ReelViews' Scores

  • Movies
For 4,661 reviews, this publication has graded:
  • 62% higher than the average critic
  • 3% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 1.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Arrival
Lowest review score: 0 A Hole in My Heart
Score distribution:
4661 movie reviews
  1. It offers a feel-good experience, but without the heavy dose of schmaltz that often accompanies such a production.
  2. On balance, more of the movie works than doesn't, but this isn't 140 minutes of unqualified successes.
  3. Does what it sets out to do: educates about a mostly unknown historical figure (without doctoring the facts too much), entertains, and uplifts.
  4. The ideas underlying Aeon Flux's plot are the film's strength, and the filmmakers deserve some credit for doing more than paying lip service to them.
  5. As much heralded, "edgy" movies go, Transamerica fails to live up to expectations.
  6. This is strictly B-movie fare. It tries to do some of the same things as "Kiss Kiss Bang Bang" and suffers as a result of the comparison.
  7. There are bad movies and annoying movies, and this one contains elements of both.
  8. Mediocre and recommended only to those who can claim a familiarity with the play.
  9. In today's environment, it's a rare thing to find a movie with interesting characters in dense, intelligent storylines, but that's what Syriana offers. It is one of the best films of 2005.
  10. Imperfect, but magical nonetheless.
  11. This movie has a driving plotline that "Ray" lacked - a love story. To me, that's what elevates this film.
  12. Tedious and predictable, it employs obvious situations and clichés instead of genuine suspense-building elements.
  13. Will work better for younger viewers than older ones. There's not much plot to absorb and there's plenty of action, so this is the kind of spectacle that will appeal to those without long attention spans.
  14. Of Austen's novels, none is more beloved than this one, so it's good to see it once again brought to the screen with the pride which it deserves.
  15. There's no shortage of material on the screen in Bee Season - it's just not assembled in a satisfying manner.
  16. Bogged down by many of the problems that have plagued Disney's recent traditional animated features: anonymous voice work, poor plot structure, and the mistaken belief that the Disney brand will elevate anything to a "must see" level for viewers starved for family friendly fare. If there's a bright side to Chicken Little, it's that kids will love it.
  17. Jarhead is about how the experience of being in the military fundamentally changes an individual. In this case, the focus isn't about the madness of slaughter in the jungle, but the madness of inaction in the desert.
  18. Cursed with two of the least interesting bad guys in recent memory. While McGivens and Armand are unquestionably villainous, there's nothing about them to cause audiences to hiss. They're boring.
  19. This may sound like Woody Allen - in fact, it often feels like Woody Allen (minus the expected helpings of angst) - but it's not. Prime is from writer/director Ben Younger and, while it's not up to the level of Allen's great romantic comedies ("Annie Hall," "Manhattan"), it's better than anything the acclaimed New York auteur has brought to the screen in recent years.
  20. Reaction to The Weather Man may depend upon an individual's ability to tolerate spending 100 minutes in the company of an unpleasant protagonist. There's no doubt this can be an uncomfortable experience, but it can also be rewarding for those who are willing to endure the discomfort.
  21. The film offers food for thought, and reminds us that, in any war, one who understands the mindset of his opponent gains an important tactical advantage.
  22. A dreadful, hackneyed piece of cinema.
  23. Dreamer is a kids' movie. It offers the simple black-and-whites of innocence, with no grays to add complexity.
  24. This is a smart, adult romance that rarely panders to clichés, and gives up the heady bliss of most such movies in favor of something bittersweet.
  25. Stay is interesting, but it's hard to recommend to anyone but the small cadre of David Lynch devotees who will inhale anything with a whiff of similarity to their favorite auteur's scent.
  26. Robert Downey Jr. is perfect as Harry. He brings the right mix of cynicism, self-doubt, and unpretentiousness.
  27. Yes, the film is interesting, but it doesn't work.
  28. What's sad is that Elizabethtown contains two GREAT sequences.
  29. It's compelling in the way many B-movies are - cheap, sleazy, and lacking the depth we have come to associate with this director.
  30. Stirring and emotionally forceful.

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