For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
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- By Critic Score
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Reviewed by
Peter Travers
Me, I just think it blows. What does it matter if you spend millions on a movie - love the talking, battling bears! - if the effects are cheesy, the story runs off on tangents and after watching the movie fail utterly to be the next Lord of the Rings, you just want to go home.- Rolling Stone
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Reviewed by
Peter Travers
Simplicity -- four-square, not sappy -- is rare in film. James C. Strouse had it in his script for Lonesome Jim. As writer and first-time director, he gives Grace Is Gonethe quiet power to sneak up and floor you.- Rolling Stone
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Reviewed by
Peter Travers
There's a special kick that comes in finding a new star. So step up, Ellen Page, and take your bows.- Rolling Stone
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Peter Travers
The movie will wipe you out. Schnabel's previous two films (Basquiat, Before Night Falls) also focused on artists. But this is his best film yet, a high-wire act of visual daring and unquenchable spirit.- Rolling Stone
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Reviewed by
Peter Travers
With the help of acting giants, Jenkins turns The Savages into a twisted, bittersweet pleasure.- Rolling Stone
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Peter Travers
Langella delivers a master class in acting. He's playing Leonard Schiller, an aging author aching from the loss of his wife, a weak heart and literary neglect.- Rolling Stone
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Peter Travers
Not since Julie Andrews rode an umbrella to glory in Mary Poppins has Disney given us such a real-life doll (Amy Adams).- Rolling Stone
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Peter Travers
So what if nothing is revealed. Todd Haynes is a mischievous visionary who puts the music and the myth of Bob Dylan before us in I'm Not There and dares us not to revel in the troubadour's poetic, contentious, ever-changing essence. It's a feast for the eyes, the ears and the Dylanologist scratching around our minds and hearts.- Rolling Stone
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Peter Travers
Zemeckis springs so many pow 3-D surprises you'll think Beowulf is your own private fun house.- Rolling Stone
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Peter Travers
Dissenters who see this film as a wallow in self-absorption aren't paying attention. Baumbach is acutely attuned to the droll mind games of smart people who only think they're impervious to feeling.- Rolling Stone
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Peter Travers
Joel and Ethan Coen's adaptation of Cormac McCarthy's 2005 novel is an indisputably great movie, at this point the year's very best.- Rolling Stone
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Peter Travers
Call it the black "Scarface" or "the Harlem Godfather" or just one hell of an exciting movie.- Rolling Stone
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Peter Travers
At its relaxed best, when it's about, well, nothing, the slyly comic Bee Movie is truly beguiling.- Rolling Stone
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Reviewed by
Peter Travers
A dynamite film that ranks with the year's best.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Gone Baby Gone is full of dark secrets, and how they unravel will keep you glued.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Even the best actors -- and I'd rank Joaquin Phoenix and Mark Ruffalo among their generation's finest -- can't save a movie that aims for tragedy but stalls at soap opera.- Rolling Stone
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Peter Travers
Del Toro is the movie's force field. This is a performance you will not forget.- Rolling Stone
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Peter Travers
Cate Blanchett can do anything, even play Bob Dylan, but she can't save this creaky sequel to her star-making 1998 biopic of Elizabeth I.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
It's Corbijn, shooting with a poet's eye in a harshly stunning black-and-white, who cuts to the soul of Ian's life and music. You don't watch this movie, you live it.- Rolling Stone
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Peter Travers
Deliberate, demanding and character-driven, Michael Clayton flies in the face of what sells at the multiplex. I couldn't have liked it more.- Rolling Stone
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Peter Travers
All the acting is exemplary. Brody, new to Wes' World, is revelatory as Peter.- Rolling Stone
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Peter Travers
Matthew Michael Carnahan's caffeinated script isn't much concerned with balance, but it gets some anyway, from the resonant images of culture clash that Berg catches on the fly and a remarkable performance from Ashraf Barhom.- Rolling Stone
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Peter Travers
Lee is a true master, and his potently erotic and suspenseful Lust, Caution casts a spell you won't want to break.- Rolling Stone
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Peter Travers
Penn, in tandem with the superb cinematographer Eric Gautier (The Motorcycle Diaries), captures the majesty and terror of the wilderness in ways that make you catch your breath.- Rolling Stone
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Peter Travers
Artfully exciting and compulsively watchable even at a butt-numbing 152 minutes, the film makes good on the promise New Zealand writer-director Andrew Dominik showed with "Chopper" in 2000.- Rolling Stone
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Peter Travers
To call it trippy would be an understatement. Your head might explode. Just don't accuse Taymor of playing it safe.- Rolling Stone
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Reviewed by
Peter Travers
In Eastern Promises, shot to envelop by the great Peter Suschitzky, Cronenberg brings us face to face with the horror of self.- Rolling Stone
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Reviewed by
Peter Travers
The haunting, heart-piercing Elah isn't perfect. It's something better: essential.- Rolling Stone
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Reviewed by
Peter Travers
In updating Shakespeare’s "The Tempest," writer-director Mike Cahill focuses on the magic worth finding between a father and daughter. That’s why the film sticks with you. It’s a gift.- Rolling Stone
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Peter Travers
Foster is electrifying as ego and id clash and the movie fires up with genuine provocation.- Rolling Stone
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Peter Travers
Maybe this redo didn’t need so many bells and whistles, but Mangold brings it home.- Rolling Stone
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Reviewed by
Peter Travers
Want to know what the “right stuff” really is? Take a look.- Rolling Stone
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Reviewed by
Peter Travers
This wet dream for action junkies leaves out logic and motivation --you know, all the boring stuff.- Rolling Stone
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Peter Travers
It helps that the fun doesn't stop. It helps even more that the pitch-perfect script doesn’t step out of character for a joke.- Rolling Stone
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Reviewed by
Peter Travers
Who would have guessed that a documentary about gamers obsessed with scoring a world record at Donkey Kong would not only be roaringly funny but serve as a metaphor for the decline of Western civilization?- Rolling Stone
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Peter Travers
Buscemi makes this pathetic and potentially lethal shutterbug a figure of surprising humor and compassion.- Rolling Stone
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Peter Travers
The movie is thunderously exciting, but what makes it resonate is the wrenching story we read on Damon's face. We've waited all summer for a wild ride to grab us with more than jolts. Now it's here. Hang on.- Rolling Stone
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Reviewed by
Peter Travers
I laughed, then I wished it was funnier, then I just wished it would end.- Rolling Stone
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Peter Travers
Homer even jokes that it takes a sucker to pay for a show you can get for free on TV. D'oh! That hurts.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
No comedy this year can beat this dud for mealy-mouthed hypocrisy.- Rolling Stone
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Peter Travers
Stick with it for Miller’s gutsy tour de force and the kick of watching Buscemi, as actor and filmmaker, turn an experiment into a mesmerizing battle of wills.- Rolling Stone
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Peter Travers
It will hook you good and keep you riveted.- Rolling Stone
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Reviewed by
Peter Travers
In a summer of dumb, shameless drivel, Moore delivers a movie of robust mind and heart. You'll laugh till it hurts.- Rolling Stone
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Peter Travers
What makes Ratatouille such a hilarious and heartfelt wonder is the way Bird contrives to let it sneak up on you.- Rolling Stone
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Peter Travers
Susan Minot’s resplendent novel of a dying woman…stumbles on its way to the screen.- Rolling Stone
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Reviewed by
Peter Travers
Gets the action job done and you better believe that Bruce is still the man.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
It's Carell who projects the movie's only sense of mischief. But it's too little and too late.- Rolling Stone
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Peter Travers
The film belongs to Jolie. She won an Oscar for 1999's "Girl, Interrupted," but this is by far her best performance.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
The perfect summer movie, that is if you're eight years old or under. For the rest of us, the sequel to the first "Fantastic Four" that miraculously amassed more than $150 million in 2005, is a plotless, brainless, witless bore.- Rolling Stone
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Peter Travers
Director Andrew Currie is better at laughs than scares, but he can’t sustain either as Fido runs out of steam in the final stretch. Till then, it’s fiendish fun.- Rolling Stone
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Peter Travers
Brad Pitt doesn't really act in Ocean's Thirteen, he just glides through the third chapter in Steven Soderbergh's heist-flick annuity on the magic carpet of his own unimpeachable cool. Don't knock it. Genuine star power is rare. Pitt has it in spades -- all aces.- Rolling Stone
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Peter Travers
Dahan's impressionistic heartbreaker of a movie gets it all in. And Marion Cotillard, lip-syncing Piaf's songs and digging into her soul with gale-force urgency, gives a performance for the ages.- Rolling Stone
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Peter Travers
Rogen and Heigl step up to the plate with a tougher task from Coach Apatow: Nail every laugh and the emotions underlying them. No worries. They knock it out of the park.- Rolling Stone
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Peter Travers
Listen to me: trash can surprise you. So don't get all elitist about the so-called cheap thrills in Mr. Brooks.- Rolling Stone
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Peter Travers
For those who don't believe that truth trumps fiction for whacked-out depravity, mark this shockingly fierce and funny spellbinder as Exhibit A.- Rolling Stone
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Reviewed by
Peter Travers
The good news first: Keith Richards totally rocks it playing pirate daddy to Johnny Depp's Capt. Jack Sparrow. The deep rumble of his voice and those hooded eyes that narrowly open like the creaky gates of hell make him what the rest of this three-peat is not: authentically scary...So what's the bad news? Richards is onscreen for barely two minutes.- Rolling Stone
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Peter Travers
What nearly saves the movie, besides the Rasmussen eye candy, is Paris itself, shot in shimmering black-and-white by the gifted Thierry Arbogast. Talk is cheap here, and often inane, but as a silent film, Angel-A could have been magic.- Rolling Stone
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Peter Travers
Fiercely provocative, Paprika shames Hollywood’s use of animation as a kiddie pacifier.- Rolling Stone
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Reviewed by
Peter Travers
Director and co-writer Christopher Smith, mischievously blending "The Office" with "Friday the 13th," keeps things fierce and funny enough to give Steve Carell ideas.- Rolling Stone
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Peter Travers
There's no disguising the fact that Shrek the Third has come down with a bad case of sequelitis. You know the symptoms: Lots of razzle-dazzle to distract from the hole at the center of the story. You know, the place where fresh ideas should be.- Rolling Stone
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- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
All the acting is first-rate -- Dukakis gives major dimensions to a supporting role. And Christie, a Sixties screen goddess in "Darling" and "Doctor Zhivago," shows that her spirit and grace are eternal. She's a beauty. So is the movie.- Rolling Stone
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Peter Travers
There are delicious bits aplenty in Spider-Man 3 for those who care to notice.- Rolling Stone
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Reviewed by
Peter Travers
This sweetheart of a comedy boasts a hilarious and heartfelt performance by Keri Russell.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Just because a movie is freakin' preposterous doesn't mean it can't be diabolical fun. Case in point: Fracture.- Rolling Stone
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Peter Travers
To call the animation crude would be high praise. But they succeed enough of the time to make a perversely entertaining movie.- Rolling Stone
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Reviewed by
Peter Travers
A dull, dumb and unforgivably dated thriller, free of thrills and any kind of perfection.- Rolling Stone
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Reviewed by
Peter Travers
The intensity of Leto and Hayek goes deeper than the script into revealing what makes these two sociopaths in heat impervious to bloody murder. When Hayek and Leto are onscreen, you do not look away.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
By stooping low without selling out, this babes-and-bullets tour de force gets you high on movies again.- Rolling Stone
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Peter Travers
Gere gives 'em the old razzle-dazzle with his roguish charm and sharp comic timing. The surprise is the unexpected feeling he brings to this challenging role.- Rolling Stone
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Peter Travers
You'll have major fun at this movie. But what makes it something special is the way Kasdan laces the laughs with a sting.- Rolling Stone
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Peter Travers
Just for starters, no movie about the Dutch Resistance during World War II has any right to be this wildly entertaining, not to mention this provocative and potently erotic.- Rolling Stone
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Peter Travers
The villains, an incestuous brother and sister played by real-life marrieds Amy Poehler and Will Arnett are a hoot. And "Office" honey Jenna Fischer is welcome as Jimmy’s love.- Rolling Stone
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Peter Travers
The Lookout is Frank's show. He's crafted a haunting and hypnotic film that transcends pulp by creating characters that get under your skin.- Rolling Stone
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Peter Travers
Suspended over a deep gully of disbelief, where logic takes more bullets than the bad guys, Shooter still makes the grade as hard-ass action escapism.- Rolling Stone
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Peter Travers
Veering between sentimentality and exploitation with a few misguided stops at raunchy sex farce, Reign Over Me never finds a tone to suit its purpose.- Rolling Stone
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Peter Travers
Documentarian Alexandra Lipsitz believes that air-guitar competitions are worth a whole feature-length movie. She's wrong, of course. But the fun lasts longer than you might think.- Rolling Stone
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Peter Travers
If you can't watch John Malkovich being John Malkovich, it's still a kick watching him play Alan Conway, a gay Brit who pretended to be the legendary and reclusive director Stanley Kubrick during the 1990s.- Rolling Stone
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Peter Travers
Mixing Rock with ooh-la-la turns out to be as appetizing as chalk and cheese.- Rolling Stone
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Peter Travers
The real horror here is watching Sandra Bullock drop her big Miss Congeniality smile to A-C-T! She does this by not smiling. What happened to the range she showed in "Crash" and "Infamous?"- Rolling Stone
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Peter Travers
300 is a movie blood-drunk on its own artful excess. Guys of all ages and sexes won't be able to resist it.- Rolling Stone
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Peter Travers
Is it that scary? Yes. Will it reduce you to quivering jelly? Oh, my, yes! Does it bust the bonds of the Godzilla formula to fuse fright with feeling? Better believe it, dudes.- Rolling Stone
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Peter Travers
This is a generational family saga everyone can relate to, and Nair gives it her special magic.- Rolling Stone
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Peter Travers
Jokes dying on the lips of these easy riders are hard to stomach.- Rolling Stone
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- Rolling Stone
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Peter Travers
Offensive on multiple levels -- if only the plot had any levels at all -- Black Snake Moan leaves no "Tobacco Road" cliche unsmoked. Ricci gives it her all, and then some, but even her body and Jackson's blues can't heal a movie that rockets plum off its nut.- Rolling Stone
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- Rolling Stone
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Peter Travers
In this steadily gripping hothouse of a thriller, it's Cooper -- funny, fierce and bug-wild -- who gives us a look into the abyss.- Rolling Stone
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Peter Travers
The real evil in this flick isn't Blackheart (Wes Bentley), the devil's son, it's the soul-sucking devil of modern cinema: Hollywood formula.- Rolling Stone
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Peter Travers
Gray says she hates fishermen who catch and release: Getting jerked around hurts the jaw. See this movie and you'll know the feeling.- Rolling Stone
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Peter Travers
Best consumed with pizza and lots of brewskis, Joe Carnahan's Smokin' Aces is shamelessly and unapologetically a guy movie. It's lewd, crude and loaded with shootouts and hot lesbo action.- Rolling Stone
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