Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. It's sledgehammer whimsy, and it's not talking to me.
    • Rolling Stone
  2. Here's a comedy of punishing tedium that pretends to be hip when it's so five minutes ago.
  3. Gordon, who died shortly after the first Arthur, never had to see the luckless 1988 sequel that made his beloved characters seem like strangers. The new Arthur, insipid when it should be infectious, leaves the same deadly impression.
  4. Critics and audiences should unite to KO this loser.
  5. Guy flicks can be just as galling as the chick variety. Here's Exhibit A in how to lose an audience in ten minutes.
  6. Crossing "A Beautiful Mind" with "Sex Kittens Go to College," first-time director Stephen Gaghan (he wrote Traffic) causes a head-on collision.
  7. It's a little early for self-parody in the career of Vin Diesel. But he's a calamitous cliché in A Man Apart.
  8. I laughed once or twice during this flat and fatuous farce, mainly because director and co-writer Greg Coolidge lifted a lot of it from "Office Space."
  9. Stephen Rodrick's New York Times article about the making of The Canyons had humor, suspense and propulsion. They should have made that movie. What we have here is dead on arrival.
  10. An exercise anchored to a likable LeBron charmfest, melding multiple forms of animation, recycled cartoon jokes, and the basic plot of the original Space Jam, but with a twist that updates the original for our new, streaming content century.
  11. There's no thrill in Gone because you can see every surprise coming. It lies there flapping like a dying fish. Skip it.
  12. Trash.
    • Rolling Stone
  13. Pan
    Joe Wright's origin story of Peter and the lost boys has to be the dimmest, deadliest take ever on J.M. Barrie's Pan myth.
  14. Righteous Kill, a.k.a. The Al and Bob Show, is a cop flick with all the drama of "Law and Order: AARP." This movie defines drag-ass.
  15. By showing signs of intelligent life in a universe of diseased, digital drivel, Assassin's Creed stands above the herd of movies based on video games by default.
  16. You leave Lady thinking there are still voices in Shyamalan's head well worth a listen.
  17. The compensation comes in the three lead actors, all way too good for the material dished out by writer-director Tom Gormican.
  18. Audiences forced to endure the 109 coma-inducing minutes of Serena should bring an e-book or a soft pillow.
  19. Feels fake, forced and indigestible.
  20. The actors hit the jackpot, but only in terms of their paychecks. The audience gets a tension-free, tight-assed, "Casino" ripoff that leaves them thoroughly fleeced.
  21. Spade goes sweet and gooey. This is nucking futs.
  22. It’s always a downer when talented artists pour everything they’ve got into a film that stubbornly refuses to come to life. That’s the case with Lucy in the Sky.
  23. Then there's the movie itself, which should be crazy, stupid fun but settles for just stupid.
    • 36 Metascore
    • 20 Critic Score
    Apart from its relentless messaging, the movie is hobbled by a near-total absence of procedural logic.
  24. A few primo bits sneak through.... But mostly we’re watching the bawdy life being drained out of a once subversive franchise. Action Point is the first Jackass-related movie to play it safe. Now that is truly painful.
  25. The bad news isn’t that Carrey and Daniels got old, it's that the jokes did. The spirit is still willing in Peter and Bobby Farrelly, the original writer-directors, but the sagging flesh is weak from prolonged repetition.
  26. If you don't see where this is going, you've never seen a movie. Sorry it had to be this one.
  27. Martin is a gifted physical comic. He deserves an original role tailored to his own talents. Watching something this borrowed just makes me blue.
  28. The half-star rating goes to John Krasinski for heroically rising above this vile dung heap of a movie.
  29. Cringingly earnest, totally unremarkable fable.

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