RogerEbert.com's Scores
- Movies
- TV
For 7,549 reviews, this publication has graded:
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55% higher than the average critic
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3% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | Ghost Elephants | |
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| Lowest review score: | Buddy Games: Spring Awakening |
Score distribution:
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Positive: 4,943 out of 7549
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Mixed: 1,248 out of 7549
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Negative: 1,358 out of 7549
7549
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Sheila O'Malley
Black Bear is ambitious for itself in its many layers of meta, but the observational moments of behavior is where the film soars. Writer/director Lawrence Michael Levine has created a highly self-conscious work that comments on itself and then comments again. Levine's sense of humor is one of his saving graces, and that's particularly true here. This is a disturbing film, and much of it is unpleasant, but it's also very, very funny.- RogerEbert.com
- Posted Dec 9, 2020
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Reviewed by
Sheila O'Malley
There are conflicts in Princess Cyd, but they're on a low boil. One of the pluses of Cone's approach — if you're open to it — is you are sometimes confronted with your own preconceived notions about people.- RogerEbert.com
- Posted Nov 3, 2017
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Odie Henderson
It’s full of pure, unadulterated love for “The Greatest,” so much so that the viewer can’t help but get enveloped in its adoration.- RogerEbert.com
- Posted Jun 4, 2021
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- RogerEbert.com
- Posted Jun 5, 2020
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Reviewed by
Odie Henderson
With these scenes highlighting growth and resilience, Time refuses to be some kind of tragedy porn. Sibil and her brood demand justice, not pity. Her strength carries the film and elevates her sons toward success.- RogerEbert.com
- Posted Oct 9, 2020
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Roxana Hadadi
Filmmaker Zeina Durra’s entrancing, languorous Luxor wonders about the allure of the backward gaze and the uncertainty inspired by an unknowable future, and co-stars Andrea Riseborough and Karim Saleh are practically perfect in this thoughtful romance.- RogerEbert.com
- Posted Dec 9, 2020
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Sheila O'Malley
Suffused with fantastical elements, dreamlike sequences and hallucinatory images, A Fantastic Woman stars Daniela Vega, a trans actress, and her performance roots the film in a kind of intimate verisimilitude.- RogerEbert.com
- Posted Feb 2, 2018
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Christy Lemire
Despite the fact that you’ve heard these songs countless times in a variety of settings, these inspired incarnations will make you feel like you’re experiencing them for the first time, just as Moby Doc as a whole breathes thrilling new life into a safe and conventional genre.- RogerEbert.com
- Posted May 28, 2021
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Brian Tallerico
The Godfather Coda does seem different, thanks largely to how he opens and closes the film. Overall, this version feels even more elegiac—a true coda instead of just another part of the same story.- RogerEbert.com
- Posted Dec 9, 2020
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Brian Tallerico
Like its subject has done so many times in his six-decade career, this one exceeds expectations.- RogerEbert.com
- Posted Dec 10, 2024
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Sheila O'Malley
A powerful and entertaining film about a gang of girls, and what friendship means, the protection it provides.- RogerEbert.com
- Posted Jan 30, 2015
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Reviewed by
Sheila O'Malley
It feels like this material could have been a bodice-ripping melodrama in less intuitive hands. But "The Promised Land" has control of its narrative.- RogerEbert.com
- Posted Feb 2, 2024
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Nell Minow
The Forty-Year-Old Version is brimming with sharp but often understated humor and a deep experience of making art.- RogerEbert.com
- Posted Oct 9, 2020
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- RogerEbert.com
- Posted Sep 27, 2019
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Reviewed by
Carlos Aguilar
Fashioned out of fresh faces unable to lie to the camera, “Playground” is a study in human behavior wrapped in equal parts fear and curiosity.- RogerEbert.com
- Posted Feb 11, 2022
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Peter Sobczynski
To the credit of the filmmakers, 76 Days has been made in such a skillful and gripping manner that even those suffering from COVID news fatigue will find themselves caught up in it.- RogerEbert.com
- Posted Dec 9, 2020
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Matt Zoller Seitz
It's hard to write about In Jackson Heights without sounding like you're trying to write poetry.- RogerEbert.com
- Posted Nov 5, 2015
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Nell Minow
A high-concept animated film about animals with superpowers is brought to vibrant, endearing life by the superpowers behind the scenes: lively voice talent from an all-star cast, a script that is smart, exciting, and very funny, and, above all, the ability to tap into one of humanity’s deepest emotions, our love for our pets and theirs for us.- RogerEbert.com
- Posted Jul 29, 2022
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Sheila O'Malley
Pulling back the curtain to see how Carrol Spinney "does it" is not only a revelation of technique but a reminder of just how brilliant he is as a puppeteer and as an actor.- RogerEbert.com
- Posted May 8, 2015
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Matt Zoller Seitz
This is a movie of vision and integrity made on an epic scale, a series of propositions dramatized with machinery, bodies, seawater and fire. It deserves to be seen and argued about. They don't make them like this anymore. Never did, really.- RogerEbert.com
- Posted Jul 18, 2017
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Brian Tallerico
More than just your standard horror/comedy, The Wolf of Snow Hollow is a tonal balancing act, a movie that doesn’t go for laughs or horror as much as weave various tones and styles through its excellent script. I thought Cummings was a talent to watch after “Thunder Road,” and now I’m sure of it.- RogerEbert.com
- Posted Oct 9, 2020
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Matt Zoller Seitz
A tougher, smarter film than American sci-fi cinema buffs are used to seeing.- RogerEbert.com
- Posted Feb 11, 2022
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Brian Tallerico
Some will argue that all of the themes of “undertone” don’t connect, but that’s a feature, not a bug. This is a film that doesn’t feel the need to explain itself. Nightmares rarely do.- RogerEbert.com
- Posted Jan 29, 2026
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Christy Lemire
What Megan Park has done with “My Old Ass” is so authentic and thoroughly winning that she breathes new life into a familiar genre.- RogerEbert.com
- Posted Sep 13, 2024
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Reviewed by
Matt Zoller Seitz
20 Days in Mariupol, about the first 20 days of Russia's invasion of Ukraine, spares no one's sensibilities. It goes on a short list of great documentaries that the viewer will never want to watch again and likely won't need to because some of the images are so gruesome and the context so upsetting that they'll be burned into your memory.- RogerEbert.com
- Posted Jul 14, 2023
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Christy Lemire
Director Jan Komasa’s film — nominated this year for the international-feature Oscar — may feel a tad slow at times, but Bielenia is never less than totally compelling.- RogerEbert.com
- Posted Feb 19, 2020
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Glenn Kenny
Like all of Petzold’s recent pictures, Afire draws you in confidently and prepares its knockout emotional punch with scrupulousness and a vivid sense of surprise.- RogerEbert.com
- Posted Jul 14, 2023
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Simon Abrams
Body feels downright old-fashioned: a thriller with tension that doesn't stem from gore, jump scares, or other cheap shock tactics, but rather a creeping dread that grows with each red herring, and slow-burn plot twist.- RogerEbert.com
- Posted Dec 11, 2015
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Matt Zoller Seitz
Morris' direction offers other filmmakers a template for how to make a small movie that feels big, just by making definitive choices and sticking to them.- RogerEbert.com
- Posted Oct 11, 2022
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Reviewed by
Susan Wloszczyna
Although events unfold amid a gorgeous pastoral setting with rolling green hills and leafy trees, there is a silent starkness about this countryside that suggests Ingmar Bergman’s use of natural surroundings.- RogerEbert.com
- Posted Apr 17, 2015
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