For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
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- By Critic Score
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Reviewed by
Peter Travers
Works enough miracles of 3-D animation to charm your socks off.- Rolling Stone
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Reviewed by
Peter Travers
This dynamite thriller shivers with suspense. So if you ignore The Girl With the Dragon Tattoo) because it's in Swedish with English subtitles, you probably deserve the remake Hollywood will surely screw up.- Rolling Stone
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Reviewed by
Peter Travers
See this darkly comic character study unburdened by preconceptions.- Rolling Stone
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Reviewed by
Peter Travers
Say what you will about the Runaways – they never played it safe. The movie does.- Rolling Stone
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Reviewed by
Peter Travers
A warmly hilarious movie about family members and their secret hearts.- Rolling Stone
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Reviewed by
Peter Travers
A rowdy blast because the spiky young cast treats the played-out script like virgin territory. That's acting!- Rolling Stone
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Peter Travers
Miller's wake-up call is meant to be ours. Too little and too late? Maybe. But even in this Bourne Zone, Damon and Greengrass haven't shirked their duty to enlighten and entertain.- Rolling Stone
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- Rolling Stone
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Peter Travers
Still, even Disney and a PG rating can't bury Burton's subversive wit. Like Carroll, he's a master at dressing up psychic wounds in fantasy.- Rolling Stone
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Peter Travers
Simultaneously full of itself and full of sh--, Brooklyn's Finest is a cop movie so shallow, dumb, derivative and infuriating that it feels like a parody of bad cop movies.- Rolling Stone
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Peter Travers
If you're like me, diluted Smith is still better than no Smith at all.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
DiCaprio, in his most haunting and emotionally complex performance yet, is the vessel Scorsese uses to lead us through the film’s labyÂrinth.- Rolling Stone
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Peter Travers
All credit to a finely tuned Brosnan for packing so much intensity and wayward wit into his scenes with McGregor. Their verbal duels make for a dazzling game of cat-and-mouse.- Rolling Stone
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Peter Travers
What have you done to The Wolfman, Hollywood? It’s got no kick to it. No fun either. And no real scares, which is more unforgivable.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Has no vital signs at all, just crushing dull repetition that makes one noisy, violent scene play exactly like the last one.- Rolling Stone
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Reviewed by
Peter Travers
As for the ladies who think any kind of chick flick is preferable to football, be careful what you wish for.- Rolling Stone
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Reviewed by
Peter Travers
Gibson's acting has deepened. Too bad his comeback vehicle springs so many leaks.- Rolling Stone
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Peter Travers
First-time director and screenwriter Hue Rhodes shows no discernible talent for dialogue, humor and, especially, pacing.- Rolling Stone
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Peter Travers
This one means well, a kiss-of-death review if there ever was one.- Rolling Stone
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Peter Travers
The Book of Eli isn't as exciting or funny or inspiring as it wants and needs to be, and its preachy ending is an ordeal. But Washington, a movie star who can act, is one cool dude who is worth following anywhere.- Rolling Stone
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Peter Travers
While you're remembering new high-impact names, add Arnold. In only her second film, after 2006's "Red Road," she keeps the screen filled to bursting with the beauty and raw terror of life.- Rolling Stone
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Peter Travers
There's a difference between exposing misogyny and crassly exploiting it.- Rolling Stone
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Reviewed by
Peter Travers
Daybreakers, despite the star presence of Ethan Hawke and Willem Dafoe, is a B movie, with all the disreputable low rent, lowbrow pleasures that implies. I'll take that over pompous any day.- Rolling Stone
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Peter Travers
It's a bitch telling a coming-of-age story minus clichés and sappiness. So Youth in Revolt, with Michael Cera in his best performance yet, is a small miracle.- Rolling Stone
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Peter Travers
Allen screws up his directing debut with a script that smothers his wit in a blanket of bland.- Rolling Stone
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Peter Travers
This haunting film never pushes itself on you. It trusts you to suss out the horror that lies beneath the veneer of innocence. You'll be knocked for a loop.- Rolling Stone
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Peter Travers
Ritchie is all about the whooshing and headbanging, leaving no space between Holmes' words to savor their meaning. Downey is irresistible. The movie, not so much.- Rolling Stone
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Peter Travers
Despite a shaky framework, the magic works. It's a chance to see Ledger one last time in the act of doing what he loved. Take it.- Rolling Stone
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Peter Travers
You don't have to feel guilty for lapping up this froth. Just don't expect nourishment.- Rolling Stone
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- Rolling Stone
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Peter Travers
Rob Marshall's flawed but frequently dazzling Nine is a hot-blooded musical fantasia full of song, dance, raging emotion and simmering sexuality.- Rolling Stone
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Peter Travers
Even when you know what's coming, Crazy Heart haunts you like a classic country song. It's a mesmerizer. So is Bad Blake. This dude also abides.- Rolling Stone
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Peter Travers
Eastwood's modest approach to these momentous events shames the usual Hollywood showboating. In a rare achievement, he's made a film that truly is good for the soul.- Rolling Stone
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Peter Travers
All this is conveyed in the remarkable performance of Ronan, an Oscar nominee for Atonement. She and Tucci -- magnificent as a man of uncontrollable impulses -- help Jackson cut a path to a humanity that supersedes life and death.- Rolling Stone
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Peter Travers
The film belongs to Firth. Uncanny at showing the heart crumbling under George's elegant exterior, he gives the performance of his career.- Rolling Stone
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- Rolling Stone
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Peter Travers
The film itself, energetically directed and written by Michael Hoffman, can't always rise to the level of its two dynamo stars.- Rolling Stone
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Peter Travers
No trite, tear-jerking cliché goes undrooled in the script by director Kirk Jones.- Rolling Stone
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Peter Travers
In this haunting portrait of America as no country for old men or young, Hillcoat -- through the artistry of Mortensen and Smit-McPhee -- carries the fire of our shared humanity and lets it burn bright and true.- Rolling Stone
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Peter Travers
What do you say about a movie that proves Zac Efron can act, introduces a master thespian in Christian McKay and launches a charm assault that is damn near irresistible? I say, see it.- Rolling Stone
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Peter Travers
Any resemblance between this Bad Lieutenant and the 1992 Abel Ferrara landmark is purely in the head of the dude who thought up the title.- Rolling Stone
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Peter Travers
Cruz exudes a sensual aura of mystery that holds you spellbound. And Almodóvar, a true poet of cinema, creates images -- horrifying and healing -- that live inside your head like a waking dream. You want to miss a movie like that? I didn’t think so.- Rolling Stone
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Peter Travers
Ever since "True Blood" glamoured me, Twilight seems even more sexless and toothless. I prefer my undead with a little life in them.- Rolling Stone
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Peter Travers
An adventure in pure imagination that plays to the smart kid in all of us.- Rolling Stone
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Reviewed by
Peter Travers
Beware 2012, which works the dubious miracle of almost matching "Transformers 2" for sheer, cynical, mind-numbing, time-wasting, money-draining, soul-sucking stupidity.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
The boat nearly sinks from character overload, and Curtis brakes when you most want him to gun it. But there’s no denying the comic energy of the cast.- Rolling Stone
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Peter Travers
Claireece "Precious" Jones, played by Gabourey Sidibe, 24, in an astounding debut that brims with grit and amazing grace.- Rolling Stone
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Peter Travers
The go-for-broke performances help make all this paranormal activity too much fun to care.- Rolling Stone
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Peter Travers
What a shame that Kelly's pacing doesn't run as fast as his imagination. Instead of sweeping you along, The Box just sits there like something unclaimed at lost and found. Damaged goods.- Rolling Stone
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Peter Travers
Watching his struggle is illuminating, unnerving and unforgettable.- Rolling Stone
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Peter Travers
Depending on your reaction to the cinematic outrages perpetrated by Danish director Lars von Trier (remember Dogville?), you might want to add or subtract two stars from the halfway (half-assed?) rating I just gave Antichrist.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Jammed with story threads that don’t cohere, Cirque commits the cardinal sin for a vampire movie: It’s bloodless.- Rolling Stone
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Peter Travers
Jonze has filmed a fantasy as if it were absolutely real, allowing us to see the world as Max sees it, full of beauty and terror. The brilliant songs, by Karen O (of the Yeah Yeah Yeahs) and the Kids, enhance the film's power.- Rolling Stone
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Peter Travers
Jeez, did the "surprise" climax have to be this eye-rollingly stupid?- Rolling Stone
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Peter Travers
An Education is remarkable for the traps it doesn't fall into. Jenny, for all her naive impulses, isn't a victim.- Rolling Stone
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Peter Travers
The cast got to spend a month shooting on Bora Bora. So that explains why they're in the movie. Why you'd spend good money for a ticket to watch them have all the fun and not have any fun yourself passes understanding.- Rolling Stone
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Peter Travers
This movie and Hardy's electrifying performance will knock you for a loop.- Rolling Stone
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Peter Travers
This seriously funny movie, artfully photographed by the great Roger Deakins, is spiritual in nature, barbed in tone, and, oh, yeah, it stings like hell.- Rolling Stone
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Peter Travers
At moments, especially in the conflicted intimacy between Marcia Gay Harden and Daniel Stern as Bliss' parents, Barrymore shows real directing chops. But in Whip It she's painting inside the box.- Rolling Stone
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Peter Travers
Guilty-pleasure movies should not be underestimated. I had a scary-fun-house blast at Zombieland, in which studly Woody Harrelson, nerdy Jesse Eisenberg, sexy Emma Stone and sunshiny Abigail Breslin roam a near-dead world kicking zombie ass.- Rolling Stone
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Peter Travers
For its first stingingly funny half hour, The Invention of Lying had me thinking that Ricky Gervais had finally found a way to bring his indisputable brilliance at TV comedy (The Office, Extras) to the big screen. Then the air went out of the balloon. What a shame.- Rolling Stone
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Peter Travers
With a $15,000 budget too puny to empty a petty-cash drawer, the no-frills Paranormal Activity comes packed with thrills.- Rolling Stone
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Peter Travers
Owen, in a heartfelt, award-caliber performance, never goes soft. It's his core of toughness that makes the movie so funny, touching and vital.- Rolling Stone
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Peter Travers
Moore's fireball of a movie could change your life. It had me laughing with tears in my eyes.- Rolling Stone
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Peter Travers
There is devilish fun in this look into 1990s white-collar crime. But the jokes are the kind you choke on.- Rolling Stone
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- Rolling Stone
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Peter Travers
Bright Star is the New Zealand writer-director's raw, sensual attempt to render Keats as experienced by a young girl who couldn't understand the genius of his verse.- Rolling Stone
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Peter Travers
What I can’t figure out is how director Peter Hyams can remake a 1956 movie from the great Fritz Lang and not learn anything about suspense, pacing and storytelling in the process. This movie is beyond boring. You could stay warm for two hours by striking a match to the wooden acting.- Rolling Stone
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Peter Travers
I only wish this richly imaginative movie had stayed truer to the dark heart of its visuals.- Rolling Stone
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Peter Travers
Here’s a powerhouse of a documentary that makes you feel mad as hell and unwilling to take it anymore.- Rolling Stone
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- Rolling Stone
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Peter Travers
Judge is in the business of social satire, and his laughs can sting, but his movie is a comic salute to free enterprise. And, boy, do we need it now.- Rolling Stone
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- Rolling Stone
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Peter Travers
Comedian Patton Oswalt triumphantly nails every comic and dramatic nuance as Paul Aufiero, a New York Giants obsessive who has long ago moved from fan to fanatic.- Rolling Stone
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- Rolling Stone
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Peter Travers
For anyone professing true movie love, there's no resisting it.- Rolling Stone
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Peter Travers
As for Lee, he clearly relates to this material and the questions of political, musical and family identity he himself raised in films as diverse as "Malcolm X," "Mo' Better Blues" and "Crooklyn."- Rolling Stone
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Peter Travers
This baby has the stuff to end the movie summer on a note of dazzle and distinction.- Rolling Stone
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- Rolling Stone
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Peter Travers
I'd watch the vibrant Rachel McAdams and Eric Bana in anything, but The Time Traveler's Wife is pushing it.- Rolling Stone
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- Rolling Stone
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Peter Travers
Props to Kutcher for going to surprising, painful places. There's something haunted in his portrayal that hits hard and sticks.- Rolling Stone
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Peter Travers
Meryl Streep -- at her brilliant, beguiling best -- is the spice that does the trick for the yummy Julie & Julia.- Rolling Stone
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- Rolling Stone
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Peter Travers
I don't know what to say about the acting, writing and directing in G.I. Joe because I couldn't find any.- Rolling Stone
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Peter Travers
Enjoying this wondrous wisp of a something is easy, describing it is hard. Luckily, Charlyne Yi is an enchantress.- Rolling Stone
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Peter Travers
It's the work of a major talent. Apatow scores by crafting the film equivalent of a stand-up routine that encompasses the joy, pain, anger, loneliness and aching doubt that go into making an audience laugh.- Rolling Stone
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Peter Travers
The Cove plays like a thriller. It has the breathless pace of a "Bourne" movie, but none of the comfort of fiction. This is documentary filmmaking at its most exciting and purposeful.- Rolling Stone
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Peter Travers
Laugh you will, loud and often. In the Loop deserves to be a sleeper hit. The whole cast is stellar. And it proves that smart and funny can exist in the same movie, even in summer.- Rolling Stone
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Peter Travers
Toss this ugly-ass crap to the curb, along with the other multiplex garbage, and see a romance that gets it right. I'm talking "(500) Days of Summer."- Rolling Stone
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Peter Travers
A different kind of love story: an honest one that takes a piece out of you.- Rolling Stone
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Peter Travers
Getting lost in the hypnotic Half-Blood Prince is what gives the movie its haunting power.- Rolling Stone
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Peter Travers
You'll hoot and holler as it strips down its targets and sticks it to them, hardcore. Baron Cohen is the pure, untamed id of movie comedy.- Rolling Stone
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Peter Travers
Aiming for the heartfelt hilarity of "Superbad," I Love You, Beth Cooper is just super bad.- Rolling Stone
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Peter Travers
Public Enemies comes at you like Dillinger did: all of a sudden. It's movie dynamite.- Rolling Stone
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Peter Travers
Here's the Iraq War movie for those who don't like Iraq War movies.- Rolling Stone
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