Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Buffy isn't heinous, just disposable. As a friend tells Buffy while she eyes a fashion purchase, "It's so five minutes ago."
  2. A romantic comedy so numbing it feels like Novocaine.
    • 48 Metascore
    • 30 Critic Score
    Somehow, though, he made a movie that, to paraphrase an album from the director’s former musical endeavor, has seriously missed the Black Mark.
  3. The chance to see giant monsters go apeshit — a few more are added near the end — is almost worth the price of admission. Seeing, however, is part of the problem. Godzilla: King of the Monsters is often so lost in the shadows of digital muck that it makes the squinting chaos of the Battle of Winterfell in "Game of Thrones" look like a lightshow.
  4. The film takes a true story and drags it through a swamp of hyped-up Hollywood cliches.
  5. We have to suffer through two hours of this rancid summer cheese.
  6. xXx
    It's hard to hate a movie, even one this droolingly crass, that knows how to laugh at itself.
  7. It's stale, like something you wrap in yesterday's newspaper.
  8. It's the stunning location photography of camera ace Elliot Davis that provides what the movie itself lacks: authenticity.
  9. The most shocking thing here is the fact that Peter Chelsom directed it. His 1995 movie, "Funny Bones," is a genuinely transgressive piece of dark comedy. I can't detect a trace of Chelsom in Hannah Montana, which means he won't have to wear a blonde wig to hide his shame.
  10. A corporate I.P. Easter-egg hunt posing as a movie, this horror-comedy raids the House of Mouse’s resident spoooooky ride’s signature bits while nudging your ribs as aggressively as (in)humanly possible. Even for die-hard Disney fanatics, it’s still about as fun as waiting endlessly in line for something permanently closed for repairs.
  11. Many a road to movie hell is paved with good intentions. To that list of lost causes add Being Charlie, a well-meaning study of addiction that hits too many banal beats to snap us to attention.
  12. Build a comedy around Jim Carrey in manic mode and they will come. Case in point: Fun With Dick and Jane, a pointless, painfully unfunny and yet inexplicably popular remake of the 1977 fizzle with Jane Fonda and George Segal.
  13. How do you screw this up? You've got three leading actresses – Susan Sarandon, Naomi Watts and Elle Fanning – who are usually worth watching in anything. But 3 Generations is pushing it. Even nurturing talent can't breathe life into a script that is completely D.O.A.
  14. Harmless girlie trifle. Or at least it means to be.
  15. Graham, back in the porn territory she aced in “Boogie Nights,” steals the show. In the winter doldrums, you don't kick at a movie that puts a smile on your face.
  16. The result, sadly, is a mess.
  17. A moviegoer has to be a scholar in the now-convoluted cosmology that powers these Potterverse expansion-pack prequels or abandon all hope of understanding a fraction of what’s happening — and even a lot of die-hard Harryheads may find their hippocampus getting seriously taxed while trying to catch up.
  18. What's lacking is emotional weight. It's sad to watch a talented cast, including Bill Nunn as Henry's physical therapist and Donald Moffat, Rebecca Miller and Kirby Mitchell as co-workers, selling bromides.
  19. The scenery is glorious; you can almost feel the sunshine and smell the wine. But Crowe and Scott are bulls in Mayle's china shop. Like an assertive Burgundy served with a delicate fish, they're a classic wrong pairing.
  20. What a shame that Kelly's pacing doesn't run as fast as his imagination. Instead of sweeping you along, The Box just sits there like something unclaimed at lost and found. Damaged goods.
  21. The film falls short; only Peet goes the whole nine yards.
    • Rolling Stone
  22. Director Luke Greenfield, the auteur behind "The Animal," starring Rob Schneider, wants to pass off this limp-dick farce as social satire. Ha!
  23. Here's a true S&M date movie. Only sadistic men and masochistic women could love it.
  24. At the risk of understatement, The Matrix Revolutions sucks.
  25. Only landlubbers would resist the rousing action of man versus leviathan. Sure it's old-school. So what. Howard puts heart, soul and every computerized whale trick in the book into crafting a seafaring adventure to rock your boat.
  26. Hot! Hot! Hot!
  27. Bad Teacher keeps running away from its combustibly nasty premise. Damn shame.
  28. This movie, with its flashbacks to past sins and traumas, rests squarely on Berry, a mesmerizer who makes every moment count.
  29. There's not enough here to sustain a half-hour sitcom, but Reese Witherspoon shoulders the burden with star shine to spare.

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