Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. This putrid dish marks a new low for director Roland Joffe.
  2. The humor is slight, but the actors make the blarney go down easy.
  3. Nothing new here except model-turned-actress Bellucci. To call her noteworthy would be an understatement.
  4. In uniting to honor Arenas, Bardem and Schnabel create something extraordinary.
    • Rolling Stone
  5. The House of Mirth is not one of those teacup and doily movies; it's harsh and disturbing. Davies does superlatively right by Wharton. There's blood on the walls.
    • Rolling Stone
  6. Dracula may stay undead in the new millennium, but there's not a sign of life - oh, that bloodless acting - in this sorry mess.
  7. I'd rather be buried in a mound of Floridian chad than watch director Donald Petrie force Bullock to jump through another desperately unfunny comic hoop.
    • Rolling Stone
  8. You may want to revisit this profanely hilarious Hollywood satire. . .just to catch the zingers the audience often drowns out with laughter. Hollywood corrupts absolutely, and Mamet turns the toxic process into the year's best and smartest comedy.
  9. It's a wild, whacked-out wonder. Coenheads rejoice.
  10. Starting to feel sick? Just you wait.
    • Rolling Stone
  11. The ending leans to soap opera, but Van Sant, revisiting the closet-genius theme of "Good Will Hunting" is too keen an observer of character to let this funny and touching film go soft.
  12. The Gift delivers the lurid goods as a scary, sexy, twist-a-minute whodunit.
  13. Ed Harris, who plays Pollock and makes his debut as a director - doing both jobs superbly, by the way - is angst incarnate.
  14. A sinfully scrumptious bonbon.
  15. Pulls off thrilling stunts that will leave you a sweaty-palmed mess. It's top-tier movie escapism.
    • Rolling Stone
  16. Slim pickings.
    • Rolling Stone
  17. Ang Lee, a world-class director working at the top of his elegant form, has done something thrilling. For all the leaping action, it's the film's spirit that soars.
    • Rolling Stone
  18. It's rare that a a movie leaves you pinned to your seat, wanting to see it again -- right now, this minute -- to work out the pieces of the puzzle. Unbreakable is one of those movies.
    • Rolling Stone
  19. A savage comedy of sexual extremes; the barbed laughs draw blood.
    • Rolling Stone
  20. Offers action in the Arnold Schwarzenegger style. Well, not right away.
    • Rolling Stone
  21. Passes muster as an old-style biopic with its heart in the right place. There won't be a dry eye in the house.
    • Rolling Stone
  22. Where's Sandler in all this? Lost in gimmicks that smack of desperation. Damn it.
    • Rolling Stone
  23. There may be bigger, costlier, weighter films this year. There's none lovelier.
    • Rolling Stone
  24. Redford plays the game of filmmaking to reveal what he holds sacred: story, character, feeling, thoughtful pacing, and an alertness of nuances of honor and shame that most movies skip in the rush to the rush.
    • Rolling Stone
  25. These kickass Barbies bring heart to a machine tooled genre.
    • Rolling Stone
  26. While the first movie steadily tighened its vise, the second loosens its grip through strained acting and incoherent plotting.
    • Rolling Stone
  27. Ephron, try as she might, can't give her codified champagne spin to a Resnick script that all too quickly runs out of fizz.
    • Rolling Stone
  28. Green has created a work of startling originality that will haunt you for a good, long time.
    • Rolling Stone
  29. Self-importance sinks this one like a stone.
    • Rolling Stone
  30. A landmark musical tribute.

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