Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Is there an audience for this? Sadly, yes. There’s nothing wrong with a movie that cheers American heroes. But this one does so by reducing everything else to cardboard.
  2. How did talent like this conspire to pump out such bilge? I mean, really.
  3. As a pure dilemma-fest, the movie basically works, resetting the clock scene by scene, making the joy of survival deliberately short-lived. The suspense works. Watching these people figure things out, just in the nick of time — except in the cases of the people who run out of time — doesn’t really get old, even if the movie somehow gets a little old.
  4. As the film stopped counting back in years and switched to months, I panicked that it would slog on to weeks, hours and seconds before reaching its inevitable end. I was wrong. About A Lot Like Love leaving you wanting a lot less, I am right.
  5. Director Gillian Armstrong turns Sebastian Faulks' pungent novel about World War II into a soporific.
  6. Something cold and mechanical has seeped into the sequel. The divas push so hard for fun, it kills the spontaneity that fun needs to breathe.
  7. Distressingly shallow.
    • Rolling Stone
  8. At its best, The Predator is a movie that makes you forget there’s an iconic killer alien involved at all — with the exception of a slaughter in a lab and a shoot-out near a spaceship, the high points mostly involve the cast simply cracking wise with each other.
  9. So the sequel, A Game of Shadows, is more of the stupid same. It wouldn't matter so much if Downey and Jude Law, as the bromantic Dr. Watson, didn't look so ready to turn on the cerebral dazzle. Instead, Ritchie treats them like action goons out of his "Lock, Stock and Two Smoking Barrels" basement.
  10. Look, it’s not like Tron: Ares, the third entry in this film series that now spans four decades, doesn’t have a few things going for it.
  11. Potent if hardly evenhanded documentary.
  12. The movie plays like an evangelical prayer meeting, though I'd hold the hallelujahs. The characters we came to admire as vulnerable misfits hit the stage like visiting royalty and with a nonstop perkiness that makes the Von Trapps look like manic-depressives.
  13. If you're ready to go with the hit-and-miss flow, you'll laugh your ass off.
  14. Spacey's deft directing can't offset a script that wants to be Chinatown and ends up as indigestible chop suey.
  15. Except for Kate Winslet's fearsome turn as a villain, the only terror Divergent roused in me was that the drag-ass thing would never end. Sorry, I'm a Candor.
  16. I'm convinced there is a good movie trying to punch itself out of The Greatest Showman. What a shame that Gracey buried Jackman and company in a pile of marshmallow.
  17. Special kudos to Freeman, who kills it on the dance floor and later while drunk off his ass on vodka and Red Bull. You'll groan as much as howl at the jokes, but the veteran stars have a ball acting their age. Even when all else fails them, they're good company.
  18. A rich blend of humor and heartbreak.
  19. It's a kick to see the adorably sexy Barrymore back in relaxed form again after the "Duplex" debacle and that calamitous "Charlie's Angels" sequel. Right now, she's the closest thing to sunshine you'll find at the movies.
  20. Director Antoine Fuqua (Training Day) can stage action, but he can't save a trivializing, reactionary script featuring a Hollywood star (read America) as a global savior.
  21. Oddly, the published screenplay – while far from McCarthy's top-drawer – reads better than it plays. What's onscreen recalls a line from No Country: "It's a mess, ain't it, Sheriff?"
  22. First-time filmmaker Kate Barker-Froyland trusts the silences that occur when two people aren't talking. That's a good thing. What's not so good is when the talk grows enervating.
  23. If you’re longing for a delicious romantic romp to take your mind off the world going to hell in hand basket, Paris Can Wait is it.
  24. Shot three years ago, this soggy horrorshow gives credence to the belief that January is the month Hollywood uses to bury its mistakes.
  25. Give the girls a cheer, but remember: "Bring It On" is still the poo, Missy. Take a big whiff.
  26. Winds up being faster and funnier than the first time. Chan's acrobatic high jinks play strikingly off of Tucker's wiseass humor.
  27. Would it be asking too much if the hit-and-miss jokes could maybe nudge an inch beyond the obvious?
    • Rolling Stone
  28. Rifkin has conjured up a new low in cinematic ineptitude.
  29. The best thing you can say about Escape Room is that for most of it, you’re not desperately searching for the exit sign.
  30. Only near the end, when MacArthur and Hirohito meet in person, do we get fireworks. And that's thanks to Jones, who makes sure this old soldier will never die in our memory. As for this tepid movie, it just fades away.

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