  16. With Apocalypse Now Redux — one for the ages when it comes to the moral battles of war — Coppola has reached the finish line at last. It smells like victory.
  17. The friendship at the heart of this film, as indelibly portrayed by two brilliant young actresses — Flanigan is a wonder to behold, while Ryder nails just the right notes of supportive and warmly sympathetic — is a thing of beauty. Hittman’s urgent film is an emotional wipeout. It’s hard to watch. It’s also impossible to forget.
  18. Fellowship is the real deal, a movie epic that pops your eyes out, piles on thrills and fun, and yet stays intimately attuned to character.
  19. It’s a work that forces you to reexamine how we’ve processed this chapter of history and restores a proper sense of ungraspable horror.
    • 92 Metascore
    • 90 Critic Score
    Redford blows the dust off a 35-year-old scandal about rigged TV quiz shows and makes it snap with up-to-the-minute relevance.
  20. Why should you suffer through a 140-minute Russian film that is basically a contemporary remake of The Book of Job? Because it's a stupendous piece of work, that's why, and because it represents the kind of challenging, intimate filmmaking that transcends language and borders.
  21. A joy to behold.
  22. Written and directed by the bracingly brilliant Joanna Hogg, this delicate, dazzling memoir traces her own origin story, and there is something superheroic about her struggle to look back without hitting the brick wall of formula and weepy nostalgia.
    • 92 Metascore
    • 100 Critic Score
    Martin Scorsese scores again with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling "Wiseguy."
  23. What initially seems like a series of cryptic aside soon turns into a bigger-picture revelation about what Filho has been chasing all along: the passage of time, and how it never really heals all wounds. That’s not really a secret. But it is a point that bears repeating, especially when its echoed in a movie as graceful and gratifying as this one.
  24. This stunning, slow-build thriller from South Korean director Lee Chang-dong sizzles with a cumulative power that will knock the wind out of you.
  25. It’s during this last act that It Was Just an Accident becomes a truly remarkable parable about empathy, mercy, righteousness, regret, and unfulfilled rage.
  26. Diop’s direction of Saint Omer is spare in style but dense in emotional intelligence, heavy with its own inquiries.
  27. What distinguishes this documentary from other movies about mass incarceration is the novelty with which Bradley subverts the mass and trains our eye, frequently literally, on the particular.
  28. Don't stall about seeing Sofia Coppola's altogether remarkable Lost in Translation. It's a class-act liftoff for the fall movie season. Bill Murray and Scarlett Johansson give performances that will be talked about for years.

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