Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Stinks worse than dino dung. Sure, the creatures look good.
  2. I'd rather be buried in a mound of Floridian chad than watch director Donald Petrie force Bullock to jump through another desperately unfunny comic hoop.
    • Rolling Stone
  3. Exhibits rank incompetence on every level.
  4. Dark Phoenix doesn’t just suck big time. It’s the worst movie ever in the X-Men series.
  5. No matter how much money this clunker makes, this is a movie that never should have happened.
  6. From the lowercase lettering of the title to the deadly familiarity of the plot, there is much to grate on your nerves in this TV Afterschool Special trying to pass as a real movie.
  7. Get out your pooper-scoopers. Doo happens June 14th, warn the ads for Scooby-Doo. And they say there's no truth in Hollywood.
  8. Does romantic comedy have to come off as sugared stupidity? It does here.
  9. It makes sense that Last Christmas isn’t coming out at the end of December but right on the cusp of Thanksgiving. It’s a bona fide holiday-movie turkey.
  10. This, however, is not Mamet – it's a beast of roaring stupidity that devours everything in its path, including the veteran filmmaker.
  11. What we have in the misbegotten mess called Kings is a film of countless good intentions – one that starts going bad in its first scene, gets worse form there and then dissolves into pure chaos.
  12. In between scenes of the muscleheads torturing their victim, Bay indulges his taste for treating women as sluts and grisly brutality as a nifty excuse for a cheap laugh. Pain and Gain is personal all right. You leave these characters with the distinct impression that they're Bay's kind of people.
  13. The half-star rating goes to John Krasinski for heroically rising above this vile dung heap of a movie.
  14. Girl 6 is shameless stuff -- pompous, sentimental and attitudinizing. To swat the Spikeman with his own symbol, the film feels like he phoned it in.
  15. This is Transformers-level inanity. This is a blow to your head from a mallet. It will not make you feel like a 10-year-old, but it will make you feel 10 years older than when you first entered the theater. It is certainly not personal in any way, shape or form, just strictly chilly, corporate to a fault and somehow both chintzy and wildly overblown.
  16. This is crap as we know it, a 113 minute package of romcom suck.
    • 28 Metascore
    • 12 Critic Score
    It's not the emphasis on tics and grimaces that mars their essentially well-meaning performances, it’s the sitcom crassness of director and co-writer Garry Marshall.
  17. If you see one Minnesota movie this year, make it "Fargo." This botch job should be stamped direct to video.
  18. That generous half star rating I tacked onto this comedy abomination is all for Paris Hilton. Come on, it takes guts (or gross dim-wittedness) to appear on screen again after "House of Wax."
  19. To be honest, I started hearing things, too. Just when Jones was delivering an inexcusably sappy speech about baseball being "a symbol of all that was once good in America," I heard the words "If he keeps talking, I'm walking."
  20. What I can't figure is why anyone would want to release this tripe in theaters just when Fanning has nearly lived it down. They ain't no friends of mine, or any other moviegoer.
  21. Fair Game, written and directed by men, allows model Cindy Crawford to make her screen debut as Miami lawyer Kate McQueen.
  22. You'd get more of a jolt from Angela Lansbury on "Murder, She Wrote" and more intellectual stimulation from a cozy game of Clue.
  23. Like the four franchise fillers that preceded it, Underworld: Blood Wars is undoubtedly impervious to bad reviews. What it needs is a stake through the heart.
  24. This tear-jerking twaddle, adapted by David Nicholls from his 2009 bestseller, is nearly as bad as Anne Hathaway's British accent, which is heading for infamy.
  25. This London Fields is nothing but fallow ground. Or, to apply the metaphor that Thornton’s scribe gives to Heard’s sexed-up temptress when he first meets her, it’s a black hole — something that sucks talent, taste, light, energy and matter into maw and leaves everything stranded in a void.
  26. I don't know what to say about the acting, writing and directing in G.I. Joe because I couldn't find any.
  27. Toss this ugly-ass crap to the curb, along with the other multiplex garbage, and see a romance that gets it right. I'm talking "(500) Days of Summer."
  28. Sucks bad, real bad.
  29. Whatever juice is left in the "Cop" franchise or in the once unstoppable career of Eddie Murphy peters out ignominiously in this poor excuse for a sequel.
  30. Ninety minutes pass like an eternity. Verdict: Down for the count.
  31. It shouldn't happen to anyone, much less a Dame – not a movie of such barreling awfulness as Winchester, which strands the great Helen Mirren in a gothic house of cards that collapses on actors and audiences alike.
  32. Horror-movie fans often have put up with a lot to get their requisite amount of fright per month, and that tolerance limit is seriously tested by this slapdash attempt to introduce a new slasher hall-of-fame character into the mix.
  33. Misery is enduring this Rocky Horror Paris Show.
  34. The idea of putting these images out there at this very moment, and pimping it out as “entertainment” is, frankly, nauseating. It goes from being a crime against an art form to something a little more toxic. No. Nope. Nuh-uh. Netflix, what the hell were you thinking?
  35. This is the sort of lazy, slapdash, self-impressed excuse for “edgy” entertainment that makes you enraged. It’s not even so-bad-it’s-good; this is so bad you’re tempted to kick those responsible for it right in the jingle bells.
  36. Chaos Walking doesn’t even get to the level of high camp, where pleasure is found in the sheer badness of it all.
  37. The language is leaden, the pace glacial and the characters indecipherable. It's easier to read the actors -- they all seem eager to win an Oscar. Fat chance.
  38. Say this for the soundtrack, it drowns out the lousy dialogue.
  39. This putrid dish marks a new low for director Roland Joffe.
  40. John Q. is as fake as that tear, an exploitative mess trying to pass as social activism.
  41. Peet is always worth watching, but the role does her no favors, and the script, involving a kidnapping and a surprise cameo by Neil Diamond - you heard me - smacks of desperation beyond saving.
  42. Painfully flat gross-out comedy.
  43. Gives us good reason to believe that January really is the month Hollywood studios use to bury their cheesiest mistakes.
  44. The script that Nicholas Klein has conjured from Bono's idea is a quicksand that sucks down a solid cast.
  45. Abort! Abort! It's that time of year when Hollywood releases movies it should never have made in the first place.
  46. For some reason — maybe it’s because the seminal, ’74 original holds such a special place in so many die-hards’ hearts (this one included), and still feels like such a potent example of channeling primal fear — this latest ransacking of a landmark title feels less like just another killer-versus-final-girl rerun and more like the final straw.
  47. Filming this mess in North Carolina (strike three).
  48. Dracula may stay undead in the new millennium, but there's not a sign of life - oh, that bloodless acting - in this sorry mess.
  49. Crass manipulation can clean up at the box office, so do your part: Nail this flick as a bottom feeder and pay the bad word forward to three others.
    • Rolling Stone
  50. This War of the Worlds isn’t bad or even so-bad-it’s-good. It’s a secret third thing, a hodgepodge of shoddy CGI and dead-eyed reaction shots from Ice Cube that make you feel like you can identify individual brain cells mid-death cycle.
  51. The call on this one is: dead on arrival.
    • 16 Metascore
    • 10 Critic Score
    Blood and Honey is a hundred-acre wasteland, a witless gory bore, and in the end, you’re just depressed that anyone spent time working on it.
  52. You can only swindle audiences by thinking you simply throw A-list stars in anything and people will still show up, drooling like Pavlov’s pups, for so long before the echo in empty theaters is deafening.
  53. It takes a lot of hard work and the perfect alignment of movie stars to make something this god-awful.
  54. Reeks like something produced from a squatting position.
  55. A shit stain on the genre.
  56. On film, The Last Thing He Wanted settles for just being hollow. It’s the last thing any of us wanted.
  57. A slipshod sequel that looks tossed together over a weekend by people who couldn't care less.
  58. Laced with such rampant misogyny that the laughs stick in your throat.
  59. A script by Peter Gaulke and Gerry Swallow that is minus a shred of Farrelly wit.
  60. In one scene, raw sewage is dumped on Joe. See Joe Dirt and you'll know how that feels.
  61. What Lynch, who wrote the script at 19, sees as high drama is really high camp. And Fenn seems clueless on how to play her limbless character.
  62. It's not just that the movie itself is wicked awful, it's that Mr. Deeds brings out the worst in Adam Sandler.
  63. It would be great to see this turd squashed under a truck, preferably a semi.
  64. The film takes a true story and drags it through a swamp of hyped-up Hollywood cliches.
  65. The film is in black-and-white so the gore doesn't spray quite as colorfully. But you'll still puke up a storm. Not so much at the movie, whose shock value wears off quicky, but at Six, who seems to hate himself almost as much as his audience. Masochists will give the movie a thumbs-up, as long as their thumb isn't already up their ass.
  66. The Bay-man has made the worst and most worthless Transformers movie yet. I know, hard to believe, right? How could any summer blockbuster be as dull, dumb and soul-sucking as the first three Transformers movies? Step right up.
  67. The laughs to be had in this deliciously awful sequel are all unintentional. A bummer for film buffs, but a ball for fans of the misbegotten.
  68. What to say about this lame-brained, limp dick attempt to update a classic Brothers Grimm tale into an f-bomb throwing vomit-inducing 3D franchise? I say, screw the damn thing and run the other way.
  69. A genuine Chernobyl-level disaster that seems to get exponentially more radioactive as it goes along, this detour to one of the dustier corners of Marvel’s content farm is a dead-end from start to finish.
  70. Just stay away. It's awful.
  71. When a stage musical as beloved as Annie hits the big screen and falls ignominiously on its fat one, you might ask: WTF? For starters, updating the Depression-era tale to NYC 2014 is a really dumb idea. The strain of the shoehorning is evident in every scene.
  72. Make American movies great again. You can start by boycotting this one.
  73. The unholy mess that director David Frankel and screenwriter Allan Loeb have unleashed for the holidays strands an all-star cast...on a sinking ship that churns the waters from absurd to zombified with frequent stops at pretentious.
  74. At 87 torturous, laugh-free minutes, the film could change the most avid cat fancier into a kitty hater.
  75. Lethal Weapon 3 offers mediocrity wielded by experts. It's not a movie, it's a machine.
  76. The only tragedy you'll face is paying good money to this swill.
  77. One look at the dreadful mess that is Ghost Rider: Spirit of Vengeance will turn your whisper into a primal Cage scream: MAKE THIS MOVIE STOP!
  78. Be warned, sequel fanboys: This thing sucks!
  79. Some movies are so effing awful they're hilarious. Gods of Egypt falls short of that lofty goal. Not because it isn’t effing awful — it so is — but because it pretends to be in on the joke.
  80. A total bust, a stupefyingly unfunny and shamelessly lazy farce packed with cringe-worthy jokes and overt product placement.
  81. The real horror here is watching Sandra Bullock drop her big Miss Congeniality smile to A-C-T! She does this by not smiling. What happened to the range she showed in "Crash" and "Infamous?"
  82. Who's the idiot responsible for this fiasco? You can't blame the Tea Party, an organization of 9 million that the film's producers are exploiting to get butts into seats. There's an object lesson in objectivism for you.
  83. If you have to ask why this sucks, you deserve to waste your money. Why not also check out "Like Mike," "Juwanna Man" and "Hey Arnold! The Movie"?
  84. How do I hate Armageddon? Let me count the ways.
  85. It's early in the year, but I defy any 2008 comedy to be as stupid, slack and sexless as Fool's Gold. And I'm counting Paris Hilton's appalling "The Hottie and the Nottie," which is marginally better.
  86. Transformers 2 has a shot at the title Worst Movie of the Decade.
  87. You can see most of the plugs in the trailer. As most fans of the early, better Bond films know, the only life left in the series is in the gadgets....As for humor, Brosnan can deaden a double-entendre faster than he can change outfits.
  88. One adjective you don’t hear much anymore is “preposterous,” defined as “contrary to nature, reason or common sense.” Yet the word applies perfectly to Inheritance, a blithering botch job of a thriller that begs the question: “Come on, are you f**king kidding me?”
  89. Teenagers, even non-ninjas and non-turtles, have been eating up this cinematic waste product for weeks now. In one way, Teenage Mutant Ninja Turtles is a triumph for producer Michael Bay in that it is equally as godawful as his "Transformers: Age of Extinction" and a hit nonetheless.
  90. One idea, mixed with lame jokes, and stretched beyond coherence. Vampire Academy doesn't need a review. It needs a stake in the heart.
  91. I hate Safe Haven. It's a terrible thing to do to your Valentine.
  92. Memo to Beyoncé Knowles: You were so good as Etta James in "Cadillac Records," so why'd you go spoil everything with a rank cheeseball thriller that buries you in clichés and won't even help you dig yourself out?
  93. Transformers: Dark of the Moon - high on any list of the worst blockbusters ever - is a movie bereft of wit, wonder, imagination, and any genuine reason for being. Watching it makes you die a little inside.
  94. The only genuine, blood-curdling scream incited by this stupefyingly dull time- and money-waster comes at the end, when the notion dawns that Blumhouse’s Fantasy Island is meant to spawn sequels. Stop it now, before it kills again.
  95. Talk about your pious frauds. I've got a better way to show your disgust for Internet scum: Don't see Untraceable.
  96. Helms, a master jester on The Office, seems to have forgotten everything he’s ever learned about comic timing to judge by fiasco. Since Coffee and Kareem also credits Helms as a producer, he has only himself to blame.
  97. Putridly written, directed and acted.
  98. With this kind of epic ineptitude -- hell, the flick is set in the year 3000 -- you go for "worst of the millennium."
    • Rolling Stone

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