Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Leslie Mann and wild-card Chris Hemsworth, as her cock-flashing hubby, get the heartiest hoots. The rest is comic history warmed over.
  2. Love may hurt, sure. But it’s not nearly as painful as being forced to watch a great actor stuck in a bad movie.
  3. Jonah is fated to ride alone. Don't make the mistake of keeping him company.
  4. Abort! Abort! It's that time of year when Hollywood releases movies it should never have made in the first place.
  5. Isn't much of a movie, but it's worth a look just to see screen legend Kirk Douglas, Michael's eighty-three-year-old father, kick ass.
    • Rolling Stone
  6. Slick-dick director Simon West, of "Con Air" and "The General's Daughter" infamy, continues to show no flair at all for blending action and character. Jolie and Lara deserved better. So did we.
  7. If only their stuff had a spark of life it might be forgivable, but Allegiant plods along like a franchise on its last legs. Who remembers where we left off last time in Insurgent? My point exactly — no one.
  8. Even the best actors – and this coming-of-age movie boasts a handful of them – can't fight this much tin-eared dialogue.
  9. The shortage of wit and the excess of goo can be summed up in Sandler's line to these children of divorce: "I'm like the stink on your feet — I'll always be there."
  10. The film looks and feels authentic, but Duchovny has powered his undeniably personal journey with a counterfeit heart.
  11. A comedy so devoid of wit and point that not mentioning the other actors trapped in this rathole would be an act of charity.
    • 33 Metascore
    • 50 Critic Score
    As a narrative that pretends to plumb the dark absence of missing children, however, Five Nights at Freddy’s is curiously inert, unwilling to get under your skin even as it grows dense with explanations of what’s happening.
  12. The movie that might have been goes down in flames.
  13. At one point, Black puts out a fire by pissing on it. It's my job as a critic to piss on this dumb excuse for a movie. Consider it done.
  14. Looks aren't everything. Case in point: Sucker Punch, a dazzling visual design that goes tone-deaf every time it opens its dumb mouth or makes claims to profundity.
  15. While director Peter Chelsom (Funny Bones, Serendipity) can functionally guide his cast through their derring-do and dewy-eyed paces, neither he nor screenwriter Allan Loeb can steer the whole endeavor out of Clichéville U.S.A.
  16. The only tragedy you'll face is paying good money to this swill.
  17. When a stage musical as beloved as Annie hits the big screen and falls ignominiously on its fat one, you might ask: WTF? For starters, updating the Depression-era tale to NYC 2014 is a really dumb idea. The strain of the shoehorning is evident in every scene.
  18. Result? It's not scary, just busy.
  19. An erotic thriller with flaws.
  20. Director Gary Fleder ("Don't Say a Word") pushes the same old cliches in "Blade Runner" packaging.
  21. This, however, is not Mamet – it's a beast of roaring stupidity that devours everything in its path, including the veteran filmmaker.
  22. It's the perfect Valentine's date night movie, but only with someone you hate.
  23. The only way to react is by bringing a barf bag or a strong sense of gallows humor.
  24. The young Smith has energy, but not the acting chops. And he's no miracle worker. The burden of carrying this dull, lifeless movie is just too much. And it's hell on an audience. It's not a good sign when you sit there thinking – Make. It. Stop.
  25. How special.
    • Rolling Stone
  26. This SCI-FI swill is the brain-child of director Mark L. Lester (Class of 1984), who says it’s really about “kids and the future of urban public education.” No, it’s not. It’s about kids and teachers kicking ass for two benumbing hours. What a waste.
  27. This is Berg's debut outing as a director, but other first-timers, namely Joel Coen (Blood Simple) and Danny Boyle (Shallow Grave), had it all over him for blending horror and hilarity.
  28. There is no wrong time to flush this turd. The only bright spot comes during the outtakes over the final credits.
  29. Despite the strong presence of Kick-Ass star Chloe Grace Moretz as Cassie, the movie is selling the same old YA yada yada yada that made phenoms of "Twilight" and "Divergent."

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