Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 80 Metascore
    • 80 Critic Score
    It works... stretching rap into weird new shapes. [Feb 2003, p.97]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Darkly funny and strangely beautiful. [Nov 2009, p.111]
    • Q Magazine
    • 68 Metascore
    • 80 Critic Score
    Ash & Ice isn't really a reinvention but it does triumph as a bold restatement of just what makes The Kills unique. [#361, p.109]
    • Q Magazine
    • 89 Metascore
    • 80 Critic Score
    We Are Not Your Kind marks a supremely confident reassertion of their capacity to pulverise. [Sep 2019, p.116]
    • Q Magazine
    • 56 Metascore
    • 80 Critic Score
    May not be their most ambitious album, but it's one of their finest. [July 2011, p. 113]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    If this really is a farewell, Bright Eyes is at least going out with an apocalyptic bang. [March 2011, p. 100]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    It's uniformly good, apart from Bob Mould's new house direction, which gets laughs for all the wrong reasons. [Jan 2004, p.124]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    This is a thrash of real poise: precise, inventive and recklessly fast when necessary. [Nov. 2011, p. 135]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    At times, it teeters between nostalgia and self-parody. .... But you can forgive the odd-slip-up, because the whole thing sounds so joyous. [Mar 2018, p.115]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    Melodic and eccentric, this is a multi-layered beauty. [Feb 2015, p.106]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    [A] wonderful album of covers showcasing his mastery of pianistic romance, witticism and flourish. [#361, p.116]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    When it stumbles it can dissolve into musical Esperanto. But when the balance is right--as on Everybody's nod to original diversity icons Sly And The Family Stone--Depayse makes for scintillating listening. [Aug 2019, p.116]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Even though Nagalo Ni Piny Odag opens their second album in "traditional" style, all chirping percussion and Nyamungu's stringy twang, the tracks which follows cut across genre with winning flair. [Jun 2013, p.103]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    Trendy, sure, but occasionally terrific.
    • 79 Metascore
    • 80 Critic Score
    Second album confirms sonic wizard's wizardry. [March 2011, p. 116]
    • Q Magazine
    • 88 Metascore
    • 80 Critic Score
    You wonder how many guitar bands in the interim have matched the standard set here. [Jun 2012, p.119]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Their debut is a giant leap in the right direction. [Jul 2011, p.118]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    It feels like a step into a brave new world. [Oct 2017, p.108]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    This is a starkly beautiful suite of music by a band who--after two decades--just keeping growing in stature. [Oct 2018, p.115]
    • Q Magazine
    • 89 Metascore
    • 80 Critic Score
    The result is an album that balances sophistication with a satisfying pop sense, and emotional heft with a lightness of touch. [Oct 2018, p.110]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    Big, major-chord jams and subtly political messages abound. [Nov 2015, p.113]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    It was the album that cleared the way for them to become one of the '90s biggest bands. Country Feedback is still one of their best songs, a plaintive, alt-country ballad that allowed Michael Stipe's voice to shine. [Dec 2016, p.117]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Yet another display of his banter and brains. [Feb 2020, p.106]
    • Q Magazine
    • 65 Metascore
    • 80 Critic Score
    Hayward drums like h e needs your attention right now, Moore plays like an apocalypse, and it's all loud, snappy and catchy as hell. [Jan 2018, p.109]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    A raucous, irresistibly melodic collection of songs that ring with indignant, apathy-infused joie de vivre. [Feb 2019, p.112]
    • Q Magazine
    • 87 Metascore
    • 80 Critic Score
    These 11 songs are unashamedly informed by her maternal role in its varying facets of joy, growth, complexity and, on the self-explanatory So Tired, exhausting labour. But it also ranges more wildly. [Mar 2018, p.107]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    Ephyra sees them merge their blissful tendencies with the chutzpah and restless creativity of '80s new wave, mixing in retro-futurist synths, mannered vocals, disco beats and erudite lyricism. [Apr 2019, p.118]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    A powerhouse of big riffed rock 'n' roll drenched in '70s sunshine. [Sep 2012, p.110]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    Anyone who's ever loved a record by Midlake or the Fleet Foxes should investigate immediately. [#361, p.117]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    Stepping outside of their natural environment ensured their longevity in the '90s, stepping back in seems to have given them a fresh boost. For all Zooropa and Pop's pushing of the envelope, limiting themselves to rock's core ingredients has given the band a new challenge. Certainly, not since The Joshua Tree have U2 sounded so like U2 but, with songs of this startling calibre, right now being U2 is no bad thing.