Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 84 Metascore
    • 80 Critic Score
    Both inspiring and inspired, Godfather completes Wiley's reclamation of self brilliantly. [Mar 2017, p.110]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    It's this urgently speculative spirit ["Is it human to ask for more?"] that make Adore Life a compulsive and substantial thrill. [Feb 2016, p.117]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    Each song is like a little journal entry, lent emotional heft by Ashworth's use of repetition. [Apr 2019, p.114]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    For every moment of immaculate pop, there's a moment of strangeness. [Jun 2018, p.116]
    • Q Magazine
    • 61 Metascore
    • 80 Critic Score
    His latest spin-off project sees Steele's musical wanderlust pay dividends. [Mar 2009, p.98]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Poignant and powerful. [Aug 2017, p.110]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Wolf Alice is fiendishly difficult to pin down, bu they're full of inspired ideas rather than lacking direction. [Jun 2015, p.115]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    A delightfully different gang of fuzzy funk rapscallions. A solution worth soluting. [Jun 2010, p.118]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Director's Cut succeeds, however, by axing the star cameos and thrusting some of her most powerful songs back into the spotlight. [Jun 2011, p.115]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Ultimately, the accord reached between Mark Ronson and the quartet is that there's nothing wrong with the Black Lips formula; merely that their exuberance sometimes needs a calming hand on the shoulder. [July 2011, p. 115]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Hardcore sounds defiantly re-energised, like a band starting over. [Mar 2011, p.112]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    A vigorously thought-provoking record. [Aug 2014, p.113]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    There's a real elegance, even a joy, to the way he mixes his dark materials. [Nov 2019, p.112]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    He shows off his instrumental chops. [Nov 2015, p.106]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    The Walkmen are inching closer to the mainstream, while remaining utterly distinctive. [Jul 2012, p.112]
    • Q Magazine
    • 67 Metascore
    • 80 Critic Score
    Snow Patrol are on their way to becoming essential. [May 2006, p.120]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    By eerie last track 80 Ondula, all moody Vangelis synths and bad-acid vibes, there comes the realisation it's actually the sinister undertone that lurks beneath all Jenkinson's esoteric soundscapes which makes them so compelling. [Mar 2020, p.122]
    • Q Magazine
    • 67 Metascore
    • 80 Critic Score
    It's stunning stuff. The bar for the next Grizzly Bear album, already high after Veckatimist, is raised another notch. [Nov. 2011, p. 128]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    ChesnuTT's thrilling unorthodoxy remains in off-kilter arrangements and strange details. [Dec 2012, p.101]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    It's an excellent album born out of modern dread. He's in his element. [Aug 2019, p.106]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Butler's spacey sing-song tones skip across the muddy off-kilter beats, forging a sound that is both immediate and moreish. [Aug 2017, p.110]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    Bristol duo mix up hugely potent psychedelic brew. [March 2011, p. 109]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    His personal universe may be smaller, but here Tom Vek opens himself up to a wider world. [Aug 2014, p.114]
    • Q Magazine
    • 88 Metascore
    • 80 Critic Score
    That's The Spirit will make them mainstream stars, no question. [Nov 2015, p.104]
    • Q Magazine
    • 71 Metascore
    • 80 Critic Score
    The overall effect is not dissimilar to a less arch Rufus Wainwright, although the quality of songs does tail off slightly toward the end. [Jul 2012, p.113]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    Kelis is blessed with a unique voice. [Nov 2006, p.143]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Techno meets dubstep in this dark twist on electronica. [Dec. 2011, p. 126]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    This enthralling, enigmatic statement conjures a mood that's all its own. [May 2015, p.108]
    • Q Magazine
    • 67 Metascore
    • 80 Critic Score
    An album that manages to pile on fresh, innovative production without drowning out the frequently spectacular songwriting. [May 2014, p.118]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    It would be easy for Exiled to come across as a lame pastiche. That it's quite the opposite is testament to the quality of the songs--most notably C.S.A.M.'s anti-imperialism tirade and Brave New Church's attack on facism's resurgence--and the ferocious delivery. [Aug 2019, p.108]
    • Q Magazine