ReelViews' Scores
- Movies
For 4,661 reviews, this publication has graded:
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62% higher than the average critic
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3% same as the average critic
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35% lower than the average critic
On average, this publication grades 1.1 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Arrival | |
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| Lowest review score: | A Hole in My Heart |
Score distribution:
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Positive: 3,357 out of 4661
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Mixed: 845 out of 4661
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Negative: 459 out of 4661
4661
movie
reviews
- By Date
- By Critic Score
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Reviewed by
James Berardinelli
The movie succeeds because screenwriter Howard Himelstein keeps Wilde's best lines intact and the actors speak the words with practiced confidence.- ReelViews
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Reviewed by
James Berardinelli
The movie ends with a bizarre and unsatisfying denouement. The epilogue, which is designed either to set up a sequel or lampoon "Halloween 2," plays like a sour last note. I suppose someone thought it was clever, but it doesn't work.- ReelViews
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Reviewed by
James Berardinelli
The film is not riotous, but it is sporadically amusing.- ReelViews
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Reviewed by
James Berardinelli
In movies this deliberately paced, the line between fascination and boredom is a fine one, easily crossed. Fortunately, Bubble stays on the right side of that line.- ReelViews
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Reviewed by
James Berardinelli
This isn't as much a movie as it is a recipe for a cinematic casserole in which the ingredients are clichés and rip-offs.- ReelViews
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James Berardinelli
An excellent movie… if you're a seven-year old girl. That's less a negative evaluation than it is a statement of fact. This isn't a "family film;" it's a "children's film."- ReelViews
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Reviewed by
James Berardinelli
Imagine Me & You isn't unpleasant, but it is unremarkable. If nothing else, it proves that gay romances can be just as uninspired as their heterosexual counterparts.- ReelViews
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Reviewed by
James Berardinelli
Plagued by moralizing so strident and a style so artificial that the story never has a chance to speak to an audience.- ReelViews
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Reviewed by
James Berardinelli
The tone is lighthearted and the performances are effective but, in the end, the feature is so inconsequential as to leave no lasting impression.- ReelViews
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James Berardinelli
Strange that a movie about comedy is so lacking in this quality.- ReelViews
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Reviewed by
James Berardinelli
Designed with Underworld fans in mind. Others need not apply.- ReelViews
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Reviewed by
James Berardinelli
Glory Road's strength is the way in which it blends social awareness into the sports genre.- ReelViews
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Reviewed by
James Berardinelli
There's something beautiful about a well-made tragic love story. It may not be as uplifting as one with a happy ending, but it's more cathartic.- ReelViews
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James Berardinelli
A thrill-less thriller that uses gore to obfuscate its inability to generate tension, this motion picture has the profile one might expect from a direct-to-video release.- ReelViews
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Reviewed by
James Berardinelli
This is one of those movies where you stay rooted in your seat just to see how bad it can really get.- ReelViews
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Reviewed by
James Berardinelli
The over-the-top acting is forgivable, but the plot's incoherence is not.- ReelViews
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James Berardinelli
Not only could one argue that this is the best "serious" work the director has ever attempted, but it's presented in a way that even the most seasoned Allen fan will have difficulty recognizing the iconic filmmaker's fingerprints.- ReelViews
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James Berardinelli
What happens when movie producers cross "Three's Company" with "Masterpiece Theater?" The result would be similar to what Touchstone Pictures has provided with Casanova, a farcical romantic comedy period piece.- ReelViews
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James Berardinelli
An unfocused mess, with poor chemistry all around and an ending that's as firm and satisfying as an overcooked noodle.- ReelViews
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James Berardinelli
The New World is beautiful and lyrical and, except for the ill-advised voiceovers, a treat for more than one of the senses.- ReelViews
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James Berardinelli
There's nothing edgy or groundbreaking about The Matador, but it's funny, touching, and ultimately endearing.- ReelViews
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Reviewed by
James Berardinelli
While Caché offers food for thought, the last third is muddled.- ReelViews
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James Berardinelli
Much of the film's comedy feels muted; Fun with Dick and Jane isn't a lot of fun.- ReelViews
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James Berardinelli
The Producers is a movie based on a play based on a movie about a play. And that's probably the funniest thing about it.- ReelViews
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James Berardinelli
When compared to today's visual standards for animated films, Hoodwinked is far below the curve.- ReelViews
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Reviewed by
James Berardinelli
The best of the trio of human performers is Naomi Watts. She also has the most difficult job - not only is the role physical, but it requires her to play off something that isn't there.- ReelViews
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James Berardinelli
There's no doubting that Memoirs of a Geisha is a lush motion picture, and it has much to recommend it, but this will not go down as one of the great screen romances of the 2000s.- ReelViews
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Reviewed by
James Berardinelli
Isn't for everyone, but for those who are not bothered by the homosexual relationship, it offers a study in yearning, love, and loss. It didn't affect me as deeply as either "The Bridges of Madison County" or "The Remains of the Day," but it evokes some of the same feelings.- ReelViews
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