Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 68 Metascore
    • 80 Critic Score
    What makes those sounds compelling here are Ingersoll's buttery rhymes and an ability to zero in on your rhythmic G-spots. [May 2014, p.113]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    The projects most diverse and entertaining recording so far. [Aug 2019, p.109]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    His originality peaked in '74, but for groovy, tuneful pizazz, Wings Of Love takes it even higher. [Jun 2013, p.115]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    Still a stunningly individual reinvention of hip hop and R&B, with great songs swimming in a murk of bizarre arrangements. [Apr 2002, p.119]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    In short, a welcome retelling. [Oct 2018, p.116]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    All hail the new Johnny Cash. [Oct 2004, p.132]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    An unpolished gem. [Feb 2006, p.104]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    McClure says he's regressed to the catchy rock essentials after years spent experimenting: smart move. [Jan 2017, p.104]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    2 Bears have hit a rich seam of easy-going melancholic euphoria. [Oct 2014, p.101]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    It could be horribly contrived, yet Bird has the rare touch to make it sound as natural as breathing. [May 2007, p.125]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    The Aliens' album often has the wide-eyed beauty of Brian Wilson or Jonathan Richman. [Apr 2007, p.120]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    Free from any external pressure to conform, Hebden has managed to make a wholly uncompromising record that remains compulsive from start to finish. [Dec 2013, p.115]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    There's scarcely a moment here that doesn't light a fire. [May 2017, p.100]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    The result is the album Roots Manuva has always threatened to make; approachable yet with real substance. [Oct. 2010, p. 113]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    [Linden's] breathy vocals elevate these warm, enveloping songs to a richer level. [Feb 2014, p.116]
    • Q Magazine
    • 85 Metascore
    • 80 Critic Score
    With shards of melody poking through the noise, the overall effect is often stunning. [Nov 2008, p.117]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    PROTO sometimes hews close to well-worn dystopian tropes, and the child narrator and see-sawing breath sounds of Extreme Love are undeniably annoying. But Herndon's creative restlessness and textural mastery sustain interest across 45 minutes. [Jul 2019, p.108]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Get Well Soon is a starkly beautiful record that mines the sounds of the last four decades of Americana. [May 2011, p.126]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Don't believe a word of it; this mediation on aging has moments as filthy as anything from his X-rated past. [Jun 2011, p.125]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    Her jazz-tinged voice soars; the music manages to be both wonderfully austere and subtly strange. [Jun 2004, p.98]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    [There's] a raw, anxious quality reminiscent of '80s US cult favourites Violent Femmes. [May 2004, p.104]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    A joy from start to finish. [Dec 2003, p.124]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    There's the humanist warmth and simple joy that you hear in The Beach Boys or The Flaming Lips at their best. [Nov 2002, p.114]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    This 11 track-LP is bursting with energy and invention. [Jun 2012, p.99]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    Tongue-in-cheek though this often is, the self-indulgence is never at the expense of the music. [Jul 2014, p.114]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Ode To Joy shivers on this ledge between defiance and dissolution. Despite Tweedy's fears, it turns out more Wilco music is exactly what's needed. [Nov 2019, p.117]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    45 bonkers minutes. [Jun 2004, p.103]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    These are songs that do indeed seem to move through another era, from the delightful mournful I Can't Listen To Gene Clark Anymore to the pulse of Roy Orbison beneath Lover Release Me and Dream Dream Big In The Sky. [Nov 2018, p.108]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    A beautifully moving, soul-stirring, bravely genre-blurring album. [Oct 2014, p.111]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    A breath of fresh air. [Nov 2005, p.122]
    • Q Magazine