Stratogun is a niche title for a niche audience, and it's perfectly content to be just that. It doesn't do anything revolutionary, nor is it the finest example of its genre. But it is a solid, well-designed example of passion. For the initiated, that's enough.

Nostalgic to a fault, Battlefield 6 is the bare minimum product that is designed to get better over time. Right now, it's just fine, but nothing more.

There is a better, more nuanced game buried underneath the blind love for the genre. I'm just not certain that The Precinct has the interest or skill to find it. As it stands, this is an acceptable if not great GTA clone that stumbles by ignoring the elephant in the room.

Metroid Prime 4: Beyond is half the classic adventure we love and partly a step into the next evolution of the franchise. Sadly, it refuses to fully commit to either one, leaving this adventure halfway between the two.

Like Veronica Mars, Life is Strange is still charming in its later seasons, but you can see where the conflicting visions over the story don't mesh. It's lovely to see these characters again, I just wish they'd be allowed to have an ending.

Winter Burrow is beautiful and wonderfully written adventure brought down by obtuse and frustrating design choices.

Despite these issues, which are notable, I would recommend Cairn to almost everyone. Even as a thought experiment. It's the kind of passionately designed indie game that deserves attention, even or especially when it gets in its own way. In the moments where it focuses on the pure experience of climbing, it is an atmospheric masterwork. Visually, it is one of the pretties games released this year. I wouldn't be surprised if it didn't grab a bunch of awards on art design alone.

Packed with incredible atmosphere and intriguing lore, Marathon is hampered by a nightmarishly bad UI and punishing game mechanics that make the experience frustrating for anyone but groups of dedicated fans.

Crimson Desert is a gorgeous audiovisual experience with obtuse mechanics, poor mission design, and a nonexistent story. It plays like an MMO trapped in the frame of a single-player adventure game with too many cooks in the kitchen.

Aphelion is hugely ambitious, but saddled with an unengaging narrative and dated mechanics that result in a rare misstep for Don't Nod.

SYNDUALITY needs to take a long, hard look at itself and ask what does it want to be, and how will it get there. Right now, it’s not worth the asking price, especially with all the micro-transactions still found in the game. But maybe, after some updates and potentially a free-to-play model in place, SYNDUALITY emerges a better, more thought-out product.

Packed with awful mission design, an always-online campaign mode, nauseating AI slop, and microtransactions everywhere, Black Ops 7 is the nadir for the iconic franchise and a miserable experience all around.

Passion and ambition don't always equal quality. Lost Soul Aside has plenty of ideas, but no vision to put them together. Instead, it settles for a muddled selection of borrowed mechanics, tied together by disastrously bad writing and acting.