Rolling Stone's Scores

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For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
  1. Positive: 2,923 out of 4534
  2. Mixed: 982 out of 4534
  3. Negative: 629 out of 4534
4534 movie reviews
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  1. All Access: Front Row. Backstage. Live!
    Deliver it does, big time.
  2. The Tailor of Panama
    The show belongs to Geoffrey Rush in a note-perfect performance as Harry Pendel, the tailor.
  3. Someone Like You...
    The film is a distinct pleasure.
  4. Tomcats
    Laced with such rampant misogyny that the laughs stick in your throat.
  5. Heartbreakers
    It's not a pretty picture, but it is a pretty funny one when Gene Hackman shows up as William B. Tensy, a Palm Beach tobacco tycoon.
  6. Say It Isn't So
    A script by Peter Gaulke and Gerry Swallow that is minus a shred of Farrelly wit.
  7. Memento
    Like the best filmmakers at Sundance 2001, Nolan leaps into the wild blue and dares us to leap with him. Go for it.
  8. Enemy at the Gates
    Any flaws in execution pale against those moments when the film brings history to vital life.
  9. Kissing Jessica Stein
    Westfeldt and Juergensen are smart, sexy knockouts, finding just the right mix of fun and tenderness in their writing and performances.
  10. 15 Minutes
    Big, loud and lurid, but no less entertaining for that.
  11. The Mexican
    Promises a road movie of blissful comic romance and delivers a series of dramatic dead ends.
  12. Series 7: The Contenders
    Minahan wants us to see ourselves in the dark mirror of this outrageously funny satire. He's built the laughs wisely so they stick in our throats.
  13. Down to Earth
    The call on this one is: dead on arrival.
  14. Sweet November
    Beware all male viewers who enter here, you are in chick-movie hell.
  15. Hannibal
    It's unmissable, flaws and all, because riveting suspense spiced with diabolical laughs and garnished with a sprig of kinky romance add up to the tastiest dish around.
  16. Saving Silverman
    Peet is always worth watching, but the role does her no favors, and the script, involving a kidnapping and a surprise cameo by Neil Diamond - you heard me - smacks of desperation beyond saving.
  17. The Invisible Circus
    The script hits rough patches, especially when Phoebe and Wolf get it on, but the sisters cut to the heart.
  18. The Million Dollar Hotel
    The script that Nicholas Klein has conjured from Bono's idea is a quicksand that sucks down a solid cast.
  19. In the Mood for Love
    The film is alive with delicacy and feeling...It's a beauty.
  20. Trolösa
    A mesmerizing deconstruction of the brute nature of love.
  21. Two Ninas
    Turitz keeps it comic and romantic in just the right doses. Looking for a fun date flick? You found it.
  22. Sugar & Spice
    Give the girls a cheer, but remember: "Bring It On" is still the poo, Missy. Take a big whiff.
  23. The Pledge
    In crafting a fierce, fragmented, downbeat film about a character who makes the wrong decision as a man by being right as a cop, Penn flies in the face of what sells in Hollywood. Godspeed.
  24. Snatch.
    Ritchie's got something all his own: a go-for-broke energy that cuts through the cliches of the crime genre.
  25. Panic
    A black-comedy gem.
  26. Antitrust
    Gives us good reason to believe that January really is the month Hollywood studios use to bury their cheesiest mistakes.
  27. Save the Last Dance
    Carter can't sidestep the script's cliches, so he wisely cuts to the fancy footwork whenever possible.
  28. The Claim
    Draws an electric performance from Peter Mullan.
  29. Shadow of the Vampire
    It's a mesmerizing spectacle.
  30. All the Pretty Horses
    It doesn't help that Damon and Cruz fail to generate sparks or that the second half of the film, in which John and Lacey face hell in a Mexican prison, feels bluntly edited to fit a two-hour running time.
    • Rolling Stone
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